パラメーター
393 件
| 名前 | 場所 | 範囲 | MIDI | 説明 |
|---|---|---|---|---|
| NOTE Trig Note | TRIG1 · ノブ A audio, bus, fx_send, mix, midi | CC 3 | Sets the pitch of the note when trigged. In LIVE RECORDING mode, notes entered via the KEYBOARD override this setting. Not available for tracks with the Subtracks SRC machine assigned. §12.2 | |
| VEL Trig Velocity | TRIG1 · ノブ B audio, bus, fx_send, mix, midi | CC 4 | Sets the velocity of the sequencer's note trigs. §12.2 | |
| LEN Trig Length | TRIG1 · ノブ C audio, bus, fx_send, mix, midi | CC 5 | Sets the length of the note trig. In LIVE RECORDING mode, the duration of pressing the TRIG keys overrides this general setting. §12.2 | |
| PROB Trig Probability | TRIG1 · ノブ D audio, bus, fx_send, mix, midi | The default setting is 100%, meaning that all the trigs on the track will play every time. | Sets the probability that the trigs on the track play or not. The outcome is re-evaluated every time a trig is set to play. Can be parameter locked to give separate trigs their own probability. §12.2 | |
| RTRG Retrig | TRIG1 · ノブ E audio, bus, fx_send, mix, midi | on/off | NRPN 0:42 | Enables multiple trig repeats on placed trigs. Use DATA ENTRY knob A to turn retrig on/off. See section 10.7 RETRIGS. §12.2 |
| RTIM Repeat Time | TRIG1 · ノブ F audio, bus, fx_send, mix, midi | 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two trigs per step and so on. To do triplets, set the retrig rate to 1/12 (or 1/24). | NRPN 0:43 | Sets the retrig rate. §12.2 |
| RVEL Repeat Velocity | TRIG1 · ノブ G audio, bus, fx_send, mix, midi | -1…1 | NRPN 0:44 | Sets the velocity curve fade of the retrig: -1 fades out completely over the set length, 0 is a flat velocity curve, 1 fades in completely to full velocity. The effect also depends on the VEL setting on TRIG PAGE 1. §12.2 |
| COND Trig Condition | TRIG1 · ノブ H audio, bus, fx_send, mix, midi | Trig Condition list per section 10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS | When you add a conditional lock, COND sets the Trig Condition with which a set of conditional rules can be applied to any trig, using a conditional parameter lock. §12.2 | |
| PTIM Portamento Time | TRIG2 · ノブ A audio, midi | CC 9 | Sets the time for the portamento. §12.3 | |
| PORT Portamento | TRIG2 · ノブ B audio, midi | on/off | CC 65 | Turns the portamento on/off. §12.3 |
| ATK Attack Time | FLTR1 · ノブ A audio | Sets the length of the attack phase of the filter envelope. (Single Player, Multi Player, and Subtracks machines; Grainer and Shape have their own FLTR PAGE 1 parameters.) §12.5 | ||
| DEC Decay Time | FLTR1 · ノブ B audio | Sets the length of the decay phase of the filter envelope. (Single Player, Multi Player, and Subtracks machines.) §12.5 | ||
| SUS Sustain Level | FLTR1 · ノブ C audio | Sets the sustain level of the filter envelope. (Single Player, Multi Player, and Subtracks machines.) §12.5 | ||
| REL Release Time | FLTR1 · ノブ D audio | Sets the length of the release phase of the filter envelope. (Single Player, Multi Player, and Subtracks machines.) §12.5 | ||
| FREQ Frequency | FLTR1 · ノブ E audio | Sets the cutoff frequency of the Multimode filter and the center frequency of the EQ. (Single Player, Multi Player, and Subtracks machines.) §12.5 | ||
| RESO Resonance | FLTR1 · ノブ F audio | Sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. (Single Player, Multi Player, and Subtracks machines.) §12.5 | ||
| TYPE Type | FLTR1 · ノブ G audio | Morphs the Multimode filter from low-pass to band-pass to high-pass. (Single Player, Multi Player, and Subtracks machines.) §12.5 | ||
| ENV Env. Depth | FLTR1 · ノブ H audio | The knob is bipolar, offering both negative and positive modulation depths. | Determines the amount of modulation the filter envelope applies to the cutoff frequency. The knob is bipolar, offering both negative and positive modulation depths. (Single Player, Multi Player, and Subtracks machines.) §12.5 | |
| DEL Envelope Delay | FLTR2 · ノブ A audio | NRPN 0:46 | Sets the time before the attack phase of the filter envelope starts. Only affects the Multimode filter on FLTR page 1. Quick access: hold FUNC and turn DATA ENTRY knob A from FLTR page 1. (Single Player, Multi Player, and Subtracks machines; Grainer and Shape have no FLTR PAGE 2.) §12.6 | |
| SPRD Frequency Spread | FLTR2 · ノブ B audio | Offsets the filter cutoff frequency in the left and right channels. (Single Player, Multi Player, and Subtracks machines.) §12.6 | ||
| KEY.T Keytrack | FLTR2 · ノブ C audio | NRPN 0:47 | Sets how much the filter cutoff frequency is affected by what note is playing. Higher settings open the filter more at higher notes. Only available for the Single Player and Multi Player machines. §12.6 | |
| BASE Base | FLTR2 · ノブ D audio | CC 78 | Sets the base frequency of the Base-width filter (a high-pass and low-pass filter in series). With BASE at 0 the filter acts as a low-pass filter. (Single Player, Multi Player, and Subtracks machines.) §12.6 | |
| WIDTH Width | FLTR2 · ノブ E audio | CC 79 | Sets the frequency width above the base frequency of the Base-width filter. With WDTH at 127 the filter acts as a high-pass filter; at 0 it acts as a band-pass filter. The manual abbreviates this parameter as both WIDTH and WDTH. (Single Player, Multi Player, and Subtracks machines.) §12.6 | |
| RSET Envelope Reset | FLTR2 · ノブ F audio | ON / OFF | NRPN 0:45 | Sets the filter envelope behavior. ON resets the envelope for each consecutive trig (attack phase reset to zero). OFF (default) lets the attack phase continue from where it left off. Only affects the Multimode filter on FLTR page 1. §12.6 |
| ATK Attack Time | AMP · ノブ A audio | CC 83 | Sets the length of the attack phase of the amp envelope. §12.7 | |
| HOLD Hold Time | AMP · ノブ B audio | Fixed Hold time values (0–126), or NOTE | CC 84 | Sets the length of the hold phase of the amp envelope. Fixed values (0–126) make the envelope ignore Note Off events; NOTE makes the hold phase follow Note On/Off events. Only available if ENVELOPE MODE in the TRACK SETUP menu is set to AHD. §12.7 |
| DEC Decay Time | AMP · ノブ C audio | CC 85 | Sets the length of the decay phase of the amp envelope. When ENVELOPE MODE is set to AHD, DECAY works as the REL parameter, defining the time from end of HOLD to 0. §12.7 | |
| SUS Sustain Level | AMP · ノブ D audio | CC 86 | Sets the sustain level of the amp envelope. Only available if ENVELOPE MODE in the TRACK SETUP menu is set to ADSR. §12.7 | |
| REL Release Time | AMP · ノブ E audio | CC 87 | Sets the length of the release phase of the amp envelope. Only available if ENVELOPE MODE in the TRACK SETUP menu is set to ADSR. §12.7 | |
| OVER Overdrive | AMP · ノブ F audio | CC 88 | Sets the amount of overdrive and clipping distortion of the signal entering the filter. §12.7 | |
| PAN Pan | AMP · ノブ G audio | L64–R63, with 0 being the balanced midpoint | CC 10 | Positions the audio of each voice in the stereo field. Bipolar: 0 is the balanced midpoint, L64 sends all sound to the left channel, R63 all to the right. §12.7 |
| VOL Volume | AMP · ノブ H audio | CC 89 | Sets the volume amount of the amplifier. Unlike the track level (LEV), this parameter can be parameter locked and is saved with the preset. For the Subtracks machine, sets the amp level for every separate subtrack. §12.7 | |
| SND1 Send 1 | FX1 · ノブ A audio, bus | CC 44 | Sets the amount of sound sent through to Send FX 1. §12.8 | |
| SND2 Send 2 | FX1 · ノブ B audio, bus | CC 45 | Sets the amount of sound sent through to Send FX 2. §12.8 | |
| SND3 Send 3 | FX1 · ノブ C audio, bus | CC 46 | Sets the amount of sound sent through to Send FX 3. §12.8 | |
| ROUT Routing | FX1 · ノブ D audio | MIX AB / OUT CD / OUT EF / BUS 1 / BUS 2 / BUS 3 / BUS 4 | CC 47 | Selects where to route the audio of the selected track; mirrors the setting in the ROUTING menu. MIX AB (default) routes to the MIXER then through the Mix FX to the A/B outputs and Headphones; OUT CD and OUT EF route directly to those output pairs; BUS 1–4 routes to the corresponding bus. §12.8 |
| SPD Speed | MOD1 · ノブ A audio, midi | The knob is bipolar. The LFO cycle can be played backward by using negative values. | CC 102NRPN 0:1 | Sets the speed of VOICE LFO 1. Try settings of 8, 16 or 32 to sync the LFO to straight beats. Bipolar: negative values play the LFO cycle backward. §12.12 |
| MULT Multiplier | MOD1 · ノブ B audio, midi | CC 103NRPN 0:2 | Multiplies the SPD parameter by the set factor, either following the current tempo (BPM settings) or applying a fixed tempo of 120 BPM. §12.12 | |
| FADE Fade In/Out | MOD1 · ノブ C audio, midi | -64…63 | NRPN 0:3 | Fades the LFO modulation in or out. Positive values produce a fade-out, negative values a fade-in, 0 gives no fade. §12.12 |
| DEST Destination | MOD1 · ノブ D audio, midi | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for VOICE LFO 1. Highlighting a destination previews how the modulation will affect the sound; YES confirms, NO reverts. §12.12 | |
| WAVE Waveform | MOD1 · ノブ E audio, midi | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | NRPN 0:5 | Sets the LFO waveform. Triangle, Sine, Square, Sawtooth, and Random are bipolar; Exponential and Ramp are unipolar. §12.12 |
| SPH Start Phase | MOD1 · ノブ F audio, midi | 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center | NRPN 0:6 | Sets the point within the wave cycle where the LFO starts when trigged. If WAV is set to RND, this parameter changes to SLEW and adds slew to the transitions in the waveform. §12.12 |
| MODE Trig Mode | MOD1 · ノブ G audio, midi | FREE / TRIG / HOLD / ONE / HALF | NRPN 0:7 | Determines how the LFO behaves when a note is triggered. FREE runs continuously; TRIG restarts on a note trig; HOLD runs free but latches the output level on a trig; ONE runs to the end of the waveform and stops (envelope-like); HALF runs to the middle and stops. §12.12 |
| DEP Depth | MOD1 · ノブ H audio, midi | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 104NRPN 0:8 | Sets the depth and polarity of the LFO modulation. Both negative and positive depths are possible; the center setting 0.00 equals no modulation. §12.12 |
| SPD Speed | MOD2 · ノブ A audio, midi | The knob is bipolar. The LFO cycle can be played backward by using negative values. | CC 105NRPN 0:9 | Sets the speed of VOICE LFO 2. MOD page 2 contains the same parameters as VOICE LFO page 1 but controls VOICE LFO 2. §12.13 |
| MULT Multiplier | MOD2 · ノブ B audio, midi | CC 106NRPN 0:10 | Multiplies the SPD parameter by the set factor, either following the current tempo or a fixed 120 BPM. Controls VOICE LFO 2. §12.13 | |
| FADE Fade In/Out | MOD2 · ノブ C audio, midi | -64…63 | NRPN 0:11 | Fades the VOICE LFO 2 modulation in or out. Same behavior as on MOD page 1. §12.13 |
| DEST Destination | MOD2 · ノブ D audio, midi | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for VOICE LFO 2. §12.13 | |
| WAVE Waveform | MOD2 · ノブ E audio, midi | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | NRPN 0:13 | Sets the VOICE LFO 2 waveform. Triangle, Sine, Square, Sawtooth, and Random are bipolar; Exponential and Ramp are unipolar. §12.13 |
| SPH Start Phase | MOD2 · ノブ F audio, midi | 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center | NRPN 0:14 | Sets the start phase of VOICE LFO 2. If WAV is set to RND, changes to SLEW. §12.13 |
| MODE Trig Mode | MOD2 · ノブ G audio, midi | FREE / TRIG / HOLD / ONE / HALF | NRPN 0:15 | Determines how VOICE LFO 2 behaves when a note is triggered. Same modes as on MOD page 1. §12.13 |
| DEP Depth | MOD2 · ノブ H audio, midi | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 107NRPN 0:16 | Sets the depth and polarity of the VOICE LFO 2 modulation; 0.00 equals no modulation. §12.13 |
| ATK Attack Time | MOD3 · ノブ A audio | NRPN 0:17 | Sets the length of the attack phase of the Mod Envelope. §12.14 | |
| DEC Decay Time | MOD3 · ノブ B audio | NRPN 0:18 | Sets the length of the decay phase of the Mod Envelope. §12.14 | |
| SUS Sustain Level | MOD3 · ノブ C audio | NRPN 0:19 | Sets the sustain level of the Mod Envelope. §12.14 | |
| REL Release Time | MOD3 · ノブ D audio | NRPN 0:20 | Sets the length of the release phase of the Mod Envelope. §12.14 | |
| RSET Mod Envelope Reset | MOD3 · ノブ E audio | ON / OFF | NRPN 0:21 | Sets the Mod Envelope behavior. ON resets the envelope for each consecutive trig; OFF (default) lets the attack phase continue from where it left off. §12.14 |
| DEST Destination | MOD3 · ノブ F audio | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for the Mod Envelope. Highlighting a destination previews the modulation; YES confirms, NO reverts. §12.14 | |
| DEP Depth | MOD3 · ノブ G audio | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 110NRPN 0:24 | Sets the depth and polarity of the Mod Envelope modulation; 0.00 equals no modulation. §12.14 |
| SPD Speed | MOD4 · ノブ A audio | The knob is bipolar. The LFO cycle can be played backward by using negative values. | CC 111NRPN 0:26 | Sets the speed of FX LFO 1, which modulates the parameters of the selected Insert FX 1 and 2. Bipolar: negative values play the LFO cycle backward. §12.15 |
| MULT Multiplier | MOD4 · ノブ B audio | CC 112NRPN 0:27 | Multiplies the SPD parameter by the set factor, either following the current tempo (BPM settings) or applying a fixed tempo of 120 BPM. §12.15 | |
| FADE Fade In/Out | MOD4 · ノブ C audio | The knob is bipolar. 0 gives no fade-in/fade-out. | NRPN 0:28 | Fades the FX LFO 1 modulation in or out. Per section 12.15, positive values produce a fade-in and negative values a fade-out (note: the polarity wording is reversed relative to the VOICE LFO description in 12.12); 0 gives no fade. §12.15 |
| DEST Destination | MOD4 · ノブ D audio | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for FX LFO 1. §12.15 | |
| WAVE Waveform | MOD4 · ノブ E audio | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | NRPN 0:30 | Sets the FX LFO 1 waveform. Triangle, Sine, Square, Sawtooth, and Random are bipolar; Exponential and Ramp are unipolar. §12.15 |
| SPH Start Phase | MOD4 · ノブ F audio | 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center | NRPN 0:31 | Sets the start phase of FX LFO 1. If WAV is set to RND, changes to SLEW. §12.15 |
| MODE Trig Mode | MOD4 · ノブ G audio | FREE / TRIG / HOLD / ONE / HALF | NRPN 0:32 | Determines how FX LFO 1 behaves when a note is triggered. FREE runs continuously; TRIG restarts on a note trig; HOLD latches the output level on a trig; ONE runs to the end of the waveform and stops; HALF runs to the middle and stops. §12.15 |
| DEP Depth | MOD4 · ノブ H audio | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 113NRPN 0:33 | Sets the depth and polarity of the FX LFO 1 modulation; 0.00 equals no modulation. §12.15 |
| SPD Speed | MOD5 · ノブ A audio | The knob is bipolar. The LFO cycle can be played backward by using negative values. | CC 114NRPN 0:34 | Sets the speed of FX LFO 2. The FX LFO 2 page contains the same parameters as FX LFO page 1 but controls FX LFO 2. §12.16 |
| MULT Multiplier | MOD5 · ノブ B audio | CC 115NRPN 0:35 | Multiplies the SPD parameter by the set factor, either following the current tempo or a fixed 120 BPM. Controls FX LFO 2. §12.16 | |
| FADE Fade In/Out | MOD5 · ノブ C audio | The knob is bipolar. 0 gives no fade-in/fade-out. | NRPN 0:36 | Fades the FX LFO 2 modulation in or out; 0 gives no fade. Per 12.15 (which this page mirrors), positive values produce a fade-in and negative values a fade-out — note this polarity wording is reversed relative to the VOICE LFO description in 12.12. §12.16 |
| DEST Destination | MOD5 · ノブ D audio | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for FX LFO 2. §12.16 | |
| WAVE Waveform | MOD5 · ノブ E audio | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | NRPN 0:38 | Sets the FX LFO 2 waveform. Triangle, Sine, Square, Sawtooth, and Random are bipolar; Exponential and Ramp are unipolar. §12.16 |
| SPH Start Phase | MOD5 · ノブ F audio | 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center | NRPN 0:39 | Sets the start phase of FX LFO 2. If WAV is set to RND, changes to SLEW. §12.16 |
| MODE Trig Mode | MOD5 · ノブ G audio | FREE / TRIG / HOLD / ONE / HALF | NRPN 0:40 | Determines how FX LFO 2 behaves when a note is triggered. Same modes as FX LFO 1. §12.16 |
| DEP Depth | MOD5 · ノブ H audio | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 116NRPN 0:41 | Sets the depth and polarity of the FX LFO 2 modulation; 0.00 equals no modulation. §12.16 |
| SPD Speed | MOD1 · ノブ A bus, fx_send, mix | The knob is bipolar. The LFO cycle can be played backward by using negative values. | CC 111 | Sets the speed of LFO 1. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 |
| MULT Multiplier | MOD1 · ノブ B bus, fx_send, mix | CC 112 | Multiplies the SPD parameter by the set factor, either following the current tempo (BPM settings) or applying a fixed tempo of 120 BPM. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 | |
| FADE Fade In/Out | MOD1 · ノブ C bus, fx_send, mix | -64…63 | Fades the LFO 1 modulation in or out; 0 gives no fade. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 | |
| DEST Destination | MOD1 · ノブ D bus, fx_send, mix | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for LFO 1. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 | |
| WAVE Waveform | MOD1 · ノブ E bus, fx_send, mix | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO 1 waveform. Triangle, Sine, Square, Sawtooth, and Random are bipolar; Exponential and Ramp are unipolar. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 | |
| SPH Start Phase | MOD1 · ノブ F bus, fx_send, mix | 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center | Sets the start phase of LFO 1. If WAV is set to RND, changes to SLEW. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 | |
| MODE Trig Mode | MOD1 · ノブ G bus, fx_send, mix | FREE / TRIG / HOLD / ONE / HALF | Determines how LFO 1 behaves when a note is triggered. FREE runs continuously; TRIG restarts on a note trig; HOLD latches the output level on a trig; ONE runs to the end of the waveform and stops; HALF runs to the middle and stops. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 | |
| DEP Depth | MOD1 · ノブ H bus, fx_send, mix | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 113 | Sets the depth and polarity of the LFO 1 modulation; 0.00 equals no modulation. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.7 |
| SPD Speed | MOD2 · ノブ A bus, fx_send, mix | The knob is bipolar. The LFO cycle can be played backward by using negative values. | CC 114 | Sets the speed of LFO 2. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 |
| MULT Multiplier | MOD2 · ノブ B bus, fx_send, mix | CC 115 | Multiplies the SPD parameter by the set factor, either following the current tempo (BPM settings) or applying a fixed tempo of 120 BPM. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 | |
| FADE Fade In/Out | MOD2 · ノブ C bus, fx_send, mix | -64…63 | Fades the LFO 2 modulation in or out; 0 gives no fade. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 | |
| DEST Destination | MOD2 · ノブ D bus, fx_send, mix | Modulation destination list per APPENDIX B: LFO/MOD ENVELOPE MODULATION DESTINATIONS | Selects the modulation destination for LFO 2. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 | |
| WAVE Waveform | MOD2 · ノブ E bus, fx_send, mix | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO 2 waveform. Triangle, Sine, Square, Sawtooth, and Random are bipolar; Exponential and Ramp are unipolar. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 | |
| SPH Start Phase | MOD2 · ノブ F bus, fx_send, mix | 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center | Sets the start phase of LFO 2. If WAV is set to RND, changes to SLEW. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 | |
| MODE Trig Mode | MOD2 · ノブ G bus, fx_send, mix | FREE / TRIG / HOLD / ONE / HALF | Determines how LFO 2 behaves when a note is triggered. FREE runs continuously; TRIG restarts on a note trig; HOLD latches the output level on a trig; ONE runs to the end of the waveform and stops; HALF runs to the middle and stops. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 | |
| DEP Depth | MOD2 · ノブ H bus, fx_send, mix | Both negative and positive modulation depths are possible. A center setting, 0.00, equals no modulation depth. | CC 116 | Sets the depth and polarity of the LFO 2 modulation; 0.00 equals no modulation. Bus/Send FX/Mix track MOD page; same parameter set as the audio track's MOD PAGE 1 (12.12; declared in 13.7/13.8, 14.6/14.7, 15.7/15.8). On these track types the LFOs are addressed over MIDI as FX LFO 1/2. §13.8 |
| ROUT Routing | FX1 · ノブ D bus | MIX AB / OUT CD / OUT EF | CC 47 | Selects where to route the audio from the selected track's Bus; mirrors the ROUTING menu (switches shown with "B" in the sound architecture illustrations). MIX AB (default) routes to the MIXER then through the Main FX to the A/B outputs and Headphones; OUT CD and OUT EF route directly to those output pairs. §13.4 |
| ROUT Routing | FX1 · ノブ A fx_send | MIX AB / OUT CD / OUT EF | CC 47 | Selects where to route the audio from the selected track's Bus; mirrors the ROUTING menu (switches shown with "C" in the sound architecture illustrations). MIX AB (default) routes to the MIXER then through the Main FX to the A/B outputs and Headphones; OUT CD and OUT EF route directly to those output pairs. Only parameter on the Send FX track's FX PAGE 1. §14.4 |
| IN A Input A Level | SRC mix | CC 16 | Sets the level of the incoming audio from the IN A / USB L input. Slot position not determinable from the manual text (parameters are listed pairwise as IN A/IN B, APAN/BPAN, ROUT/ROUT); verify on hardware. §15.3 | |
| IN B Input B Level | SRC mix | CC 20 | Sets the level of the incoming audio from the IN B / USB R input. Slot position not determinable from the manual text (parameters are listed pairwise as IN A/IN B, APAN/BPAN, ROUT/ROUT); verify on hardware. §15.3 | |
| APAN Input A Pan | SRC mix | L64-R63, with 0 being the balanced midpoint | CC 17 | Positions the audio from the IN A / USB L input in the stereo field. Bipolar: 0 is the balanced midpoint, L64 all left, R63 all right. Slot position not determinable from the manual text (parameters are listed pairwise as IN A/IN B, APAN/BPAN, ROUT/ROUT); verify on hardware. §15.3 |
| BPAN Input B Pan | SRC mix | L64-R63, with 0 being the balanced midpoint | CC 21 | Positions the audio from the IN B / USB R input in the stereo field. Bipolar: 0 is the balanced midpoint, L64 all left, R63 all right. Slot position not determinable from the manual text (parameters are listed pairwise as IN A/IN B, APAN/BPAN, ROUT/ROUT); verify on hardware. §15.3 |
| ROUT Input A Routing | SRC mix | MIX AB / OUT AB / OUT CD / OUT EF / BUS 1 / BUS 2 / BUS 3 / BUS 4 / TRK 1 / TRK 2 / TRK 3 / TRK 4 / TRK 5 / TRK 6 / TRK 7 / TRK 8 | CC 18 | Selects where to route the audio from the IN A / USB L input (switches shown with "A" in the sound architecture illustrations). MIX AB (default) routes through the Main FX to the A/B outputs and Headphones; OUT AB bypasses the Mixer and Main FX; OUT CD / OUT EF route directly to those output pairs; BUS 1-4 routes to a bus; TRK 1-8 routes to a track. Slot position not determinable from the manual text (parameters are listed pairwise as IN A/IN B, APAN/BPAN, ROUT/ROUT); verify on hardware. §15.3 |
| ROUT Input B Routing | SRC mix | MIX AB / OUT AB / OUT CD / OUT EF / BUS 1 / BUS 2 / BUS 3 / BUS 4 / TRK 1 / TRK 2 / TRK 3 / TRK 4 / TRK 5 / TRK 6 / TRK 7 / TRK 8 | CC 22 | Selects where to route the audio from the IN B / USB R input (switches shown with "A" in the sound architecture illustrations). Same options as Input A Routing. Slot position not determinable from the manual text (parameters are listed pairwise as IN A/IN B, APAN/BPAN, ROUT/ROUT); verify on hardware. §15.3 |
| HP.MON Headphones Monitor Level | FLTR1 · ノブ A mix | Sets the level of the audio sent from the mixer to the headphones (Output EF). Position in the signal flow is shown with an "E" in the sound architecture illustrations. Only parameter on the Mix track's FLTR page. §15.4 | ||
| TRK1 Track 1 Level | AMP · ノブ A mix | Sets the TRACK LEVEL parameter of track 1. Mix track AMP page. §15.5 | ||
| TRK2 Track 2 Level | AMP · ノブ B mix | Sets the TRACK LEVEL parameter of track 2. Mix track AMP page. §15.5 | ||
| TRK3 Track 3 Level | AMP · ノブ C mix | Sets the TRACK LEVEL parameter of track 3. Mix track AMP page. §15.5 | ||
| TRK4 Track 4 Level | AMP · ノブ D mix | Sets the TRACK LEVEL parameter of track 4. Mix track AMP page. §15.5 | ||
| TRK5 Track 5 Level | AMP · ノブ E mix | Sets the TRACK LEVEL parameter of track 5. Mix track AMP page. §15.5 | ||
| TRK6 Track 6 Level | AMP · ノブ F mix | Sets the TRACK LEVEL parameter of track 6. Mix track AMP page. §15.5 | ||
| TRK7 Track 7 Level | AMP · ノブ G mix | Sets the TRACK LEVEL parameter of track 7. Mix track AMP page. §15.5 | ||
| TRK8 Track 8 Level | AMP · ノブ H mix | Sets the TRACK LEVEL parameter of track 8. Mix track AMP page. §15.5 | ||
| TUNE Tune | SRC · ノブ A single_player audio | +/- 5 octaves; 0 leaves the pitch unchanged | Sets the pitch of the sample (DATA ENTRY knob A). Hold FUNC and turn to snap to full octaves; press and turn to snap to semitones. §a2-src-machines | |
| PLAY MODE Play Mode | SRC · ノブ B single_player audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets how the sample is played back when trigged: once or looped, forward or in reverse. Loop duration is set with LEN on the TRIG page and constrained by the AMP envelope's HLD and DEC. §a2-src-machines | |
| LOOP CROSSFADE Loop Crossfade | SRC · ノブ C single_player audio | Sets the amount of crossfade of the audio at the sample's loop points (audio before LSTR with audio before LEND). Only relevant in REVERSE LOOP or FORWARD LOOP play modes. §a2-src-machines | ||
| SAMPLE SLOT Sample Slot | SRC · ノブ D single_player audio | Browses and assigns samples to the machine (DATA ENTRY knob D). Up to 1023 samples per project; slot OFF plays no sample. Press YES to open the Sample browser. Can be parameter locked for sample locks. §a2-src-machines | ||
| STRT Start Position | SRC · ノブ E single_player audio | Sets the starting position for playing the sample (the end position in REVERSE and REVERSE LOOP modes). STRT and END define the portion of the sample that is played. §a2-src-machines | ||
| LSTR Loop Start | SRC · ノブ F single_player audio | Sets the position playback returns to after reaching LEND in FORWARD LOOP mode; in REVERSE LOOP the loop runs backward between LEND and LSTR. §a2-src-machines | ||
| LEND Loop End | SRC · ノブ G single_player audio | Sets the loop's end position, from where playback returns to the LSTR position. §a2-src-machines | ||
| END End Position | SRC · ノブ H single_player audio | Sets the end position of sample playback (the start position in REVERSE and REVERSE LOOP modes). §a2-src-machines | ||
| TUNE Tune | SRC · ノブ A multi_player audio | +/- 5 octaves; 0 leaves the pitch unchanged | Sets the pitch of the sample. Hold FUNC and turn to snap to full octaves; press and turn to snap to semitones. §a2-src-machines | |
| VIBR Vibrato Depth | SRC · ノブ B multi_player audio | Sets the amount of vibrato applied to the instrument. §a2-src-machines | ||
| SPD Vibrato Speed | SRC · ノブ C multi_player audio | Sets the speed of the vibrato. §a2-src-machines | ||
| FADE Vibrato Fade | SRC · ノブ D multi_player audio | Sets the time it takes for the vibrato to fade in or fade out. §a2-src-machines | ||
| TUNE Tune | SRC · ノブ A subtracks audio | +/- 5 octaves; 0 leaves the pitch unchanged | NRPN 1–8:16 | Sets the pitch of the subtrack's sample (DATA ENTRY knob A). Hold FUNC and turn to snap to full octaves; press and turn to snap to semitones. NRPN MSB selects the subtrack (1-8). §a2-src-machines |
| PLAY MODE Play Mode | SRC · ノブ B subtracks audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | NRPN 1–8:17 | Sets how the subtrack's sample is played back when trigged (DATA ENTRY knob B); abbreviated FWD.L/REV.L for the loop modes. §a2-src-machines |
| STRT Start Position | SRC · ノブ C subtracks audio | NRPN 1–8:20 | Sets the starting position for playing the sample. §a2-src-machines | |
| LEN Length | SRC · ノブ D subtracks audio | NRPN 1–8:21 | Sets the duration of the sample playback; Start + Length defines the end point of the played portion. §a2-src-machines | |
| L.ST Loop Start | SRC · ノブ E subtracks audio | NRPN 1–8:22 | Sets the position playback returns to after reaching the Length position (STRT + LEN) in FORWARD LOOP mode; in REVERSE LOOP the loop runs backward between LEN and L.ST. §a2-src-machines | |
| TUNE Tune | SRC1 · ノブ A grainer audio | +/- 2 octaves; 0 leaves the pitch unchanged | Sets the pitch of the sample. Hold FUNC and turn to snap to full octaves; press and turn to snap to semitones. §a2-src-machines | |
| DENS Density | SRC1 · ノブ B grainer audio | Controls how often grains play and how closely they are spaced; behavior depends on PLAY MODE (RANDOM: likelihood a grain plays; SYNC: BPM-synced trigger rate; OSC: grain overlap, 0 = full overlap, 127 = none). §a2-src-machines | ||
| SIZE Grain Size | SRC1 · ノブ C grainer audio | minimum 10 ms, maximum 2 seconds | Determines the length of the sample contained in each grain. §a2-src-machines | |
| SAMPLE SLOT Sample Slot | SRC1 · ノブ D grainer audio | Browses and assigns samples to the machine (DATA ENTRY knob D). Up to 1023 samples per project; slot OFF plays no sample. Can be parameter locked for sample locks. §a2-src-machines | ||
| POS Position | SRC1 · ノブ E grainer audio | Sets where in the sample the grains start to play back from. §a2-src-machines | ||
| SCAN Scan | SRC1 · ノブ F grainer audio | positive values move the playhead forward, negative backward; loops back at the end of the sample | Controls the speed and direction of playback from the start position. §a2-src-machines | |
| SPRD Spread | SRC1 · ノブ G grainer audio | 0…127 | Adds randomness to the POS parameter: at 0 all grains start from POS, at 127 each grain starts from a random position anywhere in the sample. §a2-src-machines | |
| PAN Pan Spread | SRC1 · ノブ H grainer audio | Adjusts how much each grain is randomly panned in the stereo field. §a2-src-machines | ||
| AMNT Grain Amount | SRC2 · ノブ A grainer audio | each voice can play up to eight grains | Sets the number of grains playing. §a2-src-machines | |
| DIR Direction | SRC2 · ノブ B grainer audio | Sets whether each grain plays forward or in reverse. §a2-src-machines | ||
| FADE Window Fade | SRC2 · ノブ C grainer audio | 0…127 | Controls how much of the grain the window (a grain-level envelope) applies: 0 = no window (clicky), 127 = whole grain windowed (smooth). Works together with SHAPE. §a2-src-machines | |
| SHAPE Window Shape | SRC2 · ノブ D grainer audio | 0…127 | Adjusts the balance between attack and release of each grain's window: 0 = short attack/long release (plucky), 64 = triangle, 127 = long attack/short release (reverse-like). §a2-src-machines | |
| MODE Play Mode | SRC2 · ノブ E grainer audio | RAND / SYNC / OSC | Determines when and how grains are triggered: RAND plays grains at random around the set position; SYNC tempo-syncs grain timing (DENS becomes a tempo division); OSC overlaps grains for a smooth continuous sound. §a2-src-machines | |
| LO.G Low-Shelf Gain | FLTR1 · ノブ A grainer audio | Printed value table reads “64 = highpass filter response, 32 = -12 dB, 16 = -6 dB, 0 = no attenuation or gain, 32 = +6 dB, 63 = +12 dB” — the duplicated 32 and the 64 beyond the 63 maximum indicate the first three rows lost their minus signs in print; the knob is bipolar (-64…63). | Controls the level of frequencies below the LO.F shelving frequency; positive values boost, negative reduce. At full negative the shelf becomes a highpass response (per the printed table, which drops the minus signs — see range note). §a2-src-machines | |
| LO.F Low Frequency | FLTR1 · ノブ B grainer audio | Sets the Low-Shelf frequency. §a2-src-machines | ||
| HI.F High Frequency | FLTR1 · ノブ C grainer audio | Sets the High-Shelf frequency. §a2-src-machines | ||
| HI.G High-Shelf Gain | FLTR1 · ノブ D grainer audio | Printed value table reads “64 = lowpass filter response, 32 = -12 dB, 16 = -6 dB, 0 = no attenuation or gain, 32 = +6 dB, 63 = +12 dB” — the duplicated 32 and the 64 beyond the 63 maximum indicate the first three rows lost their minus signs in print; the knob is bipolar (-64…63). | Controls the level of frequencies above the HI.F shelving frequency; positive values boost, negative reduce. At full negative the shelf becomes a lowpass response (per the printed table, which drops the minus signs — see range note). §a2-src-machines | |
| FREQ Frequency | FLTR1 · ノブ E grainer audio | Sets the cutoff frequency of the Multimode filter and the center frequency of the EQ. §a2-src-machines | ||
| RESO Resonance | FLTR1 · ノブ F grainer audio | Sets the resonance behavior of the filter; introduces a peak at the cutoff frequency. §a2-src-machines | ||
| TYPE Filter Type | FLTR1 · ノブ G grainer audio | Low-pass 4 / Low-pass 2 / Band-pass 2 / High-pass 2 / Low-pass notch / Notch 1 / Notch 2 | Sets the Multimode filter's type. §a2-src-machines | |
| SPRD Frequency Spread | FLTR1 · ノブ H grainer audio | Offsets the filter cutoff frequency in the left and right channels. §a2-src-machines | ||
| TUNE Tune | SRC1 · ノブ A wavefinder audio | The knob works in a bipolar fashion; a value of 0 leaves the value unchanged. | Sets the pitch of oscillator 1. §a2-src-machines | |
| LEV Level | SRC1 · ノブ B wavefinder audio | Sets the level of the oscillator. §a2-src-machines | ||
| POS Position | SRC1 · ノブ C wavefinder audio | Sets which wavetable wave is played; transitions between waves are interpolated/blended. §a2-src-machines | ||
| SLOT Wavetable Slot | SRC1 · ノブ D wavefinder audio | Browses and assigns wavetables to the oscillator. Up to 127 wavetables per project. Can be parameter locked to change wavetable per step. §a2-src-machines | ||
| SPD Speed | SRC1 · ノブ E wavefinder audio | Sets how long the ANIM waveform takes to complete one full cycle; looping shapes are tempo-synced and SPD snaps to beat divisions. §a2-src-machines | ||
| A.LEV Animate Level | SRC1 · ノブ F wavefinder audio | Sets the internal modulator's modulation depth of the LEV parameter. §a2-src-machines | ||
| A.POS Animate Position | SRC1 · ノブ G wavefinder audio | 0 = no modulation; positive values add the modulation to POS, negative subtract it | Sets the internal modulator's modulation depth of the POS parameter. §a2-src-machines | |
| ANIM Animation Shape | SRC1 · ノブ H wavefinder audio | Exp Down (one shot) / Ramp Down (one shot) / Tri (one shot) / Ramp Up (one shot) / Exp Up (one shot) / Ramp Down (looping) / Tri (looping) / Square (looping) / Ramp Up (looping) / Random / Sample and Hold / Wavetable 1/2 (looping) | Chooses an internal modulator (envelope and LFO-style shapes) that affects the oscillator's POS and LEV. §a2-src-machines | |
| DETUNE Detune | SRC2 · ノブ A wavefinder audio | Sets how much Oscillator 2 is detuned relative to Oscillator 1 (also abbreviated DTUN). The other parameters on this page mirror SRC page 1 but control oscillator 2. §a2-src-machines | ||
| LEV Level | SRC2 · ノブ B wavefinder audio | Sets the level of oscillator 2. §a2-src-machines | ||
| POS Position | SRC2 · ノブ C wavefinder audio | Sets which wavetable wave is played; transitions between waves are interpolated/blended. §a2-src-machines | ||
| SLOT Wavetable Slot | SRC2 · ノブ D wavefinder audio | Browses and assigns wavetables to oscillator 2. Up to 127 wavetables per project. Can be parameter locked to change wavetable per step. §a2-src-machines | ||
| SPD Speed | SRC2 · ノブ E wavefinder audio | Sets how long the ANIM waveform takes to complete one full cycle; looping shapes are tempo-synced and SPD snaps to beat divisions. §a2-src-machines | ||
| A.LEV Animate Level | SRC2 · ノブ F wavefinder audio | Sets the internal modulator's modulation depth of the LEV parameter. §a2-src-machines | ||
| A.POS Animate Position | SRC2 · ノブ G wavefinder audio | 0 = no modulation; positive values add the modulation to POS, negative subtract it | Sets the internal modulator's modulation depth of the POS parameter. §a2-src-machines | |
| ANIM Animation Shape | SRC2 · ノブ H wavefinder audio | Exp Down (one shot) / Ramp Down (one shot) / Tri (one shot) / Ramp Up (one shot) / Exp Up (one shot) / Ramp Down (looping) / Tri (looping) / Square (looping) / Ramp Up (looping) / Random / Sample and Hold / Wavetable 1/2 (looping) | Chooses an internal modulator (envelope and LFO-style shapes) that affects oscillator 2's POS and LEV. §a2-src-machines | |
| LO.G Low-Shelf Gain | FLTR1 · ノブ A shape bus, fx_send | Printed value table reads “64 = highpass filter response, 32 = -12 dB, 16 = -6 dB, 0 = no attenuation or gain, 32 = +6 dB, 63 = +12 dB” — the duplicated 32 and the 64 beyond the 63 maximum indicate the first three rows lost their minus signs in print; the knob is bipolar (-64…63). | Controls the level of frequencies below the LO.F shelving frequency; positive values boost, negative reduce. At full negative the shelf becomes a highpass response (per the printed table, which drops the minus signs — see range note). §a2-src-machines | |
| LO.F Low Frequency | FLTR1 · ノブ B shape bus, fx_send | Sets the Low-Shelf frequency. §a2-src-machines | ||
| HI.F High Frequency | FLTR1 · ノブ C shape bus, fx_send | Sets the High-Shelf frequency. §a2-src-machines | ||
| HI.G High-Shelf Gain | FLTR1 · ノブ D shape bus, fx_send | Printed value table reads “64 = lowpass filter response, 32 = -12 dB, 16 = -6 dB, 0 = no attenuation or gain, 32 = +6 dB, 63 = +12 dB” — the duplicated 32 and the 64 beyond the 63 maximum indicate the first three rows lost their minus signs in print; the knob is bipolar (-64…63). | Controls the level of frequencies above the HI.F shelving frequency; positive values boost, negative reduce. At full negative the shelf becomes a lowpass response (per the printed table, which drops the minus signs — see range note). §a2-src-machines | |
| ATK Attack Time | AMP · ノブ A shape bus, fx_send | Sets the length of the attack phase of the amp envelope. §a2-src-machines | ||
| HOLD Hold Time | AMP · ノブ B shape bus, fx_send | Fixed Hold time values (0-126), or NOTE | Sets the length of the hold phase of the amp envelope. Fixed values ignore Note Off events; NOTE follows Note On/Off. Only available with ENVELOPE MODE set to AHD. §a2-src-machines | |
| DEC Decay Time | AMP · ノブ C shape bus, fx_send | Sets the length of the decay phase of the amp envelope. In AHD mode DECAY works as the REL parameter, defining the time from end of HOLD to 0. §a2-src-machines | ||
| SUS Sustain Level | AMP · ノブ D shape bus, fx_send | Sets the sustain level of the amp envelope. Only available with ENVELOPE MODE set to ADSR. §a2-src-machines | ||
| REL Release Time | AMP · ノブ E shape bus, fx_send | Sets the length of the release phase of the amp envelope. Only available with ENVELOPE MODE set to ADSR. §a2-src-machines | ||
| WDTH Stereo Width | AMP · ノブ F shape bus, fx_send | -64…63 | Mixes the left and right channels down to mono: 0 is full mono, 63 normal stereo, -64 stereo with left and right switched. §a2-src-machines | |
| ENV Envelope Depth | AMP · ノブ G shape bus, fx_send | The knob is bipolar, offering both negative and positive modulation depths. | Determines the amount of modulation the amp envelope applies to the amplitude level. §a2-src-machines | |
| CHAN Channel | SRC · ノブ A midi midi | OFF, 1-16 | Sets the MIDI channel the track sends MIDI data on. OFF turns the MIDI track off. Cannot be parameter locked. §a2-src-machines | |
| BANK Bank | SRC · ノブ B midi midi | Sends a bank change message on CC 0 MSB. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| SBNK Sub Bank | SRC · ノブ C midi midi | Sends a bank change message on CC 32 LSB. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| PROG Program Change | SRC · ノブ D midi midi | Sends a Program Change message. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| PB Pitch Bend | SRC · ノブ E midi midi | Controls the pitch bend data sent on the MIDI track. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| AT Aftertouch | SRC · ノブ F midi midi | Controls the aftertouch data sent on the MIDI track. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| MW Mod Wheel | SRC · ノブ G midi midi | Controls the modulation wheel data sent on the MIDI track. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| BC Breath Controller | SRC · ノブ H midi midi | Controls the breath control data sent on the MIDI track. Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL1 CC 1 Value | FLTR1 · ノブ A midi midi | Controls the value sent by assignable CC command 1 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL2 CC 2 Value | FLTR1 · ノブ B midi midi | Controls the value sent by assignable CC command 2 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL3 CC 3 Value | FLTR1 · ノブ C midi midi | Controls the value sent by assignable CC command 3 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL4 CC 4 Value | FLTR1 · ノブ D midi midi | Controls the value sent by assignable CC command 4 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL5 CC 5 Value | FLTR1 · ノブ E midi midi | Controls the value sent by assignable CC command 5 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL6 CC 6 Value | FLTR1 · ノブ F midi midi | Controls the value sent by assignable CC command 6 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL7 CC 7 Value | FLTR1 · ノブ G midi midi | Controls the value sent by assignable CC command 7 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL8 CC 8 Value | FLTR1 · ノブ H midi midi | Controls the value sent by assignable CC command 8 (selected on FLTR page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| SEL1 CC 1 Select | FLTR2 · ノブ A midi midi | Specifies the CC command whose value is controlled by VAL1 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL2 CC 2 Select | FLTR2 · ノブ B midi midi | Specifies the CC command whose value is controlled by VAL2 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL3 CC 3 Select | FLTR2 · ノブ C midi midi | Specifies the CC command whose value is controlled by VAL3 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL4 CC 4 Select | FLTR2 · ノブ D midi midi | Specifies the CC command whose value is controlled by VAL4 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL5 CC 5 Select | FLTR2 · ノブ E midi midi | Specifies the CC command whose value is controlled by VAL5 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL6 CC 6 Select | FLTR2 · ノブ F midi midi | Specifies the CC command whose value is controlled by VAL6 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL7 CC 7 Select | FLTR2 · ノブ G midi midi | Specifies the CC command whose value is controlled by VAL7 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL8 CC 8 Select | FLTR2 · ノブ H midi midi | Specifies the CC command whose value is controlled by VAL8 on FLTR page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| VAL9 CC 9 Value | AMP1 · ノブ A midi midi | Controls the value sent by assignable CC command 9 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL10 CC 10 Value | AMP1 · ノブ B midi midi | Controls the value sent by assignable CC command 10 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL11 CC 11 Value | AMP1 · ノブ C midi midi | Controls the value sent by assignable CC command 11 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL12 CC 12 Value | AMP1 · ノブ D midi midi | Controls the value sent by assignable CC command 12 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL13 CC 13 Value | AMP1 · ノブ E midi midi | Controls the value sent by assignable CC command 13 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL14 CC 14 Value | AMP1 · ノブ F midi midi | Controls the value sent by assignable CC command 14 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL15 CC 15 Value | AMP1 · ノブ G midi midi | Controls the value sent by assignable CC command 15 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| VAL16 CC 16 Value | AMP1 · ノブ H midi midi | Controls the value sent by assignable CC command 16 (selected on AMP page 2). Default is OFF (disabled, sends no data); hold FUNC and press the DATA ENTRY knob to enable/disable. §a2-src-machines | ||
| SEL9 CC 9 Select | AMP2 · ノブ A midi midi | Specifies the CC command whose value is controlled by VAL9 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL10 CC 10 Select | AMP2 · ノブ B midi midi | Specifies the CC command whose value is controlled by VAL10 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL11 CC 11 Select | AMP2 · ノブ C midi midi | Specifies the CC command whose value is controlled by VAL11 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL12 CC 12 Select | AMP2 · ノブ D midi midi | Specifies the CC command whose value is controlled by VAL12 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL13 CC 13 Select | AMP2 · ノブ E midi midi | Specifies the CC command whose value is controlled by VAL13 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL14 CC 14 Select | AMP2 · ノブ F midi midi | Specifies the CC command whose value is controlled by VAL14 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL15 CC 15 Select | AMP2 · ノブ G midi midi | Specifies the CC command whose value is controlled by VAL15 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| SEL16 CC 16 Select | AMP2 · ノブ H midi midi | Specifies the CC command whose value is controlled by VAL16 on AMP page 1; selectable from the standard MIDI Control Change messages. Press the corresponding knob or YES to activate the change. §a2-src-machines | ||
| TUNE Tune | FX · ノブ A chrono_pitch audio, bus, mix | measured in semitones | Adjusts the pitch of this granular pitch shifter, measured in semitones. §a3-fx-machines | |
| WIN Window | FX · ノブ B chrono_pitch audio, bus, mix | Controls the window (grain) size. §a3-fx-machines | ||
| FDBK Feedback | FX · ノブ C chrono_pitch audio, bus, mix | Introduces feedback. §a3-fx-machines | ||
| DEP LFO Depth | FX · ノブ D chrono_pitch audio, bus, mix | Controls the amount of pitch modulation applied from the built-in LFO. §a3-fx-machines | ||
| HPF High-Pass Filter | FX · ノブ E chrono_pitch audio, bus, mix | Applies a high-pass filter to the wet signal. §a3-fx-machines | ||
| LPF Low-Pass Filter | FX · ノブ F chrono_pitch audio, bus, mix | Applies a low-pass filter to the wet signal. §a3-fx-machines | ||
| SPD LFO Speed | FX · ノブ G chrono_pitch audio, bus, mix | Changes the speed of the built-in LFO. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H chrono_pitch audio, bus, mix | Dry/Wet sets the mix between the dry signal and the affected signal. §a3-fx-machines | ||
| SPD Modulation Speed | FX · ノブ A comb_filter audio, bus, mix | Controls the frequency of the built-in triangle LFO; tempo-synced, measured in sequencer steps. §a3-fx-machines | ||
| DEP Modulation Depth | FX · ノブ B comb_filter audio, bus, mix | Controls the amount of frequency modulation applied from the LFO to the comb filter. §a3-fx-machines | ||
| SPH LFO Start Phase | FX · ノブ C comb_filter audio, bus, mix | OFF = free-running; other values retrigger the LFO from that phase on every note | Controls the triggering behavior of the LFO. §a3-fx-machines | |
| DTUN Detune | FX · ノブ D comb_filter audio, bus, mix | Offsets the frequency of the comb filter in the left and right channels. §a3-fx-machines | ||
| FREQ Frequency | FX · ノブ E comb_filter audio, bus, mix | can be set to both positive and negative values | Sets the resonant frequencies of the comb filter. §a3-fx-machines | |
| FDBK Feedback | FX · ノブ F comb_filter audio, bus, mix | positive = positive feedback (string-like), negative = negative feedback (hollow, tube-like) | Sets the gain of the feedback signal. Extreme values can create a very loud sound. §a3-fx-machines | |
| LPF Low-Pass Filter | FX · ノブ G comb_filter audio, bus, mix | Sets the cutoff frequency of the low-pass filter in the feedback signal. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H comb_filter audio, bus, mix | Dry/Wet sets the mix between the dry signal and the affected signal. §a3-fx-machines | ||
| THR Threshold | FX · ノブ A compressor audio, bus, fx_send, mix | Sets the threshold of the compressor; lower threshold subjects a larger portion of the signal to compression. §a3-fx-machines | ||
| ATK Attack Time | FX · ノブ B compressor audio, bus, fx_send, mix | Sets the compressor attack phase time - how quickly it responds to loud peaks. §a3-fx-machines | ||
| REL Release Time | FX · ノブ C compressor audio, bus, fx_send, mix | Sets the duration of the compressor's release phase - how long compression takes to recover. §a3-fx-machines | ||
| MUP Makeup Gain | FX · ノブ D compressor audio, bus, fx_send, mix | The Makeup Gain parameter value is displayed in dB. | Sets the makeup gain of the compressor output to compensate for reduced signal levels; displayed in dB. §a3-fx-machines | |
| RAT Compression Ratio | FX · ノブ E compressor audio, bus, fx_send, mix | 1.50 / 2.00 / 3.00 / 4.00 / 6.00 / 8.00 / 16.00 / 20.00 | Sets the compression ratio; higher ratios give greater compression. §a3-fx-machines | |
| SCS Sidechain Source | FX · ノブ F compressor audio, bus, fx_send, mix | MAIN, TRK1-8, BUS1-4 (Mix track only), BUS IN: 1-4 (Bus tracks only), IN A, IN B, IN AB | Selects the audio source the compressor analyzes for sidechaining. Only available when the compressor is used on the Bus or Mix tracks. §a3-fx-machines | |
| SCF Sidechain Filter | FX · ノブ G compressor audio, bus, fx_send, mix | negative values = low-pass filter (pumping character), positive = high-pass filter (avoids pumping) | Filters the sidechain signal before the compressor analyzes it. §a3-fx-machines | |
| MIX Mix | FX · ノブ H compressor audio, bus, fx_send, mix | 0…127 | Mixes the uncompressed and compressed signals (parallel compression): 0 = fully uncompressed, 127 = compressed signal only. §a3-fx-machines | |
| DRV Drive | FX · ノブ A daisy_delay audio, bus, fx_send, mix | Controls the amount of saturation applied to the delay's input. §a3-fx-machines | ||
| TIME Delay Time Division | FX · ノブ B daisy_delay audio, bus, fx_send, mix | Controls the base repeat time. §a3-fx-machines | ||
| FDBK Feedback | FX · ノブ C daisy_delay audio, bus, fx_send, mix | Adjusts the amount of delay output fed back into its input. §a3-fx-machines | ||
| WIDH Width | FX · ノブ D daisy_delay audio, bus, fx_send, mix | Adjusts the panning of the input and feedback signals before being mixed. §a3-fx-machines | ||
| MOD Modulation | FX · ノブ E daisy_delay audio, bus, fx_send, mix | Applies an internal modulator to the delay time. §a3-fx-machines | ||
| SKEW Skew | FX · ノブ F daisy_delay audio, bus, fx_send, mix | Scales the relative delay times in the left and right channels so they interact rhythmically. §a3-fx-machines | ||
| FILT Tilt Filter | FX · ノブ G daisy_delay audio, bus, fx_send, mix | to the left low-passes the signal, to the right high-passes | Applies a tilt filter to the delayed signal. §a3-fx-machines | |
| MIX Dry/Wet | FX · ノブ H daisy_delay audio, bus, fx_send, mix | Dry/Wet sets the mix between the dry signal and the affected signal. Not available when the effect is used on a Send FX track. §a3-fx-machines | ||
| BR Bit Reduction | FX · ノブ A degrader audio, bus, mix | from 16 bits to 1 bit | Sets the bit rate. §a3-fx-machines | |
| OVER Overdrive | FX · ノブ B degrader audio, bus, mix | Sets the gain amount into an overdrive. §a3-fx-machines | ||
| SRR Sample Rate Redux | FX · ノブ C degrader audio, bus, mix | Sets the amount of sample rate reduction. §a3-fx-machines | ||
| DROP Drop-outs | FX · ノブ D degrader audio, bus, mix | Introduces randomly placed drop-outs into the audio signal; higher values increase their frequency and duration. §a3-fx-machines | ||
| RATE Modulation Rate | FX · ノブ E degrader audio, bus, mix | Sets the frequency of a modulation sine oscillator. §a3-fx-machines | ||
| DEP Modulation Depth | FX · ノブ F degrader audio, bus, mix | Introduces ring modulation with the modulator oscillator, increasing in intensity. §a3-fx-machines | ||
| FREZ Freeze | FX · ノブ G degrader audio, bus, mix | Introduces randomly-placed stutters into the signal. §a3-fx-machines | ||
| F.TIM Freeze Time | FX · ノブ H degrader audio, bus, mix | RAND = random length each time; other values measured in sequencer steps | Sets the length of the stutters introduced by FREZ. §a3-fx-machines | |
| DRV Drive | FX · ノブ A dirtshaper audio, bus, mix | Adds overdrive distortion. §a3-fx-machines | ||
| RECT Rectify | FX · ノブ B dirtshaper audio, bus, mix | Blends between the driven signal and a full-wave rectified version of it. §a3-fx-machines | ||
| HPF High-Pass Filter | FX · ノブ C dirtshaper audio, bus, mix | to the left high-passes the input before the distortion; to the right high-passes after the rectifier | Bipolar control over two different high-pass filters. §a3-fx-machines | |
| LPF Low-Pass Filter | FX · ノブ D dirtshaper audio, bus, mix | Applies a low-pass filter to the output. §a3-fx-machines | ||
| NOIS Noise | FX · ノブ E dirtshaper audio, bus, mix | Introduces a noise signal ring-modulated with the distorted input. §a3-fx-machines | ||
| N.FRQ Noise Frequency | FX · ノブ F dirtshaper audio, bus, mix | Applies a low-pass filter to the noise signal. §a3-fx-machines | ||
| N.RES Noise Resonance | FX · ノブ G dirtshaper audio, bus, mix | Adjusts the resonance of the noise filter. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H dirtshaper audio, bus, mix | Dry/Wet sets the mix between the dry signal and the affected signal. §a3-fx-machines | ||
| ILEV Input Level | FX · ノブ A filter_folder audio, bus, fx_send | Boosts or attenuates the level at the FX input. §a3-fx-machines | ||
| HP High Pass | FX · ノブ B filter_folder audio, bus, fx_send | Filters the sound before the wavefolder. §a3-fx-machines | ||
| FOLD Folder | FX · ノブ C filter_folder audio, bus, fx_send | Sets the amount of wavefolding of the sound (increases overtone richness). §a3-fx-machines | ||
| OLEV Output Level | FX · ノブ D filter_folder audio, bus, fx_send | Boosts or attenuates the level out from the FX. §a3-fx-machines | ||
| FREQ Frequency | FX · ノブ E filter_folder audio, bus, fx_send | Sets the cutoff frequency of the Multimode filter. §a3-fx-machines | ||
| RESO Resonance | FX · ノブ F filter_folder audio, bus, fx_send | Sets the Multimode filter's resonance behavior. §a3-fx-machines | ||
| TYPE Filter Type | FX · ノブ G filter_folder audio, bus, fx_send | Low-pass 4 / Low-pass 2 / Band-pass 2 / High-pass 2 / Low-pass notch / Notch 1 / Notch 2 / Off | Sets the Multimode filter's type. §a3-fx-machines | |
| DIST Post Dist | FX · ノブ H filter_folder audio, bus, fx_send | Sets the amount of distortion/overdrive applied after the Multimode filter. §a3-fx-machines | ||
| A Gain A | FX · ノブ A filterbank audio, bus, mix | Sets the gain of a low-pass filter at 90 Hz. §a3-fx-machines | ||
| B Gain B | FX · ノブ B filterbank audio, bus, mix | Sets the gain of a band-pass filter at 121.9 Hz. §a3-fx-machines | ||
| C Gain C | FX · ノブ C filterbank audio, bus, mix | Sets the gain of a band-pass filter at 224.8 Hz. §a3-fx-machines | ||
| D Gain D | FX · ノブ D filterbank audio, bus, mix | Sets the gain of a band-pass filter at 418.0 Hz. §a3-fx-machines | ||
| E Gain E | FX · ノブ E filterbank audio, bus, mix | Sets the gain of a band-pass filter at 777.4 Hz. §a3-fx-machines | ||
| F Gain F | FX · ノブ F filterbank audio, bus, mix | Sets the gain of a band-pass filter at 1445.8 Hz. §a3-fx-machines | ||
| G Gain G | FX · ノブ G filterbank audio, bus, mix | Sets the gain of a band-pass filter at 2688.6 Hz. §a3-fx-machines | ||
| H Gain H | FX · ノブ H filterbank audio, bus, mix | Sets the gain of a high-pass filter at 4 kHz. §a3-fx-machines | ||
| SPD LFO Speed | FX · ノブ A frequency_warper audio, bus, mix | Sets the speed of the built-in LFO. §a3-fx-machines | ||
| DEP LFO Depth | FX · ノブ B frequency_warper audio, bus, mix | Controls the amount of frequency modulation applied from the LFO to the shifter. §a3-fx-machines | ||
| SPH LFO Start Phase | FX · ノブ C frequency_warper audio, bus, mix | OFF = free-running; other values retrigger the LFO from that phase on every note | Controls the triggering behavior of the LFO. §a3-fx-machines | |
| LAG LFO Phase Offset | FX · ノブ D frequency_warper audio, bus, mix | Offsets the LFO's phase position in the left and right channels. §a3-fx-machines | ||
| SHFT Shift Amount | FX · ノブ E frequency_warper audio, bus, mix | Controls the shift distance. §a3-fx-machines | ||
| SPRD Stereo Spread | FX · ノブ F frequency_warper audio, bus, mix | Offsets the shift distance in the left and right channels. §a3-fx-machines | ||
| SBND Sideband | FX · ノブ G frequency_warper audio, bus, mix | Blends between the frequency shifter's output and an alternate output signal with different characteristics. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H frequency_warper audio, bus, mix | Dry/Wet sets the mix between the dry signal and the affected signal. §a3-fx-machines | ||
| SPD Speed | FX · ノブ A infinite_flanger audio, bus, mix | 0 = constant pitch; negative = downward motion, positive = upward motion | Sets the speed of the barber-pole pitch motion. §a3-fx-machines | |
| DEP Depth | FX · ノブ B infinite_flanger audio, bus, mix | Sets the intensity of the flanging effect. §a3-fx-machines | ||
| TUNE Downtune | FX · ノブ C infinite_flanger audio, bus, mix | Adjusts the delay line tuning progressively downward, from true flanging toward comb filtering and audible delay. §a3-fx-machines | ||
| FDBK Feedback | FX · ノブ D infinite_flanger audio, bus, mix | Sets the amount of output signal fed back into the delay line. §a3-fx-machines | ||
| LPF Feedback Filter Cutoff | FX · ノブ E infinite_flanger audio, bus, mix | Sets the cutoff frequency of a low-pass filter in the feedback loop. §a3-fx-machines | ||
| SPD LFO Speed | FX · ノブ A low_pass_filter audio, bus, mix | Sets the speed of the built-in LFO; tempo-synced, measured in sequencer steps. §a3-fx-machines | ||
| DEP LFO Depth | FX · ノブ B low_pass_filter audio, bus, mix | Sets the amount of frequency modulation applied from the LFO to the filter. §a3-fx-machines | ||
| SPH LFO Start Phase | FX · ノブ C low_pass_filter audio, bus, mix | OFF = free-running; other values retrigger the LFO from that phase on every note | Sets the triggering behavior of the LFO. §a3-fx-machines | |
| LAG LFO Phase Offset | FX · ノブ D low_pass_filter audio, bus, mix | Offsets the LFO's phase in the right and left channels. §a3-fx-machines | ||
| FREQ Cutoff Frequency | FX · ノブ E low_pass_filter audio, bus, mix | Sets the cutoff frequency of this 4-pole, 24 dB/octave low-pass filter. §a3-fx-machines | ||
| RESO Resonance | FX · ノブ F low_pass_filter audio, bus, mix | Sets the resonance behavior of the filter. §a3-fx-machines | ||
| SPRD Stereo Spread | FX · ノブ G low_pass_filter audio, bus, mix | Offsets the filter cutoff frequency in the left and right channels. §a3-fx-machines | ||
| ATK Attack Time | FX · ノブ A multimode_filter mix | Sets the length of the attack phase of the filter envelope. §a3-fx-machines | ||
| DEC Decay Time | FX · ノブ B multimode_filter mix | Sets the length of the decay phase of the filter envelope. §a3-fx-machines | ||
| SUS Sustain Level | FX · ノブ C multimode_filter mix | Sets the sustain level of the filter envelope. §a3-fx-machines | ||
| REL Release Time | FX · ノブ D multimode_filter mix | Sets the length of the release phase of the filter envelope. §a3-fx-machines | ||
| FREQ Frequency | FX · ノブ E multimode_filter mix | Sets the cutoff frequency of the Multimode filter. §a3-fx-machines | ||
| RESO Resonance | FX · ノブ F multimode_filter mix | Sets the resonance behavior of the filter. §a3-fx-machines | ||
| TYPE Type | FX · ノブ G multimode_filter mix | Morphs the Multimode filter from low-pass to band-pass to high-pass. §a3-fx-machines | ||
| ENV Env. Depth | FX · ノブ H multimode_filter mix | The knob is bipolar; both negative and positive modulation depths are available. | Sets the amount of cutoff frequency modulation from the filter envelope. §a3-fx-machines | |
| DEP Depth | FX · ノブ A panoramic_chorus audio, bus, fx_send, mix | Sets the depth of the LFO modulation of the chorus. §a3-fx-machines | ||
| SPD Speed | FX · ノブ B panoramic_chorus audio, bus, fx_send, mix | Sets the speed of the LFO modulation of the chorus. §a3-fx-machines | ||
| HPF High-Pass | FX · ノブ C panoramic_chorus audio, bus, fx_send, mix | Sets the high-pass filtering of the input signal. §a3-fx-machines | ||
| WDTH Width | FX · ノブ D panoramic_chorus audio, bus, fx_send, mix | Sets the stereo width of the chorus. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ E panoramic_chorus audio, bus, fx_send, mix | Dry/Wet sets the mix between the dry signal and the affected signal. Not available when the effect is used on a Send FX track. §a3-fx-machines | ||
| SPD LFO Speed | FX · ノブ A phase_98 audio, bus, mix | Sets the speed of the built-in LFO. §a3-fx-machines | ||
| DEP LFO Depth | FX · ノブ B phase_98 audio, bus, mix | Sets the amount of frequency modulation applied from the LFO to the phaser. §a3-fx-machines | ||
| SHP LFO Shape | FX · ノブ C phase_98 audio, bus, mix | smoothly transitions from a descending ramp to a triangle to an ascending ramp | Sets the wave shape of the LFO. §a3-fx-machines | |
| LAG LFO Phase Offset | FX · ノブ D phase_98 audio, bus, mix | Adjusts the phase of the built-in LFO in the right and left channels. §a3-fx-machines | ||
| FREQ Cutoff Frequency | FX · ノブ E phase_98 audio, bus, mix | Sets the center frequency of the phaser. §a3-fx-machines | ||
| FDBK Phaser Feedback | FX · ノブ F phase_98 audio, bus, mix | Sets the feedback (resonance) of the phaser. §a3-fx-machines | ||
| STG Stage Mix | FX · ノブ G phase_98 audio, bus, mix | Blends between the four-stage and six-stage phaser outputs. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H phase_98 audio, bus, mix | Dry/Wet sets the mix between the dry signal and the affected signal. §a3-fx-machines | ||
| PRE Pre-delay | FX · ノブ A rumsklang_reverb fx_send | Sets the pre-delay time of the reverb. §a3-fx-machines | ||
| EARLY Early Reflections | FX · ノブ B rumsklang_reverb fx_send | Sets the amount of early room reflections in the reverb. §a3-fx-machines | ||
| DAMP Damping | FX · ノブ C rumsklang_reverb fx_send | Determines how quickly the high-end frequencies of the reverb tail fade out, setting overall brightness or darkness. §a3-fx-machines | ||
| SIZE Size | FX · ノブ D rumsklang_reverb fx_send | Sets the length of the decay phase of the reverberated signal - the size of the simulated acoustic space. §a3-fx-machines | ||
| LOWC Lowcut | FX · ノブ E rumsklang_reverb fx_send | Sets the cutoff frequency of the reverb's low-pass filter. §a3-fx-machines | ||
| HIGHC HPF | FX · ノブ F rumsklang_reverb fx_send | Sets the cutoff frequency of the reverb's high-pass filter. §a3-fx-machines | ||
| TIME Delay Time | FX · ノブ A saturator_delay audio, bus, fx_send, mix | 1/128 to 1/2. in 128th-note divisions relative to the current BPM (1/128, 1/64, 1/48, 1/64., 1/32, 1/24, 1/32., 1/16, 1/12, 1/16., 1/8, 1/6, 1/8., 1/4, 1/3, 1/4., 1/2, 1/2.) | Sets the delay time, relative to the current BPM and measured in 128th notes. §a3-fx-machines | |
| X Ping Pong | FX · ノブ B saturator_delay audio, bus, fx_send, mix | OFF / ON | OFF lets you set the delay signal's stereo position manually with WID; ON makes the delay alternate between left and right (WID controls panning amount). §a3-fx-machines | |
| WID Stereo Width | FX · ノブ C saturator_delay audio, bus, fx_send, mix | The knob is bipolar. | Sets the delay signal pan width across the stereo field. §a3-fx-machines | |
| FDBK Feedback Gain | FX · ノブ D saturator_delay audio, bus, fx_send, mix | Sets the amount of delay output fed back into the input; higher settings allow infinite/swelling delays and can get very loud. §a3-fx-machines | ||
| HPF High-Pass Filter | FX · ノブ E saturator_delay audio, bus, fx_send, mix | Sets the cutoff frequency of the delay high-pass filter. §a3-fx-machines | ||
| LPF Low-Pass Filter | FX · ノブ F saturator_delay audio, bus, fx_send, mix | Sets the cutoff frequency of the delay low-pass filter. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ G saturator_delay audio, bus, fx_send, mix | Dry/Wet sets the mix between the dry signal and the affected signal. Not available when the effect is used on a Send FX track. §a3-fx-machines | ||
| SIZE Size | FX · ノブ A steel_box_reverb bus, fx_send, mix | Sets the size of the steel box reverbator. §a3-fx-machines | ||
| FDBK Feedback | FX · ノブ B steel_box_reverb bus, fx_send, mix | Sets the amount of feedback inside the delay tank; higher values give longer decay (also depends on brightness and low cut). §a3-fx-machines | ||
| BRIT Brightness | FX · ノブ C steel_box_reverb bus, fx_send, mix | Controls the damping and filtering in the feedback path. §a3-fx-machines | ||
| PRE Predelay | FX · ノブ D steel_box_reverb bus, fx_send, mix | Sets the predelay time before sound enters the reverb. §a3-fx-machines | ||
| WDTH Width | FX · ノブ E steel_box_reverb bus, fx_send, mix | Controls the stereo width of the tapped output audio. §a3-fx-machines | ||
| DIFF Diffuse | FX · ノブ F steel_box_reverb bus, fx_send, mix | Sets the amount of diffusion applied to the input sound before it enters the reverb tank. §a3-fx-machines | ||
| LOWC Low Cut | FX · ノブ G steel_box_reverb bus, fx_send, mix | Sets the amount of low-cut filtering inside the feedback path of the reverb tank. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H steel_box_reverb bus, fx_send, mix | Dry/Wet sets the mix between the dry signal and the affected signal. Not available when the effect is used on a Send FX track. §a3-fx-machines | ||
| PRE Pre-delay | FX · ノブ A supervoid_reverb bus, fx_send, mix | Sets the pre-delay time of the reverb. §a3-fx-machines | ||
| DEC Decay Time | FX · ノブ B supervoid_reverb bus, fx_send, mix | Sets the length of the decay phase of the reverberated signal - the size of the simulated acoustic space. §a3-fx-machines | ||
| FREQ FB Shelving Freq | FX · ノブ C supervoid_reverb bus, fx_send, mix | Sets the shelving filter frequency; with GAIN, dampens the reverberated signal above a chosen frequency. §a3-fx-machines | ||
| GAIN FB Shelving Gain | FX · ノブ D supervoid_reverb bus, fx_send, mix | Affects the damping of the reverberated signal above the FREQ shelving frequency; max includes the treble, lower values dampen it. §a3-fx-machines | ||
| HPF HPF | FX · ノブ E supervoid_reverb bus, fx_send, mix | Sets the cutoff frequency of the reverb high-pass filter on the audio going into the reverb. §a3-fx-machines | ||
| LPF LPF | FX · ノブ F supervoid_reverb bus, fx_send, mix | Sets the cutoff frequency of the reverb low-pass filter on the audio going into the reverb. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ G supervoid_reverb bus, fx_send, mix | Dry/Wet sets the mix between the dry signal and the affected signal. Only available when the effect is used on a Bus track or the Mix track. §a3-fx-machines | ||
| SPEED Speed | FX · ノブ A warble bus, mix | a setting of 0 makes the speed random | Sets the speed of the tape-style warble effect. §a3-fx-machines | |
| DEPTH Depth | FX · ノブ B warble bus, mix | Sets the depth of the warble effect. §a3-fx-machines | ||
| BASE Base | FX · ノブ C warble bus, mix | Sets the base frequency of the filter. §a3-fx-machines | ||
| WIDTH Width | FX · ノブ D warble bus, mix | Sets the frequency width above the base frequency. §a3-fx-machines | ||
| N.LEV Noise Level | FX · ノブ E warble bus, mix | Sets the amount of noise added to the effect; the noise level is not affected by the MIX setting. §a3-fx-machines | ||
| N.HPF Noise High-Pass | FX · ノブ F warble bus, mix | Sets the frequency for the high-pass filtering of the noise. §a3-fx-machines | ||
| STEREO Stereo Width | FX · ノブ G warble bus, mix | Sets the amount of the warble effect in the stereo field. §a3-fx-machines | ||
| MIX Dry/Wet | FX · ノブ H warble bus, mix | Dry/Wet sets the mix between the dry signal and the affected signal. §a3-fx-machines | ||
| PLAY MODE Play Mode | SETUP_TRIG audio | POLY / POLY M.LFO / MONO / MONO LEG. | Sets whether the preset is polyphonic or monophonic and whether per-voice LFOs are synced. POLY = independent LFOs per voice; POLY M.LFO = polyphonic with all voice LFOs synced to the first voice (mono-LFO behavior, e.g. for tremolo); MONO = monophonic, envelope triggered by every note-on; MONO LEG. = monophonic, envelopes not retriggered while the first note is held. Not available for the Subtracks machine. §11.1 | |
| MONO NOTE PRIO Mono Note Priority | SETUP_TRIG audio | LAST / LOW / HIGH | Sets which note plays when several are held: LAST, LOW, or HIGH. Only available when PLAY MODE is MONO or MONO LEG.; not available for the Subtracks machine. §11.1 | |
| REUSE VOICES Reuse Voices | SETUP_TRIG audio | ON / OFF | Sets whether the same note played twice reuses the same voice (ON - good for staccato and drums) or cycles to another free voice (OFF - suits piano-like sounds and pads). §11.1 | |
| CHOKE GROUPS Choke Groups | SETUP_TRIG audio | choke group A / B / none per subtrack (submenu) | Assigns a Subtracks machine's individual subtracks to one of two choke groups. Select CHOKE GROUPS and press [YES] to open the submenu, then press a [SUBTRACKS] key repeatedly to cycle A (blue) / B (red) / none. When a track in a group triggers, the other tracks in the same group are silenced immediately with a very short release. §11.1 | |
| PORTAMENTO Portamento Behavior | SETUP_TRIG audio | MONO / MONO LEG. | Sets the portamento behavior when enabled for the track: MONO affects all notes played; MONO LEG. only affects notes played legato. Only audible with PLAY MODE set to MONO or MONO LEG.; not available for the Subtracks machine. §11.1 | |
| LOOP MODE Loop Mode | SETUP_TRIG audio | SUST. / CONT. | Sets the Single Player machine's loop behavior when PLAY MODE is FORWARD LOOP or REVERSE LOOP. SUST. loops while the envelope is in the sustain phase, then plays to the end during release; CONT. keeps looping through both sustain and release. Not available for Multi Player, Subtracks, and Grainer machines. §11.1 | |
| OCTAVE Octave | SETUP_TRIG audio | Sets the base octave of the preset; also makes preset locking more practical by minimizing the need to transpose sequencer notes. Not available for the Subtracks machine. §11.1 | ||
| PITCH BEND DEPTH Pitch Bend Depth | SETUP_TRIG audio | Sets how much incoming pitch bend data from external MIDI devices affects Tonverk. §11.1 | ||
| PITCH BEND Pitch Bend Destinations | SETUP_TRIG audio | up to 4 parameter assignments with bipolar depth (submenu) | Submenu assigning up to four track parameters (from the SRC/FLTR/AMP/FX/MOD pages) to MIDI pitch bend: DATA ENTRY knobs A-D select the parameters, E-H set the modulation depth (an offset of the original value). Turn LEVEL/DATA to test. §11.1 | |
| AFTERTOUCH Aftertouch Destinations | SETUP_TRIG audio | up to 4 parameter assignments with bipolar depth (submenu) | Submenu assigning up to four track parameters to MIDI aftertouch; selection and depth work as for PITCH BEND. §11.1 | |
| MODULATION WHEEL Mod Wheel Destinations | SETUP_TRIG audio | up to 4 parameter assignments with bipolar depth (submenu) | Submenu assigning up to four track parameters to the MIDI mod wheel (CC #1); selection and depth work as for PITCH BEND. §11.1 | |
| BREATH CONTROLLER Breath Controller Destinations | SETUP_TRIG audio | up to 4 parameter assignments with bipolar depth (submenu) | Submenu assigning up to four track parameters to the MIDI breath controller (CC #2); selection and depth work as for PITCH BEND. §11.1 | |
| ROUTING Filter/Overdrive Routing | SETUP_FLTR audio | orderings of Overdrive / Base-width filter / Multimode filter (list not enumerated in the manual) | Selects the order in which the Overdrive, Base-width filter, and Multimode filter are arranged in the signal path. Only available for audio tracks. §11.3 | |
| VELOCITY TO VOL Velocity to Volume | SETUP_AMP audio | OFF / LOG / LIN / EXP | Sets how MIDI velocity affects volume when playing from a MIDI keyboard: OFF (no effect), LOG (bigger differences between soft presses), LIN (linear), EXP (bigger differences between hard presses). §11.4 | |
| ENVELOPE MODE Envelope Mode | SETUP_AMP audio | AHD / ADSR | NRPN 0:48 | Sets whether the amplitude envelope is an AHD or ADSR envelope; this switches which parameters are available on the AMP page (HOLD vs SUS/REL). §11.4 |
| ENVELOPE RESET Envelope Reset | SETUP_AMP audio | ON / OFF | NRPN 0:49 | Sets the amplitude envelope behavior: ON resets the envelope for each consecutive trig, OFF does not. §11.4 |
| FX 1 IN LEV FX 1 Input Level | SETUP_FX audio | Sets the gain of the audio from the SRC machine sent to insert effect 1. §11.5 | ||
| FX 2 IN LEV FX 2 Input Level | SETUP_FX audio | Sets the gain of the audio from the SRC machine sent to insert effect 2. Not available for the Mix track. §11.5 | ||
| POST FX PAN Post FX Pan | SETUP_FX audio | Pans the track's sound after the effects stage, affecting the entire output of the track. Not available for the Mix track. §11.5 | ||
| CLOCK RECEIVE MIDI Clock Receive | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | Determines whether Tonverk responds to MIDI clock from external devices. (SETTINGS > MIDI CONFIG > SYNC) §17.2 | |
| CLOCK SEND MIDI Clock Send | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | Determines whether Tonverk transmits MIDI clock. (SETTINGS > MIDI CONFIG > SYNC) §17.2 | |
| TRANSPORT RECEIVE MIDI Transport Receive | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | Determines whether Tonverk responds to incoming MIDI transport messages. (SETTINGS > MIDI CONFIG > SYNC) §17.2 | |
| TRANSPORT SEND MIDI Transport Send | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | Determines whether Tonverk transmits MIDI transport messages. (SETTINGS > MIDI CONFIG > SYNC) §17.2 | |
| PROG CH RECEIVE Program Change Receive | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | When active, Tonverk responds to incoming program change messages (useful for selecting patterns externally); the listening channel is set in MIDI CHANNELS. (SETTINGS > MIDI CONFIG > SYNC) §17.2 | |
| PROG CH SEND Program Change Send | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | When active, Tonverk sends program change messages when patterns change; the sending channel is set in MIDI CHANNELS. (SETTINGS > MIDI CONFIG > SYNC) §17.2 | |
| RECEIVE NOTES Receive Notes | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | When active, enables playing Tonverk from an external MIDI keyboard. (SETTINGS > MIDI CONFIG > PORT CONFIG) §17.2 | |
| RECEIVE CC/NRPN Receive CC/NRPN | SETTINGS_MIDI audio, bus, fx_send, mix, midi | on/off | When active, Tonverk's parameters can be controlled from an external MIDI device sending CC and NRPN data. (SETTINGS > MIDI CONFIG > PORT CONFIG) §17.2 | |
| INPUT FROM MIDI Input Source | SETTINGS_MIDI audio, bus, fx_send, mix, midi | DISABLED / MIDI / USB / MIDI+USB | Selects the source from which Tonverk receives MIDI data. (SETTINGS > MIDI CONFIG > PORT CONFIG) §17.2 | |
| OUTPUT TO MIDI Output Destination | SETTINGS_MIDI audio, bus, fx_send, mix, midi | DISABLED / MIDI / USB / MIDI+USB | Selects the destination to which Tonverk sends MIDI data. (SETTINGS > MIDI CONFIG > PORT CONFIG) §17.2 | |
| AUTO CHANNEL Auto Channel | SETTINGS_MIDI audio, bus, fx_send, mix, midi | Selects the MIDI channel that always addresses the currently active track - handy for playing different presets while switching tracks, and used to record MIDI tracks from external controllers. The track sharing this channel number stops listening on it. (SETTINGS > MIDI CONFIG > CHANNELS) §17.2 | ||
| PROGRAM CHG IN CH Program Change In Channel | SETTINGS_MIDI audio, bus, fx_send, mix, midi | channel number or AUTO | Selects the MIDI channel that listens for incoming program change messages; AUTO uses the Auto channel. Enable reception in the SYNC menu. (SETTINGS > MIDI CONFIG > CHANNELS) §17.2 | |
| PROGRAM CHG OUT CH Program Change Out Channel | SETTINGS_MIDI audio, bus, fx_send, mix, midi | channel number or AUTO | Selects the MIDI channel that sends program change messages on pattern changes; AUTO uses the Auto channel. Enable sending in the SYNC menu. (SETTINGS > MIDI CONFIG > CHANNELS) §17.2 | |
| EXT INPUT GAIN External Input Gain | SETTINGS_AUDIO audio, bus, fx_send, mix, midi | Sets the gain of the incoming audio from the IN A/B inputs. Applies to all patterns in the project. (SETTINGS > AUDIO ROUTING) §17.3 | ||
| EXT AUDIO IN External Audio In Routing | SETTINGS_AUDIO audio, bus, fx_send, mix, midi | OFF / PATTERN / OUT AB / OUT CD / OUT EF | Selects where to route the audio from the IN A/B inputs: OFF, PATTERN (follow the Mix track SRC-page ROUT setting), or directly to OUT AB/CD/EF. Project-level; overrides the Mix track ROUT parameter. (SETTINGS > AUDIO ROUTING) §17.3 | |
| USB AUDIO IN USB Audio In Routing | SETTINGS_AUDIO audio, bus, fx_send, mix, midi | OFF / PATTERN / OUT AB / OUT CD / OUT EF | Selects where to route external audio over USB: OFF, PATTERN (follow the Mix track SRC-page ROUT setting), or directly to OUT AB/CD/EF. Project-level; overrides the Mix track ROUT parameter. (SETTINGS > AUDIO ROUTING) §17.3 | |
| LED BACKLIGHT LED Backlight | SETTINGS_PERSONALIZE audio, bus, fx_send, mix, midi | on/off | Switches the key LEDs' backlight on and off. Shortcut: hold SETTINGS and press TRIG 16 to toggle. (SETTINGS > PERSONALIZE) §17.4 | |
| LED INTENSITY LED Intensity | SETTINGS_PERSONALIZE audio, bus, fx_send, mix, midi | MIN / MID / MAX | Sets the brightness of the key LEDs and screen. Shortcut: hold SETTINGS and press TRIG 1-3. (SETTINGS > PERSONALIZE) §17.4 | |
| REMEMBER SUBPAGE Remember Subpage | SETTINGS_PERSONALIZE audio, bus, fx_send, mix, midi | ON / OFF | When selected, remembers which PARAMETER page subpage you last used and returns to it the next time you press the same [PARAMETER] key. (SETTINGS > PERSONALIZE) §17.4 | |
| PAGE AUTOCOPY Page Autocopy | SETTINGS_PERSONALIZE audio, bus, fx_send, mix, midi | on/off | When on, automatically copies already placed trigs when extending a pattern's length (e.g. extending 2 pages to 4 copies the first two pages onto the new ones). (SETTINGS > PERSONALIZE) §17.4 |