Parameters
300 parameters
| Name | Where | Range | MIDI | Description |
|---|---|---|---|---|
| NOTE Trig Note | TRIG1 · knob A audio, midi | Note pitch | Sets the pitch of the note when trigged. In LIVE RECORDING + KEYBOARD mode, the pitch of the played [TRIG] keys overrides this. Turning DATA ENTRY A while pressed selects only notes in the KB SCALE (invertible via NOTE PARAM in PERSONALIZE). §11.2 | |
| VEL Trig Velocity | TRIG1 · knob B audio, midi | Velocity | Sets the velocity of the sequencer's note trigs. §11.2 | |
| LEN Trig Length | TRIG1 · knob C audio, midi | Trig length | Sets the length of the note trig. In LIVE RECORDING mode, how long the [TRIG] key is held overrides this. §11.2 | |
| PROB Trig Probability | TRIG1 · knob D audio, midi | 0…100 % | Probability that the track's trigs play. Re-evaluated each time a trig is set to play; can be parameter locked per trig. Changes temporarily to COND when a conditional lock is added. §11.2 | |
| LFO.T LFO Trig | TRIG1 · knob E audio, midi | OFF / ON | Controls whether the LFO is trigged or not. §11.2 | |
| FLT.T Filter Trig | TRIG1 · knob F audio | OFF / ON | Controls whether the filter envelope is trigged or not. §11.2 | |
| RTRG Retrig | TRIG2 · knob A audio | OFF / ON | Turns retrig on/off, enabling a number of trig repeats on placed trigs (DATA ENTRY A). §11.3 | |
| VFAD Velocity Fade | TRIG2 · knob B audio | -64…64 | Velocity-curve fade of the retrig: -64 full fade-out, 0 flat, 64 full fade-in. Its effect also depends on the VEL setting on TRIG PAGE 1. §11.3 | |
| LEN Length | TRIG2 · knob C audio | 0.125–INF; 1/16 = one step (printed as 0,125) | Duration of the retrig velocity curve in fractions/multiples of a step. Defines the boundaries of the curve's envelope. §11.3 | |
| RATE Rate | TRIG2 · knob D audio | Retrig rate, e.g. 1/16 (nominal), 1/32, 1/12 or 1/24 for triplets | Sets the retrig rate. 1/16 is one trig per step; 1/32 is two per step, etc. §11.3 | |
| PTIM Portamento Time | TRIG2 · knob E audio | Portamento time | Sets the time for the portamento. §11.3 | |
| PORT Portamento | TRIG2 · knob F audio | OFF / ON | Turns portamento on/off. Only available on audio tracks. §11.3 | |
| DEL Envelope Delay | FLTR2 · knob A audio | Envelope delay time | Time before the attack phase of the filter envelope starts. Also reachable from FLTR page 1 via [FUNC] + DATA ENTRY A. Affects only the selected FLTR machine on page 1. §11.6 | |
| KEY.T Keytrack | FLTR2 · knob B audio | Keytrack amount | How much the filter cutoff is affected by the note played; higher values open the filter more at higher notes. Affects only the selected FLTR machine on page 1. §11.6 | |
| BASE Base | FLTR2 · knob C audio | Base frequency | Sets the base frequency of the base-width filter. §11.6 | |
| WDTH Width | FLTR2 · knob D audio | Frequency width above the base | Sets the frequency width above the base frequency of the base-width filter. §11.6 | |
| BW.RT BW Routing | FLTR2 · knob E audio | PRE / POST | Routes the base-width filter before (Pre) or after (Post) the machine-selectable filter in the audio path. §11.6 | |
| RSET Filter Envelope Reset | FLTR2 · knob F audio | ON / OFF | ON resets the filter envelope on each consecutive trig (attack restarts from zero); OFF continues from where it left off. Affects only the selected FLTR machine on page 1. §11.6 | |
| ATK Attack Time | AMP · knob A audio | Attack time | Length of the attack phase of the amp envelope. §11.7 | |
| HOLD Hold Time | AMP · knob B audio | Fixed hold 0–126, or NOTE (hold follows Note On/Off) | Length of the hold phase. NOTE makes the hold follow Note On/Off events. Only available when MODE is AHD. §11.7 | |
| DEC Decay Time | AMP · knob C audio | Decay time | Length of the decay phase of the amp envelope. §11.7 | |
| SUS Sustain Level | AMP · knob D audio | Sustain level | Sustain level of the amp envelope. Only available when MODE is ADSR. §11.7 | |
| REL Release Time | AMP · knob B audio | Release time | Length of the release phase. Only available when MODE is ADSR (shares knob B with HOLD). §11.7 | |
| RSET Amp Envelope Reset | AMP · knob E audio | ON / OFF | ON resets the amp envelope on each consecutive trig (attack restarts from zero); OFF continues from where it left off. §11.7 | |
| MODE Envelope Mode | AMP · knob F audio | AHD / ADSR | Sets the amplitude envelope to act as an AHD or an ADSR envelope. §11.7 | |
| PAN Pan | AMP · knob G audio | Stereo position, left … centre … right | Positions the audio in the stereo field. §11.7 | |
| VOL Volume | AMP · knob H audio | Amplifier volume | Volume of the amplifier. Unlike track LEVEL, this can be parameter locked and is saved with the preset. §11.7 | |
| BR Bit Reduction | FX · knob A audio | 16 bits down to 1 bit | Sets the bit depth (16 bits to 1 bit). §11.8 | |
| OVER Overdrive | FX · knob B audio | Overdrive gain amount | Sets the gain amount into the digital overdrive. §11.8 | |
| SRR Sample Rate Reduction | FX · knob C audio | Sample rate reduction amount | Sets the amount of sample rate reduction. §11.8 | |
| SR.RT SRR Routing | FX · knob D audio | PRE / POST | Routes the sample-rate-reduction effect before (PRE) or after (POST) the filter machine. §11.8 | |
| DEL Delay Send | FX · knob E audio | Delay send amount | Amount of sound sent to the Delay effect. §11.8 | |
| REV Reverb Send | FX · knob F audio | Reverb send amount | Amount of sound sent to the Reverb effect. §11.8 | |
| CHR Chorus Send | FX · knob G audio | Chorus send amount | Amount of sound sent to the Chorus effect. §11.8 | |
| OD.RT Overdrive Routing | FX · knob H audio | PRE / POST | Routes the overdrive effect before (PRE) or after (POST) the filter machine. §11.8 | |
| SPD Speed | MOD1 · knob A audio | LFO speed; try 8/16/32 to sync to straight beats; negative values play the cycle backward | Sets the speed of the LFO. The knob is bipolar; negative values play the LFO cycle backward. §11.9 | |
| MULT Multiplier | MOD1 · knob B audio | Multiplies SPD by the set factor (× current BPM, or × a fixed 120 BPM) | Multiplies the SPD parameter by the set factor, either of the current tempo or of a fixed 120 BPM. §11.9 | |
| FADE Fade In/Out | MOD1 · knob C audio | -64…63 | Fades the LFO modulation in/out. Bipolar: positive values fade out, negative fade in, 0 gives no fade. §11.9 | |
| DEST Destination | MOD1 · knob D audio | LFO modulation destination (see Appendix D) | Selects the modulation destination for the LFO. Highlight to preview; [YES] confirms, [NO] cancels; [FUNC] + turn snaps to destination sections. §11.9 | |
| WAVE Waveform | MOD1 · knob E audio | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO waveform. TRI/SINE/SQR/SAW/RAND are bipolar; EXPO and RAMP are unipolar. §11.9 | |
| SPH Start Phase | MOD1 · knob F audio | Start phase 0–127 (0 = cycle start, 64 = centre); becomes SLEW when WAVE is RAND | Sets where in the wave cycle the LFO starts when trigged. When WAVE is RAND this parameter changes to SLEW and adds slew to the waveform's transitions. §11.9 | |
| MODE Trig Mode | MOD1 · knob G audio | FREE / TRIG / HOLD / ONE / HALF | Sets how the LFO acts when a note is trigged. FREE: free-running; TRIG: restarts on trig; HOLD: latches its level on trig; ONE: runs once then stops; HALF: runs to the middle then stops. §11.9 | |
| DEP Depth | MOD1 · knob H audio | Modulation depth and polarity; 0.00 = no modulation | Sets the depth and polarity of the LFO modulation. Both negative and positive depth are possible; a centre setting of 0.00 equals no modulation. §11.9 | |
| SPD Speed | MOD2 · knob A audio | LFO speed; try 8/16/32 to sync to straight beats; negative values play the cycle backward | Sets the speed of the LFO. The knob is bipolar; negative values play the LFO cycle backward. (controls LFO 2.) §11.10 | |
| MULT Multiplier | MOD2 · knob B audio | Multiplies SPD by the set factor (× current BPM, or × a fixed 120 BPM) | Multiplies the SPD parameter by the set factor, either of the current tempo or of a fixed 120 BPM. (controls LFO 2.) §11.10 | |
| FADE Fade In/Out | MOD2 · knob C audio | -64…63 | Fades the LFO modulation in/out. Bipolar: positive values fade out, negative fade in, 0 gives no fade. (controls LFO 2.) §11.10 | |
| DEST Destination | MOD2 · knob D audio | LFO modulation destination (see Appendix D) | Selects the modulation destination for the LFO. Highlight to preview; [YES] confirms, [NO] cancels; [FUNC] + turn snaps to destination sections. (controls LFO 2.) §11.10 | |
| WAVE Waveform | MOD2 · knob E audio | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO waveform. TRI/SINE/SQR/SAW/RAND are bipolar; EXPO and RAMP are unipolar. (controls LFO 2.) §11.10 | |
| SPH Start Phase | MOD2 · knob F audio | Start phase 0–127 (0 = cycle start, 64 = centre); becomes SLEW when WAVE is RAND | Sets where in the wave cycle the LFO starts when trigged. When WAVE is RAND this parameter changes to SLEW and adds slew to the waveform's transitions. (controls LFO 2.) §11.10 | |
| MODE Trig Mode | MOD2 · knob G audio | FREE / TRIG / HOLD / ONE / HALF | Sets how the LFO acts when a note is trigged. FREE: free-running; TRIG: restarts on trig; HOLD: latches its level on trig; ONE: runs once then stops; HALF: runs to the middle then stops. (controls LFO 2.) §11.10 | |
| DEP Depth | MOD2 · knob H audio | Modulation depth and polarity; 0.00 = no modulation | Sets the depth and polarity of the LFO modulation. Both negative and positive depth are possible; a centre setting of 0.00 equals no modulation. (controls LFO 2.) §11.10 | |
| SPD Speed | MOD3 · knob A audio | LFO speed; try 8/16/32 to sync to straight beats; negative values play the cycle backward | Sets the speed of the LFO. The knob is bipolar; negative values play the LFO cycle backward. (controls LFO 3.) §11.11 | |
| MULT Multiplier | MOD3 · knob B audio | Multiplies SPD by the set factor (× current BPM, or × a fixed 120 BPM) | Multiplies the SPD parameter by the set factor, either of the current tempo or of a fixed 120 BPM. (controls LFO 3.) §11.11 | |
| FADE Fade In/Out | MOD3 · knob C audio | -64…63 | Fades the LFO modulation in/out. Bipolar: positive values fade out, negative fade in, 0 gives no fade. (controls LFO 3.) §11.11 | |
| DEST Destination | MOD3 · knob D audio | LFO modulation destination (see Appendix D) | Selects the modulation destination for the LFO. Highlight to preview; [YES] confirms, [NO] cancels; [FUNC] + turn snaps to destination sections. (controls LFO 3.) §11.11 | |
| WAVE Waveform | MOD3 · knob E audio | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO waveform. TRI/SINE/SQR/SAW/RAND are bipolar; EXPO and RAMP are unipolar. (controls LFO 3.) §11.11 | |
| SPH Start Phase | MOD3 · knob F audio | Start phase 0–127 (0 = cycle start, 64 = centre); becomes SLEW when WAVE is RAND | Sets where in the wave cycle the LFO starts when trigged. When WAVE is RAND this parameter changes to SLEW and adds slew to the waveform's transitions. (controls LFO 3.) §11.11 | |
| MODE Trig Mode | MOD3 · knob G audio | FREE / TRIG / HOLD / ONE / HALF | Sets how the LFO acts when a note is trigged. FREE: free-running; TRIG: restarts on trig; HOLD: latches its level on trig; ONE: runs once then stops; HALF: runs to the middle then stops. (controls LFO 3.) §11.11 | |
| DEP Depth | MOD3 · knob H audio | Modulation depth and polarity; 0.00 = no modulation | Sets the depth and polarity of the LFO modulation. Both negative and positive depth are possible; a centre setting of 0.00 equals no modulation. (controls LFO 3.) §11.11 | |
| TIME Delay Time | DELAY · knob A fx | Relative to BPM, in 128th notes (see the TIME/divide-ratio table) | Sets the delay time, relative to the current BPM and measured in 128th notes. §12.2 | |
| X Ping Pong | DELAY · knob B fx | OFF / ON | OFF lets you set the delay pan manually with WID; ON alternates the delay between left and right (WID sets the amount). §12.2 | |
| WID Stereo Width | DELAY · knob C fx | Delay pan width across the stereo field | Sets the delay signal's pan width across the stereo field. Bipolar. §12.2 | |
| FDBK Feedback Gain | DELAY · knob D fx | Feedback amount | Amount of delay output fed back into the input. High settings give infinite/swelling delays and can get very loud. §12.2 | |
| HPF Highpass Filter | DELAY · knob E fx | Highpass cutoff | Cutoff frequency of the delay highpass filter. §12.2 | |
| LPF Lowpass Filter | DELAY · knob F fx | Lowpass cutoff | Cutoff frequency of the delay lowpass filter. §12.2 | |
| REV Reverb Send | DELAY · knob G fx | Delay-to-reverb send amount | Amount of delay output signal sent to the Reverb. §12.2 | |
| VOL Delay Volume | DELAY · knob H fx | Delay output volume (LEVEL/DATA) | Volume of the Delay output signal. Set with LEVEL/DATA. §12.2 | |
| PRE Pre-delay | REVERB · knob A fx | Reverb pre-delay time | Sets the pre-delay time of the Reverb. §12.3 | |
| DEC Decay Time | REVERB · knob B fx | Reverb decay time (space size) | Length of the decay phase of the reverberated signal — effectively the size of the simulated space. §12.3 | |
| FREQ FB Shelving Freq | REVERB · knob C fx | Shelving filter frequency | Shelving filter frequency. With GAIN, damps the reverb above the chosen frequency. §12.3 | |
| GAIN FB Shelving Gain | REVERB · knob D fx | Shelving damping amount | Damping of the reverb above the FREQ shelving frequency. Max keeps the treble; lower values damp it. §12.3 | |
| HPF Highpass Filter | REVERB · knob E fx | Highpass cutoff into the reverb | Cutoff of the reverb highpass filter affecting the audio going into the reverb. §12.3 | |
| LPF Lowpass Filter | REVERB · knob F fx | Lowpass cutoff into the reverb | Cutoff of the reverb lowpass filter affecting the audio going into the reverb. §12.3 | |
| VOL Reverb Volume | REVERB · knob G fx | Reverb output volume (LEVEL/DATA) | Volume of the Reverb output signal. Set with LEVEL/DATA. §12.3 | |
| DPTH Depth | CHORUS · knob A fx | Chorus LFO modulation depth | Depth of the LFO modulation of the chorus. §12.4 | |
| SPD Speed | CHORUS · knob B fx | Chorus LFO modulation speed | Speed of the LFO modulation of the chorus. §12.4 | |
| HPF High Pass Filter | CHORUS · knob C fx | Highpass on the input signal | Highpass filtering of the input signal. §12.4 | |
| WDTH Width | CHORUS · knob D fx | Chorus stereo width | Stereo width of the chorus. §12.4 | |
| DEL Delay Send | CHORUS · knob E fx | Chorus-to-delay send amount | How much of the wet chorus signal is sent to the delay. §12.4 | |
| REV Reverb Send | CHORUS · knob F fx | Chorus-to-reverb send amount | How much of the wet chorus signal is sent to the reverb. §12.4 | |
| VOL Chorus Volume | CHORUS · knob G fx | Chorus output volume (LEVEL/DATA) | Volume of the Chorus output signal. Set with LEVEL/DATA. §12.4 | |
| THR Threshold | COMP · knob A fx | Compressor threshold | Threshold of the compressor; a lower threshold compresses a larger portion of the signal. §12.5 | |
| ATK Attack Time | COMP · knob B fx | Attack time | Time of the compressor attack phase — how quickly it responds to loud peaks. §12.5 | |
| REL Release Time | COMP · knob C fx | Release time | Time of the compressor release phase — how long compression takes to recover. §12.5 | |
| MUP Makeup Gain | COMP · knob D fx | Makeup gain, displayed in dB | Makeup gain on the compressor output, compensating for the level reduction from compression. Shown in dB. §12.5 | |
| RAT Compression Ratio | COMP · knob E fx | 1.50 / 2.00 / 3.00 / 4.00 / 6.00 / 8.00 / 16.00 / 20.00 | Compression ratio; higher ratios compress the signal more. §12.5 | |
| SCS Sidechain Source | COMP · knob F fx | COMP MIX / NOT COMP / TRK1–16 / IN LR / IN L / IN R | Audio source the compressor analyzes for sidechaining. IN L/IN R need DUAL=ON; IN LR needs DUAL=OFF on the External mixer. §12.5 | |
| SCF Sidechain Filter | COMP · knob G fx | Negative = low-pass, positive = high-pass | Filters the sidechain source before analysis. Negative values set a low-pass (pumping), positive a high-pass (less pumping). §12.5 | |
| DRY Dry/Wet Mix | COMP · knob H fx | 0…127 | Mix of uncompressed and compressed signal. 0 = fully dry, 127 = fully compressed; in between is parallel compression. §12.5 | |
| VOL Pattern Volume | COMP fx | Kit/pattern overall level (LEVEL/DATA); like MAIN VOLUME but saved with the kit | Overall audio level of the kit, like the MAIN VOLUME knob but saved with the kit. Set with LEVEL/DATA. §12.5 | |
| DEL Delay Mix Volume | FXMIX · knob A fx | Master delay level | Master volume of the delay send effect. §12.8 | |
| REV Reverb Mix Volume | FXMIX · knob B fx | Master reverb level | Master volume of the reverb send effect. §12.8 | |
| CHR Chorus Mix Volume | FXMIX · knob C fx | Master chorus level | Master volume of the chorus send effect. §12.8 | |
| MOVD Master Overdrive | FXMIX fx | Overall overdrive for the kit's audio tracks (LEVEL/DATA) | Overall amount of overdrive for the audio tracks in the kit. Set with LEVEL/DATA. §12.8 | |
| IN LR In Level | EXTMIX · knob A fx | Level of the IN L/R audio input | Sets the level of the audio coming from the IN L/R input. §12.9 | |
| DUAL Dual Mono | EXTMIX · knob B fx | OFF / ON | Processes the inputs as one stereo input (OFF) or two separate mono inputs (ON). ON splits the remaining params into per-channel controls over extra pages and turns BAL into PAN. §12.9 | |
| BAL Balance | EXTMIX · knob C fx | Balance of INPUT L/R in the stereo field; becomes PAN when DUAL is ON | Balance of the audio from INPUT L and INPUT R in the stereo field. Becomes a PAN parameter when DUAL is ON. §12.9 | |
| DEL Delay Send | EXTMIX · knob D fx | IN L/R-to-delay send amount | Amount of sound from the IN L/R input sent to the delay effect. §12.9 | |
| REV Reverb Send | EXTMIX · knob E fx | IN L/R-to-reverb send amount | Amount of sound from the IN L/R input sent to the reverb effect. §12.9 | |
| CHO Chorus Send | EXTMIX · knob F fx | IN L/R-to-chorus send amount | Amount of sound from the IN L/R input sent to the chorus effect. §12.9 | |
| ALGO Algorithm | SYN1 · knob A fm_tone audio | 1…8 | Selects the structure (1-8) of how the four operators are connected to each other. Each algorithm has two carrier outputs (X and Y) crossfaded by MIX. See B.3 ALGORITHMS. §a2-syn-machines | |
| RATIO C Ratio C | SYN1 · knob B fm_tone audio | FM ratio multiplier for operator C; mostly limited to integers since C generally carries the base note. See B.4 FM RATIOS. | Sets the frequency ratio for operator C. Operator C always works as a carrier and is mostly limited to integers. See B.4 FM RATIOS. §a2-syn-machines | |
| RATIO A Ratio A | SYN1 · knob C fm_tone audio | FM ratio multiplier for operator A; an extended set of values to allow more inharmonic relationships. See B.4 FM RATIOS. | Sets the frequency ratio for operator A. Operator A has an extended set of ratio values to allow for more inharmonic relationships. See B.4 FM RATIOS. §a2-syn-machines | |
| RATIO B Ratio B (B1/B2) | SYN1 · knob D fm_tone audio | 0.25…16 | Sets the frequency ratio for operators B1 and B2. The minimum is 0.25; turning the encoder raises B2 to its max (16) then restarts B2 from 0.25 while B1 steps to the next value, revolving like the hands of a watch until both reach maximum. See B.4 FM RATIOS. §a2-syn-machines | |
| HARM Harmonics | SYN1 · knob E fm_tone audio | -26…26 | Controls the waveform (harmonic content) of operators C, A, and B1. Bipolar: negative values change the harmonics of operator C, positive values change the harmonics of operators A and B1. Intermediate values interpolate between harmonics. See B.6 HARMONICS. §a2-syn-machines | |
| DTUN Detune | SYN1 · knob F fm_tone audio | Detune offset of operators A and B2. Up to a value of around 64 the offset is very slight; above 64 the operators start to detune more heavily. | Offsets the ratio of operators A and B2. Up to around 64 the offset is very subtle; above 64 the operators detune more heavily. §a2-syn-machines | |
| FDBK Feedback | SYN1 · knob G fm_tone audio | Amount of self-modulation (feedback) of the feedback operator. | Sets the amount of self-modulation of the operator that has feedback (shown on the algorithm screen with a feedback loop in its upper-left corner). See B.2 OPERATORS. §a2-syn-machines | |
| MIX Mix | SYN1 · knob H fm_tone audio | -64…63 | Crossfades between the algorithm's two carrier outputs (X and Y), letting you blend two separate timbres. See B.3 ALGORITHMS. §a2-syn-machines | |
| ATK (A) Attack Time (operator A) | SYN2 · knob A fm_tone audio | Attack time | Sets the length of the attack phase of the modulation envelope for operator A. §a2-syn-machines | |
| DEC (A) Decay Time (operator A) | SYN2 · knob B fm_tone audio | Decay time | Sets the length of the decay phase of the modulation envelope for operator A. §a2-syn-machines | |
| END (A) End Level (operator A) | SYN2 · knob C fm_tone audio | End level | Sets the end level (the amplitude the envelope reaches at the end of the decay stage) of the modulation envelope for operator A. §a2-syn-machines | |
| LEV (A) Level (operator A) | SYN2 · knob D fm_tone audio | Modulation amount | Sets the modulation amount from operator A. Turn the LEV parameters up to apply frequency modulation, since they set the amount of FM in the engine. §a2-syn-machines | |
| ATK (B) Attack Time (operator group B) | SYN2 · knob E fm_tone audio | Attack time | Sets the length of the attack phase of the modulation envelope for operator group B (B1 and B2). §a2-syn-machines | |
| DEC (B) Decay Time (operator group B) | SYN2 · knob F fm_tone audio | Decay time | Sets the length of the decay phase of the modulation envelope for operator group B (B1 and B2). §a2-syn-machines | |
| END (B) End Level (operator group B) | SYN2 · knob G fm_tone audio | End level | Sets the end level of the modulation envelope for operator group B (B1 and B2). §a2-syn-machines | |
| LEV (B) Level (operator group B) | SYN2 · knob H fm_tone audio | Modulation amount | Sets the modulation amount from operator group B (B1 and B2). The B level is macro-mapped to both B1 and B2. Turn the LEV parameters up to apply frequency modulation. §a2-syn-machines | |
| ADEL Envelope Delay (A) | SYN3 · knob A fm_tone audio | Time before the attack phase starts | Sets the time before the attack phase of the modulation envelope for operator A starts. §a2-syn-machines | |
| ATRG Envelope Trig (A) | SYN3 · knob B fm_tone audio | ON / OFF | Sets the trig behavior of operator A's envelope. Trigged (ON) makes it an ADE (Attack Decay End) envelope; gated (OFF) makes it an ASDE (Attack Sustain Decay End) envelope where the LEV parameter sets the sustain level and note length defines the sustain phase. §a2-syn-machines | |
| ARST Envelope Reset (A) | SYN3 · knob C fm_tone audio | ON / OFF | Sets whether operator A's envelope resets or not when retrigged. §a2-syn-machines | |
| PHRT Phase Reset | SYN3 · knob D fm_tone audio | OFF / ALL / C / A+B / A+B2 | Sets whether and which operators' phase reset to start at 0 when trigged. OFF resets none; ALL resets all; C resets operator C; A+B resets operators A, B1 and B2; A+B2 resets operators A and B2. §a2-syn-machines | |
| BDEL Envelope Delay (B) | SYN3 · knob E fm_tone audio | Time before the attack phase starts | Same as ADEL but for operator group B (B1 and B2): the time before the attack phase of B's modulation envelope starts. §a2-syn-machines | |
| BTRG Envelope Trig (B) | SYN3 · knob F fm_tone audio | ON / OFF | Same as ATRG but for operator group B (B1 and B2): trigged (ON) gives an ADE envelope, gated (OFF) gives an ASDE envelope. §a2-syn-machines | |
| BRST Envelope Reset (B) | SYN3 · knob G fm_tone audio | ON / OFF | Same as ARST but for operator group B (B1 and B2): whether the envelope resets when retrigged. §a2-syn-machines | |
| RATIO OFFSET C Ratio Offset C | SYN4 · knob A fm_tone audio | Adds an offset to the ratio of operator C | Adds an offset to the ratio of operator C. §a2-syn-machines | |
| RATIO OFFSET A Ratio Offset A | SYN4 · knob B fm_tone audio | Adds an offset to the ratio of operator A | Adds an offset to the ratio of operator A. §a2-syn-machines | |
| RATIO OFFSET B1 Ratio Offset B1 | SYN4 · knob C fm_tone audio | Adds an offset to the ratio of operator B1 | Adds an offset to the ratio of operator B1. §a2-syn-machines | |
| RATIO OFFSET B2 Ratio Offset B2 | SYN4 · knob D fm_tone audio | Adds an offset to the ratio of operator B2 | Adds an offset to the ratio of operator B2. §a2-syn-machines | |
| KEY TRACK A Key Track A | SYN4 · knob E fm_tone audio | Key tracking amount for operator A's modulation output (0 = same level for all keys) | Sets how much operator A's modulation output is affected by the note played. At 0 the modulation level is the same for all keys; higher settings decrease the modulation level more the higher you play, reducing tonal complexity in higher frequencies (typical of acoustic instruments). §a2-syn-machines | |
| KEY TRACK B1 Key Track B1 | SYN4 · knob F fm_tone audio | Key tracking amount for operator B1's modulation output | Same as KEY TRACK A, but for operator B1. §a2-syn-machines | |
| KEY TRACK B2 Key Track B2 | SYN4 · knob G fm_tone audio | Key tracking amount for operator B2's modulation output | Same as KEY TRACK A, but for operator B2. §a2-syn-machines | |
| TUNE Tune | SYN1 · knob A fm_drum audio | Pitch of the oscillator | Sets the pitch of the oscillator. §a2-syn-machines | |
| STIM Sweep Time | SYN1 · knob B fm_drum audio | Pitch sweep time; lower values result in a shorter sweep | Sets the pitch sweep time. Lower values result in a shorter sweep. §a2-syn-machines | |
| SDEP Sweep Depth | SYN1 · knob C fm_drum audio | Depth of the pitch sweep | Sets the depth of the pitch sweep. §a2-syn-machines | |
| ALGO Algorithm | SYN1 · knob D fm_drum audio | Selects the structure of how the three operators are connected | Selects the structure of how the three operators are connected to each other. §a2-syn-machines | |
| OP.C Operator C Wave | SYN1 · knob E fm_drum audio | Waveform for operator C | Sets the waveform for operator C. §a2-syn-machines | |
| OP.AB Operator AB Wave | SYN1 · knob F fm_drum audio | Waveform for operators A and B | Sets the waveform for operators A and B. §a2-syn-machines | |
| FDBK Feedback | SYN1 · knob G fm_drum audio | Amount of self-modulation (feedback) of the feedback operator | Sets the amount of self-modulation of the operator that has feedback (shown on the algorithm screen with a feedback loop in its upper-right corner). §a2-syn-machines | |
| FOLD Fold | SYN1 · knob H fm_drum audio | Amount of wavefolding of the body part of the sound | Sets the amount of wavefolding of the body part of the sound (the noise and transient parts are excluded). Wavefolding increases the complexity of the wave and creates a more overtone-rich sound. §a2-syn-machines | |
| RATIO Ratio A | SYN2 · knob A fm_drum audio | Frequency ratio for operator A | Sets the frequency ratio for operator A. §a2-syn-machines | |
| DEC Decay A | SYN2 · knob B fm_drum audio | Decay time | Sets the length of the decay phase of the modulation envelope for operator A. §a2-syn-machines | |
| END End A | SYN2 · knob C fm_drum audio | End level | Sets the end level of the modulation envelope for operator A. §a2-syn-machines | |
| MOD Mod A | SYN2 · knob D fm_drum audio | Modulation amount from operator A | Sets the modulation amount from operator A. §a2-syn-machines | |
| RATIO Ratio B | SYN2 · knob E fm_drum audio | Frequency ratio for operator B | Sets the frequency ratio for operator B. §a2-syn-machines | |
| DEC Decay B | SYN2 · knob F fm_drum audio | Decay time | Sets the length of the decay phase of the modulation envelope for operator B. §a2-syn-machines | |
| END End B | SYN2 · knob G fm_drum audio | End level | Sets the end level of the modulation envelope for operator B. §a2-syn-machines | |
| MOD Mod B | SYN2 · knob H fm_drum audio | Modulation amount from operator B | Sets the modulation amount from operator B. §a2-syn-machines | |
| HOLD Body Hold | SYN3 · knob A fm_drum audio | Time before the decay phase starts for the body part of the sound | Sets the time before the decay phase starts for the body part of the sound. §a2-syn-machines | |
| DEC Body Decay | SYN3 · knob B fm_drum audio | Length of the decay phase for the body part of the sound; the last value is infinite | Sets the length of the decay phase for the body part of the sound. The last value is infinite. §a2-syn-machines | |
| PH.C OP C Phase | SYN3 · knob C fm_drum audio | A value less than 90 = phase reset on (value is the phase start position in degrees); 90 = resets at the peak of the waveform; OFF (value 91) = operator C's phase is not reset | Sets the phase reset for operator C. A value less than 90 means phase reset is on and the value is the phase start position in degrees; at 90 the operator resets at the peak of the waveform; set to OFF (value 91) operator C's phase is not reset. §a2-syn-machines | |
| LEV Body Level | SYN3 · knob D fm_drum audio | Level of the body part of the sound | Sets the level of the body part of the sound. §a2-syn-machines | |
| NRST Noise Reset | SYN3 · knob E fm_drum audio | OFF / ON | Noise Reset, when switched on, resets the noise to the same random seed on every note on. Useful if you want the noise part to always sound the same, like a sample. §a2-syn-machines | |
| NRM Noise Ring Mod | SYN3 · knob F fm_drum audio | OFF / ON | Noise Ring Mod, when switched on, uses operator C as a ring modulator for the noise. §a2-syn-machines | |
| NHLD Noise Hold | SYN4 · knob A fm_drum audio | Time before the decay phase starts for the noise part of the sound | Sets the time before the decay phase starts for the noise part of the sound. §a2-syn-machines | |
| NDEC Noise Decay | SYN4 · knob B fm_drum audio | Length of the decay phase for the noise part of the sound; the last value is infinite | Sets the length of the decay phase for the noise part of the sound. The last value is infinite. §a2-syn-machines | |
| TRAN Drum Transient | SYN4 · knob C fm_drum audio | Selects between different drum transients | Selects between different drum transients. §a2-syn-machines | |
| TLEV Transient Level | SYN4 · knob D fm_drum audio | Level of the transient part of the sound | Sets the level of the transient part of the sound. §a2-syn-machines | |
| BASE Noise Base | SYN4 · knob E fm_drum audio | Base frequency for the noise/transient filter | Sets the base frequency for the noise/transient filter. §a2-syn-machines | |
| WDTH Noise Width | SYN4 · knob F fm_drum audio | Frequency width above the base frequency for the noise/transient filter | Sets the frequency width above the base frequency for the noise/transient filter. §a2-syn-machines | |
| GRAN Noise Grain | SYN4 · knob G fm_drum audio | Density of the grains for the noise part, from high density (white noise) to low (grainy) | Adjusts the density of the grains for the noise part of the sound, from high density (white noise) to low (grainy). §a2-syn-machines | |
| NLEV Noise Level | SYN4 · knob H fm_drum audio | Level of the noise part of the sound | Sets the level of the noise part of the sound. §a2-syn-machines | |
| TUN1 Osc1 Tune | SYN1 · knob A wavetone audio | Pitch of oscillator 1 | Sets the pitch of oscillator 1. §a2-syn-machines | |
| WAV1 Osc1 Waveform | SYN1 · knob B wavetone audio | Crossfades between the waveforms; which waveforms are selectable depends on the wavetable chosen with TBL1 | Sets the waveform for oscillator 1. The waveform crossfades between the different waveforms; which waveforms you can select depends on the wavetable chosen with TBL1. §a2-syn-machines | |
| PD1 Osc1 Phase Distortion | SYN1 · knob C wavetone audio | Amount of phase distortion of oscillator 1 | Controls the amount of phase distortion of oscillator 1. Think of it as changing the pulse width, but on any waveform, not just square waves. §a2-syn-machines | |
| LEV1 Osc1 Level | SYN1 · knob D wavetone audio | Level of oscillator 1 | Sets the level of oscillator 1. §a2-syn-machines | |
| TUN2 Osc2 Tune | SYN1 · knob E wavetone audio | Pitch of oscillator 2 | Sets the pitch of oscillator 2. §a2-syn-machines | |
| WAV2 Osc2 Waveform | SYN1 · knob F wavetone audio | Crossfades between the waveforms; which waveforms are selectable depends on the wavetable chosen with TBL2 | Sets the waveform for oscillator 2. The waveform crossfades between the different waveforms; which waveforms you can select depends on the wavetable chosen with TBL2. §a2-syn-machines | |
| PD2 Osc2 Phase Distortion | SYN1 · knob G wavetone audio | Amount of phase distortion of oscillator 2 | Controls the amount of phase distortion of oscillator 2. Think of it as changing the pulse width, but on any waveform, not just square waves. §a2-syn-machines | |
| LEV2 Osc2 Level | SYN1 · knob H wavetone audio | Level of oscillator 2 | Sets the level of oscillator 2. §a2-syn-machines | |
| OFS1 Osc1 Lin Offset | SYN2 · knob A wavetone audio | Linear (hertz) frequency offset of oscillator 1 tuning | Offsets the frequency of oscillator 1 linearly in hertz (unlike TUNE which adjusts pitch in cents), giving more noticeable detune on lower notes than higher and a chorus-like detune whose beating frequency does not vary with pitch. §a2-syn-machines | |
| TBL1 Osc1 Wavetable | SYN2 · knob B wavetone audio | PRIM / HARM | Selects the wavetable for the oscillator 1 WAVE parameter. PRIM contains the basic oscillator waves Sin, Tri, Saw, Square. HARM contains a long list of waveforms sweeping across other combinations of harmonics. §a2-syn-machines | |
| MOD Oscillator Modulation | SYN2 · knob C wavetone audio | OFF / RING MOD / RING MODE FIXED / HARD SYNC | Selects how the two oscillators interact. RING MOD: oscillator 2 modulates oscillator 1 (usually set LEV2 to 0). RING MODE FIXED: as RING MOD but oscillator 2 does not track note values. HARD SYNC: oscillator 1's phase resets each time oscillator 2 starts a new cycle, with TUN2 controlling tuning and TUN1 a resonance-like aspect. §a2-syn-machines | |
| RSET Oscillator Phase Reset | SYN2 · knob D wavetone audio | OFF / ON / RAND | Sets if and how the oscillators' wave phase resets when you play a note. OFF does not reset the phase; ON resets the oscillators to the start of their waveform phase; RAND resets them to a random position in the waveform phase. §a2-syn-machines | |
| OFS2 Osc2 Lin Offset | SYN2 · knob E wavetone audio | Linear (hertz) frequency offset of oscillator 2 tuning | Offsets the frequency of oscillator 2 linearly in hertz (unlike TUNE which adjusts pitch in cents), giving more noticeable detune on lower notes than higher and a chorus-like detune whose beating frequency does not vary with pitch. §a2-syn-machines | |
| TBL2 Osc2 Wavetable | SYN2 · knob F wavetone audio | PRIM / HARM | Selects the wavetable for the oscillator 2 WAVE parameter. PRIM contains the basic oscillator waves Sin, Tri, Saw, Square. HARM contains a long list of waveforms sweeping across other combinations of harmonics. §a2-syn-machines | |
| DRIF Oscillator Drift | SYN2 · knob G wavetone audio | Amount of random pitch drift of oscillators 1 and 2 | Sets the amount of random pitch drift of oscillator 1 and 2. §a2-syn-machines | |
| ATK Noise Attack | SYN3 · knob A wavetone audio | Length of the attack phase of the noise amp envelope | Sets the length of the attack phase of the noise amp envelope. §a2-syn-machines | |
| HOLD Noise Hold | SYN3 · knob B wavetone audio | Fixed Hold time values (0-126) specify the length of the hold phase; setting HOLD to NOTE means the hold phase is determined by Note On and Note Off events | Sets the length of the hold phase of the noise amp envelope. Fixed Hold time values (0-126) specify the hold length and ignore Note Off events (Trig Length, releasing a [TRIG] key, etc.); setting HOLD to NOTE makes the hold phase follow Note On and Note Off events. §a2-syn-machines | |
| DEC Noise Decay | SYN3 · knob C wavetone audio | Length of the decay phase of the noise amp envelope | Sets the length of the decay phase of the noise amp envelope. §a2-syn-machines | |
| NLEV Noise Level | SYN3 · knob D wavetone audio | Level of the noise part of the sound | Sets the level of the noise part of the sound. §a2-syn-machines | |
| BASE Noise Base | SYN3 · knob E wavetone audio | Base frequency for the noise filter | Sets the base frequency for the noise filter. §a2-syn-machines | |
| WDTH Noise Width | SYN3 · knob F wavetone audio | Frequency width above the base frequency for the noise filter | Sets the frequency width above the base frequency for the noise filter. §a2-syn-machines | |
| TYPE Noise Type | SYN3 · knob G wavetone audio | GRAIN / TUNED / S&H | Selects between three different types of noise: GRAIN, TUNED (a Sample and Hold that tracks the pitch), and S&H (Sample and Hold). §a2-syn-machines | |
| CHAR Noise Character | SYN3 · knob H wavetone audio | Effect varies with the selected TYPE: GRAIN sets grain density (white noise to grainy); TUNED sets the base tuning tracked by pitch; S&H sets the fixed tuning | Changes the character of the noise; the effect varies with the selected TYPE. GRAIN: sets the density of the grain, from white noise to very grainy. TUNED: sets the base tuning of the sample & hold, then tracked by pitch. S&H: sets the fixed tuning of the sample and hold. §a2-syn-machines | |
| TUNE Tune | SYN1 · knob A swarmer audio | Offsets the incoming note value; a setting of 0 leaves the pitch unchanged | Offsets the incoming note value. This parameter is bipolar; a setting of 0 leaves the pitch unchanged. §a2-syn-machines | |
| SWRM Swarm Waveform | SYN1 · knob B swarmer audio | Waveform of the detuned swarm oscillators | Sets the waveform of the detuned swarm oscillators. §a2-syn-machines | |
| DET Detune | SYN1 · knob C swarmer audio | Amount of detuning of the six swarm oscillators in relation to the main oscillator | Sets the amount of detuning of the six swarm oscillators in relation to the main oscillator. §a2-syn-machines | |
| MIX Mix | SYN1 · knob D swarmer audio | Level of the swarm oscillators in relation to the main oscillator | Sets the level of the swarm oscillators in relation to the main oscillator. §a2-syn-machines | |
| M.OCT Main Octave | SYN1 · knob E swarmer audio | Detunes the main oscillator down one or two octaves; leaves the swarm oscillators' pitch unchanged | Detunes the main oscillator down one or two octaves but leaves the swarm oscillators' pitch unchanged. §a2-syn-machines | |
| MAIN Main Waveform | SYN1 · knob F swarmer audio | Waveform of the main oscillator | Sets the waveform of the main oscillator. §a2-syn-machines | |
| ANIM Swarm Animation | SYN1 · knob G swarmer audio | Modulation amount of the swarm oscillators | Sets the modulation amount of the swarm oscillators. The swarm oscillators are modulated separately in pairs by hidden LFOs running at different rates. §a2-syn-machines | |
| N.MOD Noise Modulation | SYN1 · knob H swarmer audio | Amount of noise modulation of the detuned swarm oscillators | Sets the amount of noise modulation of the detuned swarm oscillators. §a2-syn-machines | |
| ATK Attack Time | FLTR1 · knob A multi_mode audio | Length of the attack phase of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B multi_mode audio | Length of the decay phase of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C multi_mode audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D multi_mode audio | Length of the release phase of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E multi_mode audio | Cutoff frequency of the multi-mode filter | Sets the cutoff frequency of the multi-mode filter. §a3-fltr-machines | |
| RESO Resonance | FLTR1 · knob F multi_mode audio | Resonance amount; introduces a peak in the spectrum at the cutoff frequency | Sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. §a3-fltr-machines | |
| TYPE Type | FLTR1 · knob G multi_mode audio | Morphs the multimode filter from Lowpass to Bandpass to Highpass | Morphs the multi-mode filter from Lowpass to Bandpass to Highpass. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H multi_mode audio | Amount of cutoff frequency modulation from the filter envelope; bipolar (negative and positive depths available) | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar: both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A lowpass4 audio | Length of the attack phase of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B lowpass4 audio | Length of the decay phase of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C lowpass4 audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D lowpass4 audio | Length of the release phase of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E lowpass4 audio | Cutoff frequency of the filter | Sets the cutoff frequency of the filter. §a3-fltr-machines | |
| RESO Resonance | FLTR1 · knob F lowpass4 audio | Resonance amount; introduces a peak in the spectrum at the cutoff frequency | Sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H lowpass4 audio | Amount of cutoff frequency modulation from the filter envelope; bipolar (negative and positive depths available) | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar: both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A legacy_lphp audio | Length of the attack phase of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B legacy_lphp audio | Length of the decay phase of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C legacy_lphp audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D legacy_lphp audio | Length of the release phase of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E legacy_lphp audio | Cutoff frequency of the filter | Sets the cutoff frequency of the filter. §a3-fltr-machines | |
| RESO Resonance | FLTR1 · knob F legacy_lphp audio | Resonance amount; introduces a peak at the cutoff frequency | Sets the resonance of the filter. Resonance introduces a peak at the cutoff frequency. §a3-fltr-machines | |
| TYPE Filter Type | FLTR1 · knob G legacy_lphp audio | Selects between a Lowpass or Highpass filter, both 2-pole, 12 dB/octave slope | Lets you select between a Lowpass or Highpass filter, both a 2-pole, 12 dB/octave slope. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H legacy_lphp audio | Amount of cutoff frequency modulation from the filter envelope; bipolar (negative and positive depths available) | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar: both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A comb_minus audio | Length of the attack phase of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B comb_minus audio | Length of the decay phase of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C comb_minus audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D comb_minus audio | Length of the release phase of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E comb_minus audio | Resonant frequencies of the comb filter | Sets the resonant frequencies of the comb filter. §a3-fltr-machines | |
| FDBK Feedback | FLTR1 · knob F comb_minus audio | Gain of the feedback signal; high values can create a very loud sound | Sets the gain of the feedback signal. Beware that setting FDBK to a high value can create a very loud sound. §a3-fltr-machines | |
| LPF Low Pass Filter | FLTR1 · knob G comb_minus audio | Cutoff frequency of the low pass filter in the feedback signal | Sets the cutoff frequency of the low pass filter in the feedback signal. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H comb_minus audio | Amount of cutoff frequency modulation from the filter envelope; bipolar (negative and positive depths available) | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar: both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A comb_plus audio | Length of the attack phase of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B comb_plus audio | Length of the decay phase of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C comb_plus audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D comb_plus audio | Length of the release phase of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E comb_plus audio | Resonant frequencies of the comb filter | Sets the resonant frequencies of the comb filter. §a3-fltr-machines | |
| FDBK Feedback | FLTR1 · knob F comb_plus audio | Gain of the feedback signal; high values can create a very loud sound | Sets the gain of the feedback signal. Beware that setting FDBK to a high value can create a very loud sound. §a3-fltr-machines | |
| LPF Low Pass Filter | FLTR1 · knob G comb_plus audio | Cutoff frequency of the low pass filter in the feedback signal | Sets the cutoff frequency of the low pass filter in the feedback signal. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H comb_plus audio | Amount of cutoff frequency modulation from the filter envelope; bipolar (negative and positive depths available) | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar: both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A equalizer audio | Length of the attack phase of the filter envelope | Sets the length of the attack phase of the EQ envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B equalizer audio | Length of the decay phase of the filter envelope | Sets the length of the decay phase of the EQ envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C equalizer audio | Sustain level of the filter envelope | Sets the sustain level of the EQ envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D equalizer audio | Length of the release phase of the filter envelope | Sets the length of the release phase of the EQ envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E equalizer audio | Center frequency of the EQ | Sets the center frequency of the EQ. §a3-fltr-machines | |
| GAIN Gain | FLTR1 · knob F equalizer audio | Amount of boost/cut around the center frequency of the EQ | Sets the amount of boost/cut around the center frequency of the EQ. §a3-fltr-machines | |
| Q Q | FLTR1 · knob G equalizer audio | Bandwidth of the affected frequency range; higher Q = narrower bandwidth | Lets you select the bandwidth of the frequency range that the EQ affects. The higher the Q value, the narrower the bandwidth. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H equalizer audio | Amount of cutoff frequency modulation from the filter envelope; bipolar (negative and positive depths available) | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar: both negative and positive modulation depths are available. §a3-fltr-machines | |
| CHAN Channel | SYN1 · knob A midi midi | OFF / 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 | Sets the MIDI channel the track sends data to. OFF turns the MIDI track off. This parameter cannot be parameter locked. §a2-syn-machines | |
| BANK Bank | SYN1 · knob B midi midi | Bank value sent on CC 0 MSB; default OFF (disabled) | Sends a bank change message on CC 0 MSB. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| SBNK Sub Bank | SYN1 · knob C midi midi | Sub-bank value sent on CC 32 LSB; default OFF (disabled) | Sends a bank change message on CC 32 LSB. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| PROG Program Change | SYN1 · knob D midi midi | Program Change value; default OFF (disabled) | Sends a Program Change message. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| PB Pitch Bend | SYN1 · knob E midi midi | Pitch bend value; default OFF (disabled) | Controls the pitch bend data sent on the MIDI track. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| AT Aftertouch | SYN1 · knob F midi midi | Aftertouch value; default OFF (disabled) | Controls the aftertouch data sent on the MIDI track. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| MW Mod Wheel | SYN1 · knob G midi midi | Mod wheel value; default OFF (disabled) | Controls the modulation wheel data sent on the MIDI track. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| BC Breath Controller | SYN1 · knob H midi midi | Breath control value; default OFF (disabled) | Controls the breath control data sent on the MIDI track. Default OFF; press [FUNC] + DATA ENTRY to enable. §a2-syn-machines | |
| VAL1 CC 1 Value | FLTR1 · knob A midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL2 CC 2 Value | FLTR1 · knob B midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL3 CC 3 Value | FLTR1 · knob C midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL4 CC 4 Value | FLTR1 · knob D midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL5 CC 5 Value | FLTR1 · knob E midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL6 CC 6 Value | FLTR1 · knob F midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL7 CC 7 Value | FLTR1 · knob G midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL8 CC 8 Value | FLTR1 · knob H midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| SEL1 CC 1 Select | FLTR2 · knob A midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL2 CC 2 Select | FLTR2 · knob B midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL3 CC 3 Select | FLTR2 · knob C midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL4 CC 4 Select | FLTR2 · knob D midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL5 CC 5 Select | FLTR2 · knob E midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL6 CC 6 Select | FLTR2 · knob F midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL7 CC 7 Select | FLTR2 · knob G midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL8 CC 8 Select | FLTR2 · knob H midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| VAL9 CC 9 Value | AMP · knob A midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL10 CC 10 Value | AMP · knob B midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL11 CC 11 Value | AMP · knob C midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL12 CC 12 Value | AMP · knob D midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL13 CC 13 Value | AMP · knob E midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL14 CC 14 Value | AMP · knob F midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL15 CC 15 Value | AMP · knob G midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| VAL16 CC 16 Value | AMP · knob H midi midi | CC value, default OFF (disabled) | Controls the value that this assignable CC command sends. The CC command itself is selected by the matching SEL parameter. Default OFF; press [FUNC] + DATA ENTRY to activate, then turn to set a value. You can also name the parameter via the naming screen. §a2-syn-machines | |
| SEL9 CC 9 Select | AMP2 · knob A midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL10 CC 10 Select | AMP2 · knob B midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL11 CC 11 Select | AMP2 · knob C midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL12 CC 12 Select | AMP2 · knob D midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL13 CC 13 Select | AMP2 · knob E midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL14 CC 14 Select | AMP2 · knob F midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL15 CC 15 Select | AMP2 · knob G midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| SEL16 CC 16 Select | AMP2 · knob H midi midi | Standard MIDI Control Change command number | Selects the CC command (a standard MIDI Control Change message) whose value is set by the matching VAL parameter. Press the knob or [YES] to activate; you can also assign it via MIDI learn ([FUNC] + DATA ENTRY). §a2-syn-machines | |
| MODE Mode | ARP · knob A audio | OFF / TRUE / UP / DOWN / CYCL | Activates the arpeggiator and sets how the notes are sorted. TRUE keeps insertion order; UP/DOWN ascend/descend per octave; CYCL goes up then down. §9.7 | |
| SPEED Speed | ARP · knob B audio | Arpeggiator speed, synchronized to the project BPM | Sets the speed of the arpeggiator; the options are synced to the project BPM. §9.7 | |
| RANGE Range | ARP · knob C audio | Octave range of the arpeggio | Sets the octave range. After each cycle the notes transpose one octave up until the RANGE offset is reached, then reset. §9.7 | |
| N.LEN Note Length | ARP · knob D audio | Length of the arpeggiated notes | Controls the length of the arpeggiated notes. §9.7 | |
| OFS Offset | ARP · knob E audio | Per-step note offset in semitones from the original trig | Offsets the chosen arpeggiator step in semitones from the original note trig (select the step with [LEFT]/[RIGHT], set with knob E). §9.7 | |
| LEN Length | ARP · knob F audio | Arpeggio length, max 16 sequencer steps | Selects the length of the arpeggio (knob F); the maximum is 16 sequencer steps. §9.7 | |
| STEAL Voice Steal | VOICE · knob A audio | CYCLE / TRACK / LO / HI | Rule for which of the 16 voices is taken when more than 16 are needed. CYCLE: oldest first; TRACK: lower track number has priority; LO/HI: lowest/highest note first. Affects the whole pattern. §10.7 | |
| REUSE Reuse | VOICE · knob B audio | ON / OFF | Whether the same note played twice reuses the same voice (ON — good for staccato/drums) or cycles to a new one (OFF — good for pianos/pads). §10.7 | |
| VOICES Voices | VOICE · knob C audio | 1–16 voices locked to the track, or DYN (dynamic) | Number of voices locked to the track (a locked voice can't be used/stolen by another track). DYN uses any available voices. §10.7 | |
| STATE Unison State | VOICE · knob D audio | ON / OFF | Turns unison on/off ([FUNC] + [VOICE SETUP] also toggles it). Unison adds several voices playing the same note. §10.7 | |
| V.AMNT Unison Voice Amount | VOICE · knob E audio | Number of voices played per note in unison | Sets how many voices play for each note in unison. §10.7 | |
| SPREAD Unison Spread | VOICE · knob F audio | Pan and detune amount added to the unison voices | Adds pan and detune to the unison voices. §10.7 | |
| PLAY MODE Play Mode | SETUP audio | POLY / POLY M.LFO / MONO / MONO LEG. | Sets the preset poly/monophonic and whether per-voice LFOs run free or synced. POLY M.LFO syncs all voices' LFOs to the first; MONO LEG. doesn't retrigger envelopes while a note is held. §9.6 | |
| MONO NOTE PRIO Mono Note Priority | SETUP audio | LAST / LOW / HIGH | Which note wins when several are played at once. Only available when PLAY MODE is MONO or MONO LEG. §9.6 | |
| VELOCITY TO VOL Velocity to Volume | SETUP audio | OFF / LOG / LIN / EXP / EXP 2 | How MIDI velocity from a keyboard affects volume. OFF: no effect; LOG/LIN/EXP/EXP 2 apply different velocity curves. §9.6 | |
| OCTAVE Octave | SETUP audio | Base octave of the preset | Sets the base octave of the preset, making preset-locking more practical without transposing the sequencer. §9.6 | |
| PITCH BEND DEPTH Pitch Bend Depth | SETUP audio | How much external MIDI pitch bend affects the pitch | Sets how much pitch bend data from external MIDI devices affects the Digitone II. §9.6 | |
| TYPE Portamento Type | PORT audio | TRACK / VOICE / LEGATO ONLY | Portamento glide source: TRACK glides from the last note on the track; VOICE glides per voice; LEGATO ONLY glides only from a held note to the next. §9.6 | |
| SLOPE Portamento Slope | PORT audio | CONSTANT RATE / CONSTANT TIME | CONSTANT RATE glides at a fixed rate (longer intervals take longer); CONSTANT TIME completes the glide in a fixed time regardless of interval. §9.6 | |
| AMOUNT Portamento Amount | PORT audio | Up to 100 (full glide); lower values start the glide closer to the goal pitch | Enables partial glides — 100 gives a full glide from start to finish; lower values start the glide closer to the goal pitch. §9.6 | |
| STYLE Portamento Style | PORT audio | GLIDE / GLISSANDO | GLIDE is ordinary continuous portamento; GLISSANDO quantizes the glide to semitones. §9.6 | |
| GATING Portamento Gating | PORT audio | OFF / ON | OFF lets the glide continue after the key is released; ON stops the glide when the key is released. §9.6 |