Parameters
465 parameters
| Name | Where | Range | MIDI | Description |
|---|---|---|---|---|
| NOTE Trig Note | TRIG1 · knob A audio | Note pitch | Sets the pitch of the note when trigged. In LIVE RECORDING + KEYBOARD mode, the pitch of the played [TRIG] keys overrides this. §10.2 | |
| VEL Trig Velocity | TRIG1 · knob B audio | Velocity | Sets the velocity of the sequencer's note trigs. §10.2 | |
| LEN Trig Length | TRIG1 · knob C audio | Length; can be set to infinite (INF) | Sets the length of the note trig. In LIVE RECORDING mode, how long the [TRIG] key is held overrides this. §10.2 | |
| PROB Trig Probability | TRIG1 · knob D audio | 0…100 % | Probability that the track's trigs play. Re-evaluated each time a trig is set to play. Changes temporarily to COND when a conditional lock is added. §10.2 | |
| FLT.T Filter Trig | TRIG1 · knob E audio | OFF / ON | Controls whether the filter envelope is trigged. §10.2 | |
| LFO.T LFO Trig | TRIG1 · knob F audio | OFF / ON | Controls whether the LFO is trigged. §10.2 | |
| PTIM Portamento Time | TRIG1 · knob G audio | Portamento time | Sets the time for the portamento. §10.2 | |
| PORT Portamento | TRIG1 · knob H audio | OFF / ON | Turns the portamento on/off. §10.2 | |
| ATK Attack Time | FLTR1 · knob A audio | Attack time | Length of the attack phase of the filter envelope. §10.5 | |
| DEC Decay Time | FLTR1 · knob B audio | Decay time | Length of the decay phase of the filter envelope. §10.5 | |
| SUS Sustain Level | FLTR1 · knob C audio | Sustain level | Sustain level of the filter envelope. §10.5 | |
| REL Release Time | FLTR1 · knob D audio | Release time; can be set to infinite | Length of the release phase of the filter envelope. §10.5 | |
| FREQ Frequency | FLTR1 · knob E audio | Cutoff / EQ centre frequency | Cutoff frequency of the multimode filter and centre frequency of the EQ. §10.5 | |
| RESO/GAIN Resonance / Gain | FLTR1 · knob F audio | Resonance; for the EQ filter type, Gain (bipolar: + boosts, − cuts) | Resonance peaks the spectrum at the cutoff. For EQ, sets the boost/cut around the centre frequency. §10.5 | |
| TYPE Filter Type | FLTR1 · knob G audio | Digital voices (tracks 1–8): Lowpass, Highpass, EQ 1–5, OFF. Analog Drum/Cymbal voices (tracks 9–12): Lowpass, Bandpass, Highpass, Notch, Lowpass shelf, Peak, Highpass shelf, OFF. | Selects the filter type. Available types differ by voice type (digital vs analog tracks). §10.5 | |
| ENV Env. Depth | FLTR1 · knob H audio | Bipolar envelope depth | Amount of cutoff modulation from the filter envelope; bipolar. §10.5 | |
| DEL Envelope Delay | FLTR2 · knob A audio | Envelope delay time | Time before the attack phase of the filter envelope starts. Also reachable from FLTR page 1 via [FUNC] + DATA ENTRY A. §10.6 | |
| FENR Filter Envelope Reset | FLTR2 · knob B audio | OFF / ON | ON resets the filter envelope on each consecutive trig (default); OFF does not. §10.6 | |
| BASE Base | FLTR2 · knob C audio | Base frequency of the base-width filter | Base frequency of the base-width filter. Only available on Digital voice tracks (1–8). §10.6 | |
| WIDTH Width | FLTR2 · knob D audio | Frequency width above the base frequency | Frequency width above the base frequency. Only available on Digital voice tracks (1–8). §10.6 | |
| SPD Speed | LFO1 · knob A audio | Bipolar; negative values play the cycle backward | Speed of LFO 1. Settings of 8/16/32 sync to straight beats. §10.9 | |
| MULT Multiplier | LFO1 · knob B audio | Multiplies SPD by a factor of the current BPM or a fixed 120 BPM | Multiplies the SPD parameter, against the current tempo or a fixed 120 BPM. §10.9 | |
| FADE Fade In/Out | LFO1 · knob C audio | Bipolar; + fades out, − fades in, 0 = no fade | Fades the LFO modulation in or out. §10.9 | |
| DEST Destination | LFO1 · knob D audio | LFO modulation destination (see Appendix C) | Selects the LFO modulation destination. Highlight to preview, press [YES] to confirm. §10.9 | |
| WAVE Waveform | LFO1 · knob E audio | TRI / SIN / SQR / SAW / EXP / RMP / RND | LFO waveform. TRI/SIN/SQR/SAW/RND are bipolar; EXP/RMP are unipolar. §10.9 | |
| SPH Start Phase | LFO1 · knob F audio | Start phase 0–127 (0 = cycle start, 64 = centre); when WAVE = RND this becomes SLEW | Point in the wave cycle where the LFO starts when trigged. With WAVE = RND, changes to SLEW. §10.9 | |
| MODE Trig Mode | LFO1 · knob G audio | FRE / TRG / HLD / ONE / HLF | How the LFO behaves when a note is trigged: FRE free-running, TRG restart, HLD latch-and-hold, ONE one-shot, HLF half one-shot. §10.9 | |
| DEP Depth | LFO1 · knob H audio | Bipolar; 0 = no modulation | Depth and polarity of the LFO modulation. §10.9 | |
| SPD Speed | LFO2 · knob A audio | Bipolar; negative values play the cycle backward | Speed of LFO 2. Same as LFO 1. §10.10 | |
| MULT Multiplier | LFO2 · knob B audio | Multiplies SPD by a factor of the current BPM or a fixed 120 BPM | Multiplier for LFO 2. Same as LFO 1. §10.10 | |
| FADE Fade In/Out | LFO2 · knob C audio | Bipolar; + fades out, − fades in, 0 = no fade | Fade in/out for LFO 2. Same as LFO 1. §10.10 | |
| DEST Destination | LFO2 · knob D audio | LFO modulation destination (see Appendix C); LFO 2 can also modulate LFO 1's parameters | Modulation destination for LFO 2. LFO 2 can also modulate LFO 1's parameters. §10.10 | |
| WAVE Waveform | LFO2 · knob E audio | TRI / SIN / SQR / SAW / EXP / RMP / RND | Waveform for LFO 2. Same as LFO 1. §10.10 | |
| SPH Start Phase | LFO2 · knob F audio | Start phase 0–127 (0 = cycle start, 64 = centre); when WAVE = RND this becomes SLEW | Start phase for LFO 2. Same as LFO 1. §10.10 | |
| MODE Trig Mode | LFO2 · knob G audio | FRE / TRG / HLD / ONE / HLF | Trig mode for LFO 2. Same as LFO 1. §10.10 | |
| DEP Depth | LFO2 · knob H audio | Bipolar; 0 = no modulation | Depth for LFO 2. Same as LFO 1. §10.10 | |
| ATK Attack Time | AMP1 · knob A audio | Attack time | Length of the attack phase of the amp envelope. §10.7 | |
| HOLD Hold Time | AMP1 · knob B audio | Fixed hold 0–126, or NOTE (hold follows Note On/Off) | Hold phase length (AHD envelope mode). NOTE ties the hold to Note On/Off events. In ADSR mode this knob (B) becomes REL. §10.7 | |
| DEC Decay Time | AMP1 · knob C audio | Decay time; can be set to infinite | Length of the decay phase of the amp envelope. §10.7 | |
| SUS Sustain Level | AMP1 · knob D audio | Sustain level | Sustain level of the amp envelope. Only available when MODE (AMP page 2) is set to ADSR. §10.7 | |
| REL Release Time | AMP1 · knob B audio | Release time | Release phase length. Only available in ADSR mode, where it occupies the HOLD knob (B). §10.7 | |
| DEL Delay Send | AMP1 · knob E audio | Delay send amount | Amount of the sound sent to the Delay effect. §10.7 | |
| REV Reverb Send | AMP1 · knob F audio | Reverb send amount | Amount of the sound sent to the Reverb effect. §10.7 | |
| PAN Pan | AMP1 · knob G audio | L64 (full left) … 0 (centre) … R63 (full right) | Positions the sound in the stereo field; bipolar (0 = centre). §10.7 | |
| VOL Volume | AMP1 · knob H audio | Volume | Amp volume. Unlike the track LEVEL, this parameter can be parameter-locked. §10.7 | |
| AENR Amp Envelope Reset | AMP2 · knob A audio | OFF / ON | ON resets the amp envelope on each consecutive trig (default); OFF does not. §10.8 | |
| MODE Envelope Mode | AMP2 · knob B audio | AHD / ADSR | Sets the amp envelope to function as either an AHD or an ADSR envelope. §10.8 | |
| ROUT Track Routing | AMP2 · knob C audio | Analog FX block or Main mix | Routes the track's audio to the Analog FX block or the Main mix (see §5.4.1 ANALOG FX BLOCK ROUTING). §10.8 | |
| PL1 Pulse Generator 1 | TRIG2 · knob A audio | Number of pulses (trigs) placed by generator 1 | Euclidean pulse generator 1: number of trigs spread evenly over the track. §9.4 | |
| PL2 Pulse Generator 2 | TRIG2 · knob B audio | Number of pulses (trigs) placed by generator 2 | Euclidean pulse generator 2: number of trigs spread evenly over the track. §9.4 | |
| LEN Track Length | TRIG2 · knob C audio | Number of steps; only available in PER TRACK length mode | Sets how many steps the track has. Only available in PER TRACK mode (see §9.9 SCALE MENU). §9.4 | |
| EUC Euclidean Mode | TRIG2 · knob D audio | OFF / ON | Switches the Euclidean sequencer mode on/off. §9.4 | |
| R01 Rotation Generator 1 | TRIG2 · knob E audio | Rotates generator 1's trigs forward/backward | Rotates the trigs placed by generator 1 forward or backward on the track. §9.4 | |
| R02 Rotation Generator 2 | TRIG2 · knob F audio | Rotates generator 2's trigs forward/backward | Rotates the trigs placed by generator 2 forward or backward on the track. §9.4 | |
| TRO Track Rotation | TRIG2 · knob G audio | Rotates both generators' trigs forward/backward | Rotates the trigs placed by both generators forward or backward on the track. §9.4 | |
| OP Boolean Operator | TRIG2 · knob H audio | OR / XOR / AND / SUB | Boolean logic combining the two generators' trigs: OR (all), XOR (all unless same step), AND (only same-step), SUB (gen 1 unless gen 2 hits the same step). §9.4 | |
| TIME Delay Time | DELAY · knob A fx | Relative to BPM, in 128th notes (see the TIME / divide-ratio table) | Sets the delay time, relative to the current BPM. §13.2 | |
| X Ping-pong | DELAY · knob B fx | OFF / ON | ON alternates the delay between left/right pan; OFF lets WID set a fixed stereo position. §13.2 | |
| WID Stereo Width | DELAY · knob C fx | Bipolar stereo width | Pan width of the delay signal across the stereo field. §13.2 | |
| FDBK Feedback Gain | DELAY · knob D fx | Feedback amount; high values can self-oscillate (very loud) | Amount of delay output fed back into the input. High settings give infinite/swelling delays. §13.2 | |
| HPF Feedback HPF | DELAY · knob E fx | Highpass cutoff | Cutoff of the delay feedback highpass filter. §13.2 | |
| LPF Feedback LPF | DELAY · knob F fx | Lowpass cutoff | Cutoff of the delay feedback lowpass filter. §13.2 | |
| REV Reverb Send | DELAY · knob G fx | Send amount | Amount of delay output sent on to the Reverb. §13.2 | |
| VOL Mix Volume | DELAY · knob H fx | Output volume | Volume of the delay output signal. §13.2 | |
| PRE Pre-delay | REVERB · knob A fx | Pre-delay time | Pre-delay time of the reverb. §13.3 | |
| DEC Decay Time | REVERB · knob B fx | Decay time; can be set to infinite | Length of the reverb decay. §13.3 | |
| FREQ FB Shelving Freq | REVERB · knob C fx | Shelving filter frequency | Shelving filter frequency; with GAIN, damps the reverb tail above a chosen frequency. §13.3 | |
| GAIN FB Shelving Gain | REVERB · knob D fx | Shelving damping amount | Damping of the reverb tail above the FREQ shelving frequency. §13.3 | |
| HPF HPF | REVERB · knob E fx | Highpass cutoff (input) | Cutoff of the highpass filter on the audio entering the reverb. §13.3 | |
| LPF LPF | REVERB · knob F fx | Lowpass cutoff (input) | Cutoff of the lowpass filter on the audio entering the reverb. §13.3 | |
| VOL Mix Volume | REVERB · knob G fx | Output volume | Volume of the reverb output signal. §13.3 | |
| TRK1 Track 1 Level | MIXER1 · knob A fx | Track level | Track level of audio track 1. Striped bar = routed to the FX track; MIDI-jack symbol = MIDI machine. §13.4 | |
| TRK2 Track 2 Level | MIXER1 · knob B fx | Track level | Track level of audio track 2. §13.4 | |
| TRK3 Track 3 Level | MIXER1 · knob C fx | Track level | Track level of audio track 3. §13.4 | |
| TRK4 Track 4 Level | MIXER1 · knob D fx | Track level | Track level of audio track 4. §13.4 | |
| TRK5 Track 5 Level | MIXER1 · knob E fx | Track level | Track level of audio track 5. §13.4 | |
| TRK6 Track 6 Level | MIXER1 · knob F fx | Track level | Track level of audio track 6. §13.4 | |
| TRK7 Track 7 Level | MIXER1 · knob G fx | Track level | Track level of audio track 7. §13.4 | |
| TRK8 Track 8 Level | MIXER1 · knob H fx | Track level | Track level of audio track 8. §13.4 | |
| TRK9 Track 9 Level | MIXER2 · knob A fx | Track level | Track level of audio track 9. §13.5 | |
| TRK10 Track 10 Level | MIXER2 · knob B fx | Track level | Track level of audio track 10. §13.5 | |
| TRK11 Track 11 Level | MIXER2 · knob C fx | Track level | Track level of audio track 11. §13.5 | |
| TRK12 Track 12 Level | MIXER2 · knob D fx | Track level | Track level of audio track 12. §13.5 | |
| FX FX Track Level | MIXER2 · knob E fx | Overall level | Overall level of the FX track. §13.5 | |
| DEL Delay Level | MIXER2 · knob F fx | Overall level | Overall level of the delay. §13.5 | |
| REV Reverb Level | MIXER2 · knob G fx | Overall level | Overall level of the reverb. §13.5 | |
| IN LR Input LR Level | MIXER3 · knob A fx | Input level (mono or stereo) | Level of the audio from the INPUT L/R inputs. §13.6 | |
| BAL Balance | MIXER3 · knob B fx | Bipolar balance | Balance of the audio from the INPUT L/R inputs. §13.6 | |
| DEL Input Delay Send | MIXER3 · knob C fx | Send amount | Amount of INPUT L/R audio sent to the delay. §13.6 | |
| REV Input Reverb Send | MIXER3 · knob D fx | Send amount | Amount of INPUT L/R audio sent to the reverb. §13.6 | |
| IN Input FX Routing | MIXER3 · knob E fx | PRE / POST | Whether INPUT L/R audio is routed through the Analog FX block (PRE) or not (POST). §13.6 | |
| LEN Trig Length | TRIG1 · knob A fx | Length | Length of the FX-track trig. In LIVE RECORDING, holding the [TRIG] key overrides this. §12.2 | |
| PROB Trig Probability | TRIG1 · knob B fx | 0…100 % | Probability that the FX track's trigs play. Changes to COND with a conditional lock. §12.2 | |
| LFO.T LFO Trig | TRIG1 · knob C fx | OFF / ON | Controls whether the LFO is trigged. §12.2 | |
| FLT.T Filter Trig | TRIG1 · knob D fx | OFF / ON | Controls whether the filter envelope is trigged. §12.2 | |
| AMP.T Amplifier Trig | TRIG1 · knob E fx | OFF / ON | Controls whether the FX track's amplifier envelope is trigged. §12.2 | |
| DRIVE Drive | SYN · knob A fx | Analog drive amount | Amount of analog drive added to audio routed through the FX track (Analog FX block). Only parameter on the FX-track SYN page. §12.3 | |
| ATK Attack Time | FLTR1 · knob A fx | Attack time | Attack phase of the analog filter envelope. §12.4 | |
| DEC Decay Time | FLTR1 · knob B fx | Decay time | Decay phase of the analog filter envelope. §12.4 | |
| SUS Sustain Level | FLTR1 · knob C fx | Sustain level | Sustain level of the analog filter envelope. §12.4 | |
| REL Release Time | FLTR1 · knob D fx | Release time | Release phase of the analog filter envelope. §12.4 | |
| FREQ Frequency | FLTR1 · knob E fx | Cutoff frequency | Cutoff frequency of the analog multimode filter. §12.4 | |
| RESO Resonance | FLTR1 · knob F fx | Resonance | Resonance; peaks the spectrum at the cutoff frequency. §12.4 | |
| TYPE Filter Type | FLTR1 · knob G fx | 4-pole Lowpass, 2-pole Lowpass, Bandpass, Highpass, Notch, Double-Notch, Lowpass-Notch, OFF | Selects the analog filter type. §12.4 | |
| ENV Env. Depth | FLTR1 · knob H fx | Bipolar envelope depth | Amount of cutoff modulation from the filter envelope; bipolar. §12.4 | |
| DEL Envelope Delay | FLTR2 · knob A fx | Envelope delay time | Time before the filter envelope attack starts. Also reachable from FLTR page 1 via [FUNC] + DATA ENTRY A. §12.5 | |
| FENR Filter Envelope Reset | FLTR2 · knob B fx | OFF / ON | ON resets the filter envelope on each consecutive trig; OFF does not. §12.5 | |
| FPAN Filter Pan | FLTR2 · knob C fx | Bipolar; 0 = no frequency panning | Pans the filter cutoff between L/R channels; bipolar. §12.5 | |
| ATK Attack Time | AMP1 · knob A fx | Attack time | Attack phase of the (inverted) amp envelope. §12.6 | |
| HOLD Hold Time | AMP1 · knob B fx | Fixed hold 0–126, or NOTE (hold follows Note On/Off) | Hold phase (AHD / inverted-AHD modes). In ADSR mode this knob (B) becomes SUS. §12.6 | |
| DEC Decay Time | AMP1 · knob C fx | Decay time | Decay phase of the amp envelope. §12.6 | |
| DEP Depth | AMP1 · knob D fx | Envelope modulation depth | Amount of modulation from the amp envelope. Only available when MODE (AMP page 2) is set to AHD; in ADSR mode this knob (D) becomes REL. §12.6 | |
| SUS Sustain Level | AMP1 · knob B fx | Sustain level | Sustain level. Only in ADSR mode, where it occupies the HOLD knob (B). §12.6 | |
| REL Release Time | AMP1 · knob D fx | Release time | Release phase. Only in ADSR mode, where it occupies the DEP knob (D). §12.6 | |
| DEL Delay Send | AMP1 · knob E fx | Delay send amount | Amount of FX-track sound sent to the Delay. Disabled when the delay is routed into the Analog FX (feedback guard). §12.6 | |
| REV Reverb Send | AMP1 · knob F fx | Reverb send amount | Amount of FX-track sound sent to the Reverb. Disabled when the reverb is routed into the Analog FX (feedback guard). §12.6 | |
| PAN Pan | AMP1 · knob G fx | L64 (full left) … 0 (centre) … R63 (full right) | Positions the FX-track sound in the stereo field; bipolar. §12.6 | |
| VOL Volume | AMP1 · knob H fx | Volume | FX-track amp volume. Unlike the track LEVEL, can be parameter-locked. §12.6 | |
| AENR Amp Envelope Reset | AMP2 · knob A fx | OFF / ON | ON resets the amp envelope on each consecutive trig (default); OFF does not. §12.7 | |
| MODE Envelope Mode | AMP2 · knob B fx | INV AHD / AHD / ADSR | Sets the amp envelope to an inverted AHD, an AHD, or an ADSR envelope. §12.7 | |
| SPD Speed | LFO1 · knob A fx | Bipolar; negative plays the cycle backward | Speed of LFO 1. §12.8 | |
| MULT Multiplier | LFO1 · knob B fx | Multiplies SPD by the current BPM or a fixed 120 BPM | Multiplier for LFO 1's speed. §12.8 | |
| FADE Fade In/Out | LFO1 · knob C fx | Bipolar; + fades out, − fades in, 0 = none | Fades the LFO modulation in/out. §12.8 | |
| DEST Destination | LFO1 · knob D fx | LFO modulation destination (see Appendix C) | Selects the LFO 1 modulation destination. §12.8 | |
| WAVE Waveform | LFO1 · knob E fx | TRI / SIN / SQR / SAW / EXP / RMP / RND | LFO 1 waveform. §12.8 | |
| SPH Start Phase | LFO1 · knob F fx | Start phase; RND → SLEW | Start phase of LFO 1; with WAVE = RND becomes SLEW. §12.8 | |
| MODE Trig Mode | LFO1 · knob G fx | FRE / TRG / HLD / ONE / HLF | How LFO 1 behaves when a note is trigged. §12.8 | |
| DEP Depth | LFO1 · knob H fx | Bipolar; 0 = no modulation | Depth and polarity of LFO 1 modulation. §12.8 | |
| SPD Speed | LFO2 · knob A fx | Bipolar; negative plays the cycle backward | Speed of LFO 2. Same as LFO 1. §12.9 | |
| MULT Multiplier | LFO2 · knob B fx | Multiplies SPD by the current BPM or a fixed 120 BPM | Multiplier for LFO 2. Same as LFO 1. §12.9 | |
| FADE Fade In/Out | LFO2 · knob C fx | Bipolar; + fades out, − fades in, 0 = none | Fade in/out for LFO 2. Same as LFO 1. §12.9 | |
| DEST Destination | LFO2 · knob D fx | LFO modulation destination (see Appendix C); LFO 2 can also modulate LFO 1 | Modulation destination for LFO 2. §12.9 | |
| WAVE Waveform | LFO2 · knob E fx | TRI / SIN / SQR / SAW / EXP / RMP / RND | Waveform for LFO 2. Same as LFO 1. §12.9 | |
| SPH Start Phase | LFO2 · knob F fx | Start phase; RND → SLEW | Start phase for LFO 2. Same as LFO 1. §12.9 | |
| MODE Trig Mode | LFO2 · knob G fx | FRE / TRG / HLD / ONE / HLF | Trig mode for LFO 2. Same as LFO 1. §12.9 | |
| DEP Depth | LFO2 · knob H fx | Bipolar; 0 = no modulation | Depth for LFO 2. Same as LFO 1. §12.9 | |
| NOT1 Note 1 (Root) | TRIG1 · knob A midi | C0–G10 | Root note the MIDI track sends. §11.2 | |
| NOT2 Note 2 | TRIG1 · knob B midi | Offset from root note; 0 = no note | Second chord note, offset from the root; transposes with the root. 0 removes it. §11.2 | |
| NOT3 Note 3 | TRIG1 · knob C midi | Offset from root note; 0 = no note | Third chord note, offset from the root. 0 removes it. §11.2 | |
| NOT4 Note 4 | TRIG1 · knob D midi | Offset from root note; 0 = no note | Fourth chord note, offset from the root. 0 removes it. §11.2 | |
| VEL Trig Velocity | TRIG1 · knob E midi | Velocity; 0 = NOTE OFF | Velocity of the notes the MIDI track sends. §11.2 | |
| LEN Trig Length | TRIG1 · knob F midi | Note length; INF = infinite | Duration of the notes; a NOTE OFF is sent when finished. §11.2 | |
| PROB Trig Probability | TRIG1 · knob G midi | 0…100 % | Probability that the track's trigs play. Changes to COND with a conditional lock. §11.2 | |
| LFO.T LFO Trig | TRIG1 · knob H midi | OFF / ON | Controls whether the LFO is trigged. §11.2 | |
| CHAN Channel | SYN · knob A midi | 1–16, or OFF (turns the MIDI track off) | MIDI channel the track sends on. OFF disables the track. Cannot be parameter-locked. §11.3 | |
| BANK Bank | SYN · knob B midi | Bank change on CC 0 MSB; default OFF | Sends a bank change message on CC 0 (MSB). Default OFF (disabled). §11.3 | |
| SBNK Sub Bank | SYN · knob C midi | Bank change on CC 32 LSB; default OFF | Sends a bank change message on CC 32 (LSB). Default OFF. §11.3 | |
| PROG Program Change | SYN · knob D midi | Program Change number; default OFF | Sends a Program Change message. Default OFF. §11.3 | |
| PB Pitch Bend | SYN · knob E midi | Pitch bend; default OFF | Pitch bend data sent on the MIDI track. Default OFF. §11.3 | |
| AT Aftertouch | SYN · knob F midi | Aftertouch; default OFF | Aftertouch data sent on the MIDI track. Default OFF. §11.3 | |
| MW Mod Wheel | SYN · knob G midi | Mod wheel; default OFF | Modulation wheel data sent on the MIDI track. Default OFF. §11.3 | |
| BC Breath Controller | SYN · knob H midi | Breath control; default OFF | Breath controller data sent on the MIDI track. Default OFF. §11.3 | |
| VAL1 CC 1 Value | CC VALUE · knob A midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL1 on the CC SELECT page. Default OFF. §11.4 | |
| VAL2 CC 2 Value | CC VALUE · knob B midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL2. Default OFF. §11.4 | |
| VAL3 CC 3 Value | CC VALUE · knob C midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL3. Default OFF. §11.4 | |
| VAL4 CC 4 Value | CC VALUE · knob D midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL4. Default OFF. §11.4 | |
| VAL5 CC 5 Value | CC VALUE · knob E midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL5. Default OFF. §11.4 | |
| VAL6 CC 6 Value | CC VALUE · knob F midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL6. Default OFF. §11.4 | |
| VAL7 CC 7 Value | CC VALUE · knob G midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL7. Default OFF. §11.4 | |
| VAL8 CC 8 Value | CC VALUE · knob H midi | 0–127, or OFF (disabled) | Value sent for the CC selected by SEL8. Default OFF. §11.4 | |
| SEL1 CC 1 Select | CC SELECT · knob A midi | Standard MIDI CC message, or OFF | Selects which CC the VAL1 knob sends. Default OFF. §11.5 | |
| SEL2 CC 2 Select | CC SELECT · knob B midi | Standard MIDI CC message, or OFF | Selects which CC the VAL2 knob sends. Default OFF. §11.5 | |
| SEL3 CC 3 Select | CC SELECT · knob C midi | Standard MIDI CC message, or OFF | Selects which CC the VAL3 knob sends. Default OFF. §11.5 | |
| SEL4 CC 4 Select | CC SELECT · knob D midi | Standard MIDI CC message, or OFF | Selects which CC the VAL4 knob sends. Default OFF. §11.5 | |
| SEL5 CC 5 Select | CC SELECT · knob E midi | Standard MIDI CC message, or OFF | Selects which CC the VAL5 knob sends. Default OFF. §11.5 | |
| SEL6 CC 6 Select | CC SELECT · knob F midi | Standard MIDI CC message, or OFF | Selects which CC the VAL6 knob sends. Default OFF. §11.5 | |
| SEL7 CC 7 Select | CC SELECT · knob G midi | Standard MIDI CC message, or OFF | Selects which CC the VAL7 knob sends. Default OFF. §11.5 | |
| SEL8 CC 8 Select | CC SELECT · knob H midi | Standard MIDI CC message, or OFF | Selects which CC the VAL8 knob sends. Default OFF. §11.5 | |
| SPD Speed | LFO1 · knob A midi | Bipolar; negative plays the cycle backward | Speed of the MIDI-track LFO. §11.6 | |
| MULT Multiplier | LFO1 · knob B midi | Multiplies SPD by the current BPM or a fixed 120 BPM | Multiplier for the LFO speed. §11.6 | |
| FADE Fade In/Out | LFO1 · knob C midi | Bipolar; + fades out, − fades in, 0 = none | Fades the LFO modulation in/out. §11.6 | |
| DEST Destination | LFO1 · knob D midi | LFO modulation destination (the MIDI track's SYN/FLTR params; see Appendix C) | Selects the LFO modulation destination. §11.6 | |
| WAVE Waveform | LFO1 · knob E midi | TRI / SIN / SQR / SAW / EXP / RMP / RND | LFO waveform. TRI/SIN/SQR/SAW/RND are bipolar; EXP/RMP are unipolar. §11.6 | |
| SPH Start Phase | LFO1 · knob F midi | Start phase; RND → SLEW | Start phase of the LFO; with WAVE = RND becomes SLEW. §11.6 | |
| MODE Trig Mode | LFO1 · knob G midi | FRE / TRG / HLD / ONE / HLF | How the LFO behaves when a note is trigged. §11.6 | |
| DEP Depth | LFO1 · knob H midi | Bipolar; 0 = no modulation | Depth and polarity of the LFO modulation. §11.6 | |
| TUNE Tune | SYN · knob A bd_modern audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SWEP Pitch Sweep | SYN · knob B bd_modern audio | sets the depth and time of the pitch sweep. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C bd_modern audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D bd_modern audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| SMOD Square Modulation | SYN · knob E bd_modern audio | sets the amount of square-like modulation. §a2-digital-machines | ||
| TMOD Triangle Modulation | SYN · knob F bd_modern audio | sets the amount of triangle-like modulation and feedback. §a2-digital-machines | ||
| MENV Modulation Envelope | SYN · knob G bd_modern audio | sets the decay and depth of the modulation envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H bd_modern audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sd_basic audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SWEP Sweep Depth | SYN · knob B sd_basic audio | sets the depth and time of the pitch sweep. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C sd_basic audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sd_basic audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| INHM Inharmonicity | SYN · knob E sd_basic audio | sets the ratio of the operators. §a2-digital-machines | ||
| MDFB Modulation and Feedback | SYN · knob F sd_basic audio | sets the amount of modulation and feedback. §a2-digital-machines | ||
| MENV Modulation Envelope | SYN · knob G sd_basic audio | sets the decay and depth of the modulation envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sd_basic audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sd_vintage audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SWEP Pitch Sweep | SYN · knob B sd_vintage audio | sets the amount of sweep of the fundamental pitch frequency. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C sd_vintage audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sd_vintage audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| INHM Inharmonicity | SYN · knob E sd_vintage audio | sets the ratio of the operators. §a2-digital-machines | ||
| FCMP Frequency Complexity | SYN · knob F sd_vintage audio | sets the character of the strength of the snare modes. §a2-digital-machines | ||
| MENV Modulation Envelope | SYN · knob G sd_vintage audio | sets the decay and depth of the modulation envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sd_vintage audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A pc_carbon audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SWEP Sweep Depth | SYN · knob B pc_carbon audio | sets the depth and time of the pitch sweep. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C pc_carbon audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D pc_carbon audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| INHM Inharmonicity | SYN · knob E pc_carbon audio | sets the amount of inharmonicity. §a2-digital-machines | ||
| MOD Modulation | SYN · knob F pc_carbon audio | sets the amount of modulation. §a2-digital-machines | ||
| MENV Modulation Envelope | SYN · knob G pc_carbon audio | sets the decay and depth of the modulation envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H pc_carbon audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A cp_vintage audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SPCR Spacing/Crunch | SYN · knob B cp_vintage audio | sets the spacing and decay time of the initial clap trigs. Crunch is faded in from a setting of 64 and up. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C cp_vintage audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D cp_vintage audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| BAL Balance | SYN · knob E cp_vintage audio | sets the balance between noise (0) and FM body (127). Both will play at equal strength at a value of 64. §a2-digital-machines | ||
| BODY Body Character | SYN · knob F cp_vintage audio | sets the modulation ratio, modulation depth and feedback for the clap FM body. §a2-digital-machines | ||
| BENV Body Envelope | SYN · knob G cp_vintage audio | sets the decay time of the clap FM body envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H cp_vintage audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A cy_alloy audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SHIM Shimmer | SYN · knob B cy_alloy audio | sets the tune offset of operator B. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C cy_alloy audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D cy_alloy audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| RADIO Radio | SYN · knob E cy_alloy audio | sets the tune offset of operator A. §a2-digital-machines | ||
| MOD Modulation | SYN · knob F cy_alloy audio | sets the amount of modulation. §a2-digital-machines | ||
| MENV Modulation Envelope | SYN · knob G cy_alloy audio | sets the decay and depth of the modulation envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H cy_alloy audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sy_bits audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| DET Osc 2 Detune | SYN · knob B sy_bits audio | sets the tuning of oscillator 2 relative to oscillator 1. §a2-digital-machines | ||
| BAL Balance | SYN · knob C sy_bits audio | sets the level of the oscillators and the noise. At value 0, it produces only noise. From 1–64 oscillator 1 fades in. Between 64–127 the second oscillator fades in and the noise is faded out. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sy_bits audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| WAVE Wave | SYN · knob E sy_bits audio | sets the waveform of the oscillators. The parameter snaps to the pure waveforms. A value above 64 narrows the duty cycle of the square waveform. Setting WAVE to 96, and then modulate it with an LFO with DEPTH set to 32 will create full range pulse width modulation. §a2-digital-machines | ||
| SRR Sample Rate Reduction | SYN · knob F sy_bits audio | sets the amount of sample rate reduction. §a2-digital-machines | ||
| BR Bit Reduction | SYN · knob G sy_bits audio | sets the bit rate. The parameter range is from 16 bits to 2 bits. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sy_bits audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sy_tone audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| RATIO Ratio | SYN · knob B sy_tone audio | sets ratio between the operators. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C sy_tone audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sy_tone audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| FDBK Feedback | SYN · knob E sy_tone audio | sets the amount of feedback. §a2-digital-machines | ||
| MOD Modulation | SYN · knob F sy_tone audio | sets the amount of modulation. §a2-digital-machines | ||
| MENV Modulation Envelope | SYN · knob G sy_tone audio | sets the decay and depth of the modulation envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sy_tone audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sy_chord audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| WAVE Wave Sweep | SYN · knob B sy_chord audio | sweeps through the wavetable. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C sy_chord audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sy_chord audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| TYPE Type | SYN · knob E sy_chord audio | sets the unison mode and selects chord. For more information about the TYPE settings, please see “APPENDIX D: UNISON AND CHORD SETTINGS” on page 121 §a2-digital-machines | ||
| BAL Chord/Osc Balance | SYN · knob F sy_chord audio | sets the interval mix and chord balance. If TYPE is set to UNISON, BAL sets the amount of detune. §a2-digital-machines | ||
| FENV Filter Envelope | SYN · knob G sy_chord audio | sets the depth of the machines filter envelope. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sy_chord audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sy_toy audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| FORM Form | SYN · knob B sy_toy audio | approximates different physical materials and objects by altering the ratios/spacing between the operators. §a2-digital-machines | ||
| PNCH Punch | SYN · knob C sy_toy audio | adds a compressor-like envelope, which accentuates and distorts the sound. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sy_toy audio | sets the length of the decay phase of the machines internal amp envelope. §a2-digital-machines | ||
| IMP Impact | SYN · knob E sy_toy audio | sets the modulation and feedback depth of the modulator. This parameter controls the amount of additional overtones, basically the impact of a stroke against the material. §a2-digital-machines | ||
| BRIG Brightness | SYN · knob F sy_toy audio | sets the level of the partial frequencies above the fundamental. §a2-digital-machines | ||
| PAR Partial Decay | SYN · knob G sy_toy audio | controls the decay and end levels of the partials/impact. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sy_toy audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A sy_swarm audio | offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| DET Detune | SYN · knob B sy_swarm audio | sets the amount of detuning of the six detune oscillators in relation to the fundamental oscillator. §a2-digital-machines | ||
| MIX Mix | SYN · knob C sy_swarm audio | sets the level of the detune oscillators in relation to the fundamental oscillator. §a2-digital-machines | ||
| DEC Decay | SYN · knob D sy_swarm audio | sets the length of the decay phase of the machine’s internal amp envelope. §a2-digital-machines | ||
| NMOD Noise Modulation | SYN · knob E sy_swarm audio | sets the amount of noise modulation of the detune oscillators. §a2-digital-machines | ||
| ANIM Detune Animation | SYN · knob F sy_swarm audio | sets the detune oscillators’ modulation amount. The detune oscillators are modulated separately in pairs by three hidden LFOs running at different rates. §a2-digital-machines | ||
| SUB Fundamental Sub | SYN · knob G sy_swarm audio | detunes the fundamental oscillator down one or two octaves but leaves the detune oscillators’ pitch unchanged. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sy_swarm audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUN1 Tune 1 | SYN · knob A sp_twinshot audio | sets the pitch of the sample selected by SMP1. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SMP1 Sample 1 | SYN · knob B sp_twinshot audio | selects a sample for slot 1. Negative parameter value selects the same sample slot but plays the sample in reverse. The snap values for this parameter switches between playing forward and in reverse of the same sample. §a2-digital-machines | ||
| FLT1 Filter | SYN · knob C sp_twinshot audio | is a DJ style filter that affects the SMP1 sample. WIth negative parameter values the filter works like a low pass filter. WIth positive values the filter works like a high-pass filter §a2-digital-machines | ||
| DEC1 Decay | SYN · knob D sp_twinshot audio | sets the length of the decay phase of sample 1. §a2-digital-machines | ||
| TUN2 Tune 2 | SYN · knob E sp_twinshot audio | sets the pitch of the sample selected by SMP2. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. §a2-digital-machines | ||
| SMP2 Sample 2 | SYN · knob F sp_twinshot audio | selects a sample for slot 2. Negative parameter values plays the same sample but in reverse. The snap values for this parameter switches between playing forward and in reverse of the same sample. §a2-digital-machines | ||
| MIX Mix | SYN · knob G sp_twinshot audio | sets the balance between the levels of sample 1 and sample 2. §a2-digital-machines | ||
| OVER Overdrive | SYN · knob H sp_twinshot audio | sets the gain amount into the digital overdrive. §a2-digital-machines | ||
| TUNE Tune | SYN · knob A bd_hard audio | sets the pitch of the oscillator. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_hard audio | sets the pitch sweep time. The depth of the sweep is fixed. §a3-analog-drum-machines | ||
| SNAP Snap Amount | SYN · knob C bd_hard audio | sets the snap transient level. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_hard audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| WAV Waveform | SYN · knob E bd_hard audio | 0, 1, 2 | sets the oscillator waveform to sine, asymmetric sine or triangle. (0, 1, 2) §a3-analog-drum-machines | |
| HOLD Hold Time | SYN · knob F bd_hard audio | sets the hold time, the time before the decay phase starts. §a3-analog-drum-machines | ||
| TICK Tick Level | SYN · knob G bd_hard audio | sets the level of the transient tick. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_hard audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A bd_classic audio | sets the pitch of the oscillator. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_classic audio | sets the pitch sweep time. Low values result in a short sweep. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C bd_classic audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_classic audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| WAVE Waveform | SYN · knob E bd_classic audio | sets the oscillator waveform to sine, asymmetric sine or triangle. §a3-analog-drum-machines | ||
| HOLD Hold Time | SYN · knob F bd_classic audio | sets the hold time, the time before the decay phase starts. §a3-analog-drum-machines | ||
| TRAN Transient | SYN · knob G bd_classic audio | sets the tick or noise transient sound and its level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_classic audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A bd_fm audio | sets the pitch of the first (modulated) oscillator. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_fm audio | sets the pitch sweep time of the first (modulated) oscillator. §a3-analog-drum-machines | ||
| FM D FM Decay | SYN · knob C bd_fm audio | sets the length of the decay phase of the second (modulating) oscillator and, consequently, the decay time of the FM effect. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_fm audio | sets the length of the decay phase of the first (modulated) oscillator and, consequently, the whole drum sound. §a3-analog-drum-machines | ||
| FM T FM Tune | SYN · knob E bd_fm audio | sets the pitch of the second (modulating) oscillator. §a3-analog-drum-machines | ||
| FM S FM Sweep Time | SYN · knob F bd_fm audio | sets the pitch sweep time of the second (modulating) oscillator. §a3-analog-drum-machines | ||
| FM A FM Amount | SYN · knob G bd_fm audio | sets the amount of frequency modulation the second oscillator subjects the first to. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_fm audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A bd_plastic audio | sets the pitch of the two interacting oscillators. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_plastic audio | sets the pitch sweep time of the two interacting oscillators. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C bd_plastic audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_plastic audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| TYPE Modulation Type | SYN · knob E bd_plastic audio | The first is linear Frequency Modulation between the oscillators. The second is FM combined with ring modulation. §a3-analog-drum-machines | ||
| MOD Modulation Level | SYN · knob F bd_plastic audio | sets modulation depth. §a3-analog-drum-machines | ||
| TICK Tick Level | SYN · knob G bd_plastic audio | sets the level of the transient tick. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_plastic audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A bd_silky audio | sets the pitch of the oscillator. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_silky audio | sets the pitch sweep time. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C bd_silky audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_silky audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| DUST Dust Level | SYN · knob E bd_silky audio | sets the level of subtle tape-like static. §a3-analog-drum-machines | ||
| HOLD Hold Time | SYN · knob F bd_silky audio | sets the length of the hold phase. §a3-analog-drum-machines | ||
| CLIK VCO Click | SYN · knob G bd_silky audio | sets the soft, oscillator-generated click level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_silky audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A bd_sharp audio | sets the pitch of the oscillator. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_sharp audio | sets the pitch sweep time. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C bd_sharp audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_sharp audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| WAVE Waveform | SYN · knob E bd_sharp audio | sets the waveform. There are five waveforms to choose from (Sine, Asymmetric Sine, Triangle, Sinetooth, Sawtooth and Square), and there is a choice between letting the oscillator run freely, or have it reset each time the synth is trigged (wave graphics showed with an anchor point on the LCD) §a3-analog-drum-machines | ||
| HOLD Hold Time | SYN · knob F bd_sharp audio | sets the length of the hold phase. §a3-analog-drum-machines | ||
| TICK Tick Level | SYN · knob G bd_sharp audio | sets the level of transient tick. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_sharp audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A bd_acoustic audio | sets the pitch (in semi-tones) of the oscillator. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B bd_acoustic audio | sets the pitch sweep time. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C bd_acoustic audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D bd_acoustic audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| HOLD Hold Time | SYN · knob E bd_acoustic audio | sets the length of the hold phase. §a3-analog-drum-machines | ||
| IMP Impact | SYN · knob F bd_acoustic audio | sets the level of the digital transient. The transient consists of a mix of PCM and noise. §a3-analog-drum-machines | ||
| WAVE Waveform | SYN · knob G bd_acoustic audio | sets the waveform. There are six waveforms to choose from (Sine, Asymmetric Sine, Triangle, Sinetooth, Sawtooth, and Square), and there is a choice between letting the oscillator run freely, or have it reset each time the synth is trigged (wave graphics showed with an anchor point on the screen). §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H bd_acoustic audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A sd_fm audio | sets the pitch of the first (modulated) oscillator. §a3-analog-drum-machines | ||
| FM T FM Tune | SYN · knob B sd_fm audio | sets the pitch of the second (modulating) oscillator. §a3-analog-drum-machines | ||
| FM D FM Decay Time | SYN · knob C sd_fm audio | sets the decay time of the second (modulating) oscillator and, consequently, the decay time of the FM effect. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D sd_fm audio | sets the length of the decay phase of the first (modulated) oscillator and, consequently, the whole drum sound. §a3-analog-drum-machines | ||
| FM A FM Amount | SYN · knob E sd_fm audio | sets the amount of frequency modulation the second oscillator subjects the first oscillator to. §a3-analog-drum-machines | ||
| NDEC Noise Decay | SYN · knob F sd_fm audio | sets the length of the noise decay phase. §a3-analog-drum-machines | ||
| NLEV Noise Level | SYN · knob G sd_fm audio | sets the noise level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sd_fm audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A sd_natural audio | sets the pitch of the first oscillator. §a3-analog-drum-machines | ||
| NDEC Noise Decay | SYN · knob B sd_natural audio | sets the length of the noise decay §a3-analog-drum-machines | ||
| BAL Noise Balance | SYN · knob C sd_natural audio | sets the balance between noise and oscillator. §a3-analog-drum-machines | ||
| DEC Decay Time | SYN · knob D sd_natural audio | sets the length of the decay phase of the oscillator. §a3-analog-drum-machines | ||
| HPF Noise HPF | SYN · knob E sd_natural audio | sets the noise highpass filter cutoff frequency. §a3-analog-drum-machines | ||
| LPF Noise LPF | SYN · knob F sd_natural audio | sets the noise lowpass filter cutoff frequency. §a3-analog-drum-machines | ||
| RESO Noise Resonance | SYN · knob G sd_natural audio | adds a resonant peak to the Noise LPF. Zero value quenches noise resonance altogether. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sd_natural audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A sd_classic audio | sets the common pitch of the oscillators. §a3-analog-drum-machines | ||
| DET Detune | SYN · knob B sd_classic audio | sets the pitch of the second oscillator in relation to the first. §a3-analog-drum-machines | ||
| BAL Osc Balance | SYN · knob C sd_classic audio | sets the balance between the levels of oscillator 1 and oscillator 2. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D sd_classic audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| SNAP Snap Amount | SYN · knob E sd_classic audio | sets the snap transient level. §a3-analog-drum-machines | ||
| NDEC Noise Decay | SYN · knob F sd_classic audio | sets the length of the noise decay phase. §a3-analog-drum-machines | ||
| NLEV Noise Level | SYN · knob G sd_classic audio | sets the noise level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sd_classic audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A sd_hard audio | sets the pitch of the oscillators. The interval between them is fixed. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B sd_hard audio | sets the pitch sweep time. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C sd_hard audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D sd_hard audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| TICK Tick Level | SYN · knob E sd_hard audio | sets the level of the transient tick. §a3-analog-drum-machines | ||
| NDEC Noise Decay | SYN · knob F sd_hard audio | sets the length of the noise decay phase. §a3-analog-drum-machines | ||
| NLEV Noise Level | SYN · knob G sd_hard audio | sets the noise level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sd_hard audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A sd_acoustic audio | sets the pitch (in semi-tones) of the oscillator. §a3-analog-drum-machines | ||
| NDEC Noise Decay | SYN · knob B sd_acoustic audio | sets the length of the noise decay. §a3-analog-drum-machines | ||
| NLEV Noise Balance | SYN · knob C sd_acoustic audio | sets the level of the noise. §a3-analog-drum-machines | ||
| BDEC Body Decay | SYN · knob D sd_acoustic audio | sets the length of the decay phase of the oscillator. §a3-analog-drum-machines | ||
| HOLD Hold Time | SYN · knob E sd_acoustic audio | sets the length of the hold phase. §a3-analog-drum-machines | ||
| IMP Impact | SYN · knob F sd_acoustic audio | sets the level of the digital transient. The transient consists of a mix of PCM and noise. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob G sd_acoustic audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sd_acoustic audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A rs_hard audio | sets the pitch of the oscillators. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B rs_hard audio | sets the pitch sweep time. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob C rs_hard audio | sets the depth of the pitch sweep. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D rs_hard audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| TICK Tick Level | SYN · knob E rs_hard audio | sets the level of the transient tick. §a3-analog-drum-machines | ||
| NLEV Noise Level | SYN · knob F rs_hard audio | sets the noise level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob G rs_hard audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUN1 Tune Osc1 | SYN · knob A rs_classic audio | sets the pitch of the first oscillator. §a3-analog-drum-machines | ||
| TUN2 Tune Osc2 | SYN · knob B rs_classic audio | sets the pitch of the second oscillator. §a3-analog-drum-machines | ||
| BAL Osc Balance | SYN · knob C rs_classic audio | sets the balance between oscillator 1 and oscillator 2. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D rs_classic audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| TICK Tick Level | SYN · knob E rs_classic audio | sets the level of the transient tick. §a3-analog-drum-machines | ||
| NLEV Noise Level | SYN · knob F rs_classic audio | sets the noise level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob G rs_classic audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| SDEP Sweep Depth | SYN · knob A ut_noise_gen audio | sets the depth of the LP Filter sweep. Negative as well as positive sweeps are possible. §a3-analog-drum-machines | ||
| STIM Sweep Time | SYN · knob B ut_noise_gen audio | sets the length of the sweep from the depth set by SDEP. Low values result in snappy sweeps, high values result in longer sweeps. §a3-analog-drum-machines | ||
| ATK Attack | SYN · knob C ut_noise_gen audio | sets the length of the attack phase. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D ut_noise_gen audio | sets the length of the decay phase. The decay can be set to infinite length. §a3-analog-drum-machines | ||
| HPF HP Filter | SYN · knob E ut_noise_gen audio | sets the highpass filter cutoff frequency. §a3-analog-drum-machines | ||
| LPF LP Filter | SYN · knob F ut_noise_gen audio | sets the lowpass filter cutoff frequency. §a3-analog-drum-machines | ||
| RESO Resonance | SYN · knob G ut_noise_gen audio | sets the amount of resonance around the cutoff frequency of the LP Filter. §a3-analog-drum-machines | ||
| LEV Level | SYN · knob H ut_noise_gen audio | sets the overall sound volume of the machine. §a3-analog-drum-machines | ||
| ATK Attack | SYN · knob A ut_impulse audio | sets the length of the attack phase. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob B ut_impulse audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| POL Polarity | SYN · knob C ut_impulse audio | sets the polarity, positive or negative. §a3-analog-drum-machines | ||
| LEV Level | SYN · knob D ut_impulse audio | sets the overall sound volume of the machine. §a3-analog-drum-machines | ||
| TUNE Osc 1 Tune | SYN · knob A sy_dual_vco audio | sets the tuning of oscillator 1. §a3-analog-drum-machines | ||
| DET Osc 2 Detune | SYN · knob B sy_dual_vco audio | sets the tuning of oscillator 2, relative to oscillator 1. §a3-analog-drum-machines | ||
| DEC1 Osc 1 Decay | SYN · knob C sy_dual_vco audio | sets the decay time of oscillator 1 level. §a3-analog-drum-machines | ||
| DEC2 Osc 2 Decay | SYN · knob D sy_dual_vco audio | sets the decay time of oscillator 2 level. §a3-analog-drum-machines | ||
| CNFG Osc Config | SYN · knob E sy_dual_vco audio | selects the waveforms and interaction of the two oscillators. There are two different waveforms for oscillator 1 (sine, sinesaw) and five different waveforms for oscillator 2 (sine, skewed sine, triangle, sinesaw, saw). §a3-analog-drum-machines | ||
| BEND Bend | SYN · knob F sy_dual_vco audio | sets the depth of a fixed time pitch envelope and increases the volume of a short transient. §a3-analog-drum-machines | ||
| BAL Balance | SYN · knob G sy_dual_vco audio | controls the levels of the two oscillators. At a value of 0, both are 50%. Negative values attenuate oscillator 2. Positive values attenuate oscillator 1. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sy_dual_vco audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Osc 1 Tune | SYN · knob A sy_raw audio | sets the tuning of oscillator 1. Value 0 corresponds to note C-2. §a3-analog-drum-machines | ||
| DET Detune | SYN · knob B sy_raw audio | sets the tuning of oscillator 2, relative to oscillator 1. §a3-analog-drum-machines | ||
| LEV2 Osc 2 Level | SYN · knob C sy_raw audio | sets the level of oscillator 2. §a3-analog-drum-machines | ||
| DEC2 Osc 2 Decay | SYN · knob D sy_raw audio | sets the decay time of oscillator 2 level. §a3-analog-drum-machines | ||
| WAV1 Osc 1 Wave | SYN · knob E sy_raw audio | selects the waveform of oscillator 1. There are six waveforms for oscillator 1: sine, asymetric sine, triangle, sinesaw, saw, and square. If the waveform begins with a small square then the phase of both oscillators are reset when trigged. §a3-analog-drum-machines | ||
| WAV2 Osc 2 Wave | SYN · knob F sy_raw audio | selects the waveform of oscillator 2. There are seven waveforms for oscillator 2: sine, asymetric sine, triangle, sinesaw, saw, square, and ring modulator (oscillator 2 ring modulates oscillator 1 using a square wave, even if you set LEV2 to 0. Turning up LEV2 to adds a sine wave). §a3-analog-drum-machines | ||
| NLEV Noise Level | SYN · knob G sy_raw audio | sets the noise level. §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob H sy_raw audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A sy_chip audio | sets the pitch (in semi-tones) of the oscillator. §a3-analog-drum-machines | ||
| WAVE Waveform | SYN · knob B sy_chip audio | sets the waveform of the oscillator. §a3-analog-drum-machines | ||
| SPD Speed | SYN · knob C sy_chip audio | sets the speed of the internal arpeggiator. First range of values are note divisions of the set BPM. Second range of values are fixed values in Hz. At the end of the list are a number of values which sets the arpeggiator in “single-shot” mode, where the arpeggiator will not restart. §a3-analog-drum-machines | ||
| DEC Decay | SYN · knob D sy_chip audio | sets the length of the decay phase. §a3-analog-drum-machines | ||
| OF2–4 Offset 2–4 | SYN · knob E sy_chip audio | sets three note offsets from the pitch set by TUNE. Basically by selecting different offsets, you create different “chords”. A value of 0 restarts the arpeggiator (or stops it, in case of single-shot arps). §a3-analog-drum-machines | ||
| OVER Overdrive | SYN · knob F sy_chip audio | sets the gain amount into the analog overdrive. §a3-analog-drum-machines | ||
| TUNE Tune | SYN · knob A ch_classic audio | sets the pitch of the oscillators of the closed hihat. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B ch_classic audio | sets the length of the decay phase of the closed hihat sound. §a4-analog-cymbal-machines | ||
| NCOL Noise Color | SYN · knob C ch_classic audio | sets the timbral color. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob D ch_classic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A oh_classic audio | sets the pitch of the oscillators of the open hihat. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B oh_classic audio | sets the length of the decay phase. §a4-analog-cymbal-machines | ||
| NCOL Noise Color | SYN · knob C oh_classic audio | sets the timbral color. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob D oh_classic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A ch_metallic audio | sets the pitch of the interacting oscillators of the metallic hihat. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B ch_metallic audio | sets the length of the decay phase. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob C ch_metallic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A oh_metallic audio | sets the pitch of the interacting oscillators of the metallic hihat. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B oh_metallic audio | sets the length of the decay phase. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob C oh_metallic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A hh_basic audio | sets the pitch of the six oscillators that combine to make the basic hihat sound. §a4-analog-cymbal-machines | ||
| TONE Tone | SYN · knob B hh_basic audio | sets the tone of the sound. Positive values produce an increasingly shrill tone, while negative values result in a deeper tone. §a4-analog-cymbal-machines | ||
| TDEC Transient Decay | SYN · knob C hh_basic audio | sets the length of the transient. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob D hh_basic audio | sets the length of the hihat sound. §a4-analog-cymbal-machines | ||
| RST Osc Reset | SYN · knob E hh_basic audio | ON/OFF | activate to reset the oscillators for each triggering of the sound, or deactivate to let the oscillators run free. (ON/OFF) §a4-analog-cymbal-machines | |
| OVER Overdrive | SYN · knob F hh_basic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| OSC 1–6 Oscillator Frequency | SYN · knob A hh_lab audio | sets the pitches of the six separate oscillators that makes up the hihat sound. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B hh_lab audio | sets the length of the hihat sound. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob C hh_lab audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A cy_classic audio | sets the pitch of the interacting oscillators of the cymbal. §a4-analog-cymbal-machines | ||
| TONE Tone | SYN · knob B cy_classic audio | sets the metallic tone of the cymbal. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob C cy_classic audio | sets the length of the decay phase of the cymbal sound. §a4-analog-cymbal-machines | ||
| NCOL Noise Color | SYN · knob D cy_classic audio | sets the timbral color of the cymbal. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob E cy_classic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A cy_metallic audio | sets the pitch of the ring-modulated oscillators of the metallic cymbal. §a4-analog-cymbal-machines | ||
| TONE Tone | SYN · knob B cy_metallic audio | sets the tone of the metallic transient. §a4-analog-cymbal-machines | ||
| TDEC Transient Decay | SYN · knob C cy_metallic audio | sets the length of the transient decay phase. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob D cy_metallic audio | sets the length of the decay phase of the oscillators. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob E cy_metallic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A cy_ride audio | sets the pitch of the interacting oscillators that make up the ride cymbal model. §a4-analog-cymbal-machines | ||
| TYPE Cymbal Type | SYN · knob B cy_ride audio | selects different sets of fundamental oscillator frequencies, as well as different inter-oscillator logical interaction. (A-D) §a4-analog-cymbal-machines | ||
| HITD Hit Decay | SYN · knob C cy_ride audio | sets the top decay. §a4-analog-cymbal-machines | ||
| DEC Tail Decay | SYN · knob D cy_ride audio | sets the tail decay. §a4-analog-cymbal-machines | ||
| HIT | SYN · knob E cy_ride audio | sets the level of the hit sound component. §a4-analog-cymbal-machines | ||
| TIMB | SYN · knob F cy_ride audio | sets the level of the timbral sound component. §a4-analog-cymbal-machines | ||
| WASH | SYN · knob G cy_ride audio | sets the level of the wash sound component. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob H cy_ride audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A cb_classic audio | sets the base pitch of the two oscillators. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B cb_classic audio | sets the length of the decay phase of the cowbell sound. §a4-analog-cymbal-machines | ||
| DET Detune | SYN · knob C cb_classic audio | sets the detune offset of the second oscillator. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob D cb_classic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines | ||
| TUNE Tune | SYN · knob A cb_metallic audio | sets the base pitch of the two oscillators. §a4-analog-cymbal-machines | ||
| DEC Decay | SYN · knob B cb_metallic audio | sets the length of the decay phase of the metallic cowbell sound. §a4-analog-cymbal-machines | ||
| DET Detune | SYN · knob C cb_metallic audio | sets the detune offset of the second oscillator. §a4-analog-cymbal-machines | ||
| OVER Overdrive | SYN · knob D cb_metallic audio | sets the gain amount into the analog overdrive. §a4-analog-cymbal-machines |