Parameters
260 parameters
| Name | Where | Range | MIDI | Description |
|---|---|---|---|---|
| NOTE Trig Note | TRIG1 · knob A audio, midi | Note pitch | Sets the pitch of the note when trigged. In LIVE RECORDING mode, when playing in KEYBOARD mode, the pitch of the [TRIG] keys played overrides this setting. Press and turn DATA ENTRY knob A to select only note values that exist in the scale set by KB SCALE (behavior configurable via NOTE PARAM in the PERSONALIZE menu). §11.2 | |
| VEL Trig Velocity | TRIG1 · knob B audio, midi | Note trig velocity | Sets the velocity of the sequencer's note trigs. §11.2 | |
| LEN Trig Length | TRIG1 · knob C audio, midi | Note trig length | Sets the length of the note trig. In LIVE RECORDING mode, the duration of pressing the [TRIG] keys overrides this general setting. §11.2 | |
| PROB Trig Probability | TRIG1 · knob D audio, midi | Probability percentage; default 100% | Sets the probability that the trigs on the track play or not. The outcome is re-evaluated every time a trig is set to play; the default 100% means all trigs on the track play every time. Can be parameter locked to give separate trigs their own probability. §11.2 | |
| LFO.T LFO Trig | TRIG1 · knob E audio, midi | OFF / ON | Controls if the LFO will be trigged or not. §11.2 | |
| FLT.T Filter Trig | TRIG1 · knob F audio | OFF / ON | Controls if the filter envelope will be trigged or not. §11.2 | |
| FILL Fill | TRIG1 · knob G audio | OFF / ON | A separate trig condition that determines if a trig plays depending on whether the device is in FILL mode. A trig with FILL set to ON plays when FILL mode is active; set to OFF it plays when FILL mode is not active. The sequencer must be in FILL mode to activate the FILL trig condition. §11.2 | |
| COND Trig Condition | TRIG1 · knob H audio | Trig condition rules applied via conditional parameter lock | Sets the Trig Condition with which a set of conditional rules can be applied to any trig, using a conditional parameter lock. §11.2 | |
| RTRG Retrig | TRIG2 · knob A audio | OFF / ON | Turns the retrig lock ON/OFF using DATA ENTRY knob A. The retrig function is not available on the MIDI tracks. Retrig settings are stored in the active pattern. §11.3 | |
| VFAD Velocity Fade | TRIG2 · knob B audio | -64…64 | Sets the velocity curve fade out/fade in of the retrig. -64 is a complete fade out during the set length, 0 is a flat velocity curve with no fade, and 64 fades in completely to full velocity during the set length. The effect also depends on the VEL setting on TRIG PAGE 1. §11.3 | |
| LEN Length | TRIG2 · knob C audio | 0.125–INF (fractions of, or rational or integer multiples of, a step) | Sets the duration of the retrig velocity curve in fractions of, or rational or integer multiples of, a step. 1/16 is the nominal length of one step. This defines the boundaries of the velocity curve's envelope. §11.3 | |
| RATE Rate | TRIG2 · knob D audio | 1/1 / 1/2 / 1/3 / 1/4 / 1/5 / 1/6 / 1/8 / 1/10 / 1/12 / 1/16 / 1/20 / 1/24 / 1/32 / 1/40 / 1/48 / 1/64 / 1/80 | Sets the retrig rate. 1/16 is the nominal retrig rate, one trig per step; 1/32 corresponds to two trigs per step, and so on. To trig triplets, set the retrig rate to 1/12 (or 1/24). §11.3 | |
| PTIM Portamento Time | TRIG2 · knob G audio | Portamento time | Sets the time for the portamento. §11.3 | |
| PORT Portamento | TRIG2 · knob H audio | OFF / ON | Turns the portamento on/off. This parameter is only available on audio tracks. §11.3 | |
| DEL Envelope Delay | FLTR2 · knob A audio | Delay time before the filter envelope attack phase | Sets the time before the attack phase of the filter envelope starts. Part of the filter envelope that controls the multimode filter. Press and hold [FUNC] and turn DATA ENTRY knob A to quickly access this parameter from FILTER page 1. §11.6 | |
| KEY.T Keytrack | FLTR2 · knob D audio | Keytrack amount | Sets how much the filter cutoff frequency is affected by what note is playing. The higher the KEY.T setting, the more the filter opens up at higher notes. §11.6 | |
| BASE | FLTR2 · knob E audio | Base frequency | Sets the base frequency of the base-width filter. With BASE set to 0, the filter functions as a low pass filter with WIDTH adjusting the frequency range. With BASE set to 0 and WIDTH set to 127 the filter does not affect the sound. §11.6 | |
| WIDTH | FLTR2 · knob F audio | Frequency width above the base frequency | Sets the frequency width above the base frequency of the base-width filter. With WIDTH set to 127, the filter functions as a high pass filter with BASE adjusting the frequency range. With BASE set to 0 and WIDTH set to 127 the filter does not affect the sound. §11.6 | |
| BW.RT BW Routing | FLTR2 · knob G audio | PRE / POST | Selects if the base-width filter is routed before (PRE) or after (POST) the machine selectable filter in the audio path. §11.6 | |
| RSET Filter Envelope Reset | FLTR2 · knob H audio | OFF / ON | Sets the filter envelope behavior. ON resets the envelope for each consecutive trig (default); OFF does not reset the envelope for each consecutive trig. §11.6 | |
| ATK Attack Time | AMP · knob A audio | Attack phase length | Sets the length of the attack phase of the amp envelope. §11.7 | |
| HOLD Hold Time | AMP audio | 0–126 (fixed hold time), or NOTE | Sets the length of the hold phase of the amp envelope. Fixed values (0–126) make the envelope ignore Note Off events such as Trig Length, releasing a [TRIG] key, or a key on an external controller; setting HOLD to NOTE means the hold phase is determined by Note On and Note Off events. Only available if MODE is set to AHD. §11.7 | |
| DEC Decay Time | AMP · knob B audio | Decay phase length | Sets the length of the decay phase of the amp envelope. §11.7 | |
| SUS Sustain Level | AMP · knob C audio | Sustain level | Sets the sustain level of the amp envelope. This parameter is only available if MODE is set to ADSR. §11.7 | |
| REL Release Time | AMP · knob D audio | Release phase length | Sets the length of the release phase of the amp envelope. This parameter is only available if MODE is set to ADSR. §11.7 | |
| RSET Amp Envelope Reset | AMP · knob E audio | OFF / ON | Sets the amp envelope behavior. ON resets the envelope for each consecutive trig (default); OFF does not reset the envelope for each consecutive trig. §11.7 | |
| MODE Envelope Mode | AMP · knob F audio | AHD / ADSR | Sets the amplitude envelope to function as an AHD or an ADSR envelope. §11.7 | |
| PAN Pan | AMP · knob G audio | Stereo position | Positions the audio in the stereo field. §11.7 | |
| VOL Volume | AMP · knob H audio | Amplifier volume amount | Sets the volume amount of the amplifier. Unlike the track LEVEL, this parameter can be parameter locked. §11.7 | |
| BR Bit Reduction | FX · knob A audio | 16 bits to 1 bit | Sets the bit rate. The parameter range is from 16 bits to 1 bit. §11.8 | |
| OVER Overdrive | FX · knob B audio | Overdrive gain amount | Sets the gain amount into the digital overdrive. §11.8 | |
| SRR Sample Rate Reduction | FX · knob C audio | Sample rate reduction amount | Sets the amount of sample rate reduction. §11.8 | |
| ROUT SRR Routing | FX · knob D audio | PRE / POST | Sets if the Sample Rate Reduction effect is applied pre (before) or post (after) the filter section. §11.8 | |
| DEL Delay Send | FX · knob E audio | Delay send amount | Sets the amount of sound sent through to the Delay send effect. §11.8 | |
| REV Reverb Send | FX · knob F audio | Reverb send amount | Sets the amount of sound sent through to the Reverb send effect. §11.8 | |
| CHR Chorus Send | FX · knob G audio | Chorus send amount | Sets the amount of sound sent through to the Chorus send effect. §11.8 | |
| OD.RT Overdrive Routing | FX · knob H audio | PRE / POST | Selects if the overdrive effect is routed before (PRE) or after (POST) the filter machine. There are no parameters on the FX page for MIDI tracks. §11.8 | |
| SPD Speed | MOD1 · knob A audio, midi | Bipolar; negative values play the LFO cycle backward | Sets the speed of LFO 1. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob is bipolar; the LFO cycle can be played backward by using negative values. §11.9 | |
| MULT Multiplier | MOD1 · knob B audio, midi | Multiplication factor, applied to the current tempo (BPM settings) or to a fixed tempo of 120 BPM | Multiplies the SPD parameter by the set factor, either by multiplying the current tempo (BPM settings) or by multiplying a fixed tempo of 120 BPM. §11.9 | |
| FADE Fade In/Out | MOD1 · knob C audio, midi | -64…63 | Fades the LFO modulation in or out. The knob is bipolar: positive values give a fade-out, negative values give a fade-in, and 0 gives no fade in/fade out. §11.9 | |
| DEST Destination | MOD1 · knob D audio, midi | Modulation destinations listed in APPENDIX C: MODULATION DESTINATIONS | Selects the modulation destination for LFO 1. Preview how the modulation affects the sound by highlighting a destination, then press [YES] to confirm. Press [FUNC] and turn the knob to snap to destination sections. §11.9 | |
| WAVE Waveform | MOD1 · knob E audio, midi | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are bipolar; the Exponential and Ramp are unipolar. §11.9 | |
| SPH Start Phase | MOD1 · knob F audio, midi | 0 starts at the beginning of a complete wave cycle, 64 starts at the center | Sets the point within the wave cycle where the LFO starts when trigged. 0 makes the LFO start at the beginning of a complete wave cycle, 64 at the center; a small square at the start of the waveform shows the cycle starts at a zero-crossing. If WAVE is set to RND, SPH changes to SLEW and adds slew to the transitions in the waveform. §11.9 | |
| MODE Trig Mode | MOD1 · knob G audio, midi | FRE / TRG / HLD / ONE / HLF | Sets how the LFO acts when a note is trigged. FRE (default) runs continuously; TRG restarts the LFO on a trig; HLD runs free but latches the output level on a trig; ONE runs the waveform once to the end then stops (envelope-like); HLF runs to the middle of the waveform then stops. §11.9 | |
| DEP Depth | MOD1 · knob H audio, midi | Bipolar; center setting 0.00 equals no modulation depth | Sets the depth and polarity of the LFO modulation. Both negative (inverted) and positive modulation depth is possible; a center setting of 0.00 equals no modulation depth. §11.9 | |
| SPD Speed | MOD2 · knob A audio, midi | Bipolar; negative values play the LFO cycle backward | Sets the speed of LFO 2. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob is bipolar; the LFO cycle can be played backward by using negative values. §11.10 | |
| MULT Multiplier | MOD2 · knob B audio, midi | Multiplication factor, applied to the current tempo (BPM settings) or to a fixed tempo of 120 BPM | Multiplies the SPD parameter by the set factor, either by multiplying the current tempo (BPM settings) or by multiplying a fixed tempo of 120 BPM. §11.10 | |
| FADE Fade In/Out | MOD2 · knob C audio, midi | -64…63 | Fades the LFO 2 modulation in or out. The knob is bipolar: positive values give a fade-out, negative values give a fade-in, and 0 gives no fade in/fade out. §11.10 | |
| DEST Destination | MOD2 · knob D audio, midi | Modulation destinations listed in APPENDIX C: MODULATION DESTINATIONS | Selects the modulation destination for LFO 2. Preview how the modulation affects the sound by highlighting a destination, then press [YES] to confirm. Press [FUNC] and turn the knob to snap to destination sections. §11.10 | |
| WAVE Waveform | MOD2 · knob E audio, midi | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO 2 waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are bipolar; the Exponential and Ramp are unipolar. §11.10 | |
| SPH Start Phase | MOD2 · knob F audio, midi | 0 starts at the beginning of a complete wave cycle, 64 starts at the center | Sets the point within the wave cycle where LFO 2 starts when trigged. 0 makes the LFO start at the beginning of a complete wave cycle, 64 at the center. If WAVE is set to RND, SPH changes to SLEW and adds slew to the transitions in the waveform. §11.10 | |
| MODE Trig Mode | MOD2 · knob G audio, midi | FRE / TRG / HLD / ONE / HLF | Sets how LFO 2 acts when a note is trigged. FRE (default) runs continuously; TRG restarts the LFO on a trig; HLD runs free but latches the output level on a trig; ONE runs the waveform once to the end then stops (envelope-like); HLF runs to the middle of the waveform then stops. §11.10 | |
| DEP Depth | MOD2 · knob H audio, midi | Bipolar; center setting 0.00 equals no modulation depth | Sets the depth and polarity of the LFO 2 modulation. Both negative (inverted) and positive modulation depth is possible; a center setting of 0.00 equals no modulation depth. §11.10 | |
| SPD Speed | MOD3 · knob A audio | Bipolar; negative values play the LFO cycle backward | Sets the speed of LFO 3. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob is bipolar; the LFO cycle can be played backward by using negative values. MIDI tracks only have two LFOs. §11.11 | |
| MULT Multiplier | MOD3 · knob B audio | Multiplication factor, applied to the current tempo (BPM settings) or to a fixed tempo of 120 BPM | Multiplies the SPD parameter by the set factor, either by multiplying the current tempo (BPM settings) or by multiplying a fixed tempo of 120 BPM. §11.11 | |
| FADE Fade In/Out | MOD3 · knob C audio | -64…63 | Fades the LFO 3 modulation in or out. The knob is bipolar: positive values give a fade-out, negative values give a fade-in, and 0 gives no fade in/fade out. §11.11 | |
| DEST Destination | MOD3 · knob D audio | Modulation destinations listed in APPENDIX C: MODULATION DESTINATIONS | Selects the modulation destination for LFO 3. Preview how the modulation affects the sound by highlighting a destination, then press [YES] to confirm. Press [FUNC] and turn the knob to snap to destination sections. §11.11 | |
| WAVE Waveform | MOD3 · knob E audio | TRI / SINE / SQR / SAW / EXPO / RAMP / RAND | Sets the LFO 3 waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are bipolar; the Exponential and Ramp are unipolar. §11.11 | |
| SPH Start Phase | MOD3 · knob F audio | 0 starts at the beginning of a complete wave cycle, 64 starts at the center | Sets the point within the wave cycle where LFO 3 starts when trigged. 0 makes the LFO start at the beginning of a complete wave cycle, 64 at the center. If WAVE is set to RND, SPH changes to SLEW and adds slew to the transitions in the waveform. §11.11 | |
| MODE Trig Mode | MOD3 · knob G audio | FRE / TRG / HLD / ONE / HLF | Sets how LFO 3 acts when a note is trigged. FRE (default) runs continuously; TRG restarts the LFO on a trig; HLD runs free but latches the output level on a trig; ONE runs the waveform once to the end then stops (envelope-like); HLF runs to the middle of the waveform then stops. §11.11 | |
| DEP Depth | MOD3 · knob H audio | Bipolar; center setting 0.00 equals no modulation depth | Sets the depth and polarity of the LFO 3 modulation. Both negative (inverted) and positive modulation depth is possible; a center setting of 0.00 equals no modulation depth. §11.11 | |
| TIME Delay Time | DELAY · knob A fx | Relative to the current BPM, measured in 128th notes | Sets the delay time. It is relative to the current BPM and is measured in 128th notes. §12.2 | |
| X Ping-pong | DELAY · knob B fx | OFF / ON | Sets the delay signal to alternate across the stereo field. OFF lets you manually set the position of the delay signal in the stereo field using the WID parameter. ON makes the delay signal alternate between left and right pan positions, with WID controlling the amount of panning. §12.2 | |
| WID Stereo Width | DELAY · knob C fx | Bipolar | Sets the delay signal pan width across the stereo field. The knob is bipolar. §12.2 | |
| FDBK Feedback Gain | DELAY · knob D fx | Higher settings allow infinite and/or swelling delays | Sets the amount of delay output signal to feed back into the input of the delay. With higher parameter settings, infinite and/or swelling delays are possible. Be aware that high feedback can lead to a very loud signal. §12.2 | |
| VOL Delay Volume | DELAY fx | Delay output volume | Sets the volume of the Delay output signal. Use LEVEL/DATA to set this parameter. §12.2 | |
| HPF | DELAY · knob E fx | Highpass filter cutoff frequency | Sets the cutoff frequency of the delay highpass filter. §12.2 | |
| LPF | DELAY · knob F fx | Lowpass filter cutoff frequency | Sets the cutoff frequency of the delay lowpass filter. §12.2 | |
| REV Reverb Send | DELAY · knob H fx | Amount of Delay output sent to the Reverb | Sets the amount of Delay output signal to be sent to the Reverb. §12.2 | |
| PRE Pre-delay | REVERB · knob A fx | Pre-delay time | Sets the pre-delay time of the Reverb. §12.3 | |
| DEC Decay Time | REVERB · knob B fx | Length of the decay phase | Sets the length of the decay phase of the reverberated signal, essentially setting the size of the acoustic space. §12.3 | |
| FREQ FB Shelving Freq | REVERB · knob C fx | Shelving filter frequency | Sets the shelving filter frequency. Together with the GAIN parameter, it can be used to dampen the reverberated signal above a chosen frequency, making the reverberation sound more prominent or more muffled. §12.3 | |
| GAIN FB Shelving Gain | REVERB · knob D fx | At max value the treble is included in the reverberations; lowering the value gradually dampens it | Affects the damping of the reverberated signal above the shelving frequency set by the FREQ parameter. At max value the treble is included in the reverberations; lowering the value gradually dampens it. §12.3 | |
| VOL Reverb Volume | REVERB fx | Reverb output volume | Sets the volume of the Reverb output signal. Use LEVEL/DATA to set this parameter. §12.3 | |
| HPF | REVERB · knob E fx | High-pass filter cutoff frequency | Sets the cutoff frequency of the reverb high-pass filter that affects the audio going in to the reverb. §12.3 | |
| LPF | REVERB · knob F fx | Low-pass filter cutoff frequency | Sets the cutoff frequency of the reverb low-pass filter that affects the audio going in to the reverb. §12.3 | |
| DPTH Depth | CHORUS · knob A fx | Depth of the chorus LFO modulation | Sets the depth of the LFO modulation of the chorus. §12.4 | |
| SPD Speed | CHORUS · knob B fx | Speed of the chorus LFO modulation | Sets the speed of the LFO modulation of the chorus. §12.4 | |
| HPF High-pass filter | CHORUS · knob C fx | Highpass filtering of the input signal | Sets the highpass filtering of the input signal. §12.4 | |
| WDTH Width | CHORUS · knob D fx | Stereo width of the chorus | Sets the stereo width of the chorus. §12.4 | |
| VOL Chorus Volume | CHORUS fx | Chorus output volume | Sets the volume of the Chorus output signal. Use LEVEL/DATA to set this parameter. §12.4 | |
| DEL Delay Send | CHORUS · knob G fx | Amount of wet chorus signal sent to the delay | Sets how much of the wet chorus signal to send through to the delay. §12.4 | |
| REV Reverb Send | CHORUS · knob H fx | Amount of wet chorus signal sent to the reverb | Sets how much of the wet chorus signal to send through to the reverb. §12.4 | |
| THR Threshold | COMP · knob A fx | A lower threshold means a larger portion of the signal is subject to compression | Sets the threshold of the compressor. A lower threshold means a larger portion of the signal is subject to compression. §12.5 | |
| ATK Attack | COMP · knob B fx | Compressor attack time | Sets the time of the compressor attack phase, i.e. how quickly the compressor responds to loud peaks. §12.5 | |
| REL Release | COMP · knob C fx | Compressor release time | Sets the time of the compressor release phase, i.e. how long it takes for the compression to recover in quieter moments. §12.5 | |
| MUP Makeup Gain | COMP · knob D fx | Displayed in dB | Sets the makeup gain of the compressor output, to compensate for the reduced signal levels caused by compression. The Makeup Gain parameter value is displayed in dB. §12.5 | |
| VOL Pattern Volume | COMP fx | Overall kit audio level | Sets the kit's overall audio level. This parameter basically has the same function as the MAIN VOLUME knob, but is saved together with the kit. Use LEVEL/DATA to adjust the settings. §12.5 | |
| RAT Compression Ratio | COMP · knob E fx | 1.50 / 2.00 / 3.00 / 4.00 / 6.00 / 8.00 / 16.00 / 20.00 | Sets the compression ratio. There are eight different compression ratios; higher ratios result in greater compression of the signal. §12.5 | |
| SCS Sidechain Source | COMP · knob F fx | COMP MIX / NOT COMP / MAIN / TRK1-16 / IN LR / IN L / IN R | Decides what audio source the compressor analyzes when it performs sidechaining. COMP MIX/NOT COMP use the tracks routed/not routed to the compressor (depends on the COMPRESSOR ROUTING page), MAIN uses the sound sent to the Main (L/R) outputs, TRK1-16 uses a separate audio track, and IN LR/IN L/IN R use the external inputs. IN L and IN R are only available when DUAL on the EXTERNAL MIXER page is ON; IN LR only when DUAL is OFF. §12.5 | |
| SCF Sidechain Filter | COMP · knob G fx | Ranges from a low-pass filter (negative values) to a high-pass filter (positive values) | Filters the signal from the sidechain source before the compressor analyzes it. Negative parameter values set a low-pass filter, making the compressor react mostly to bass frequencies for a characteristic pumping compressor sound. Positive values set a high-pass filter, making it react less to bass frequencies to avoid pumping. §12.5 | |
| DRY/WET MIX Dry/Wet Mix | COMP · knob H fx | 0…127 | Sets the mix of the uncompressed signal and the compressor output signal. A setting of 0 results in a completely uncompressed signal, 127 lets only the compressed signal pass through, and values in between mix the two, which is known as parallel compression. §12.5 | |
| TRK1 Track Level | MIX1 · knob A fx | Track level | Sets the TRACK LEVEL of track 1 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK2 Track Level | MIX1 · knob B fx | Track level | Sets the TRACK LEVEL of track 2 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK3 Track Level | MIX1 · knob C fx | Track level | Sets the TRACK LEVEL of track 3 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK4 Track Level | MIX1 · knob D fx | Track level | Sets the TRACK LEVEL of track 4 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK5 Track Level | MIX1 · knob E fx | Track level | Sets the TRACK LEVEL of track 5 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK6 Track Level | MIX1 · knob F fx | Track level | Sets the TRACK LEVEL of track 6 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK7 Track Level | MIX1 · knob G fx | Track level | Sets the TRACK LEVEL of track 7 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| TRK8 Track Level | MIX1 · knob H fx | Track level | Sets the TRACK LEVEL of track 8 (if it is an audio track). The INTERNAL MIXER page 1 gives access to the track level faders of tracks 1-8. §12.6 | |
| VOL Pattern Volume | MIX1 fx | Overall pattern audio level | Sets the pattern's overall audio level. This parameter can be used to balance the volume between different patterns and is saved together with the kit. Use LEVEL/DATA to adjust the settings. §12.6 | |
| TRK9 Track Level | MIX2 · knob A fx | Track level | Sets the TRACK LEVEL of track 9 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK10 Track Level | MIX2 · knob B fx | Track level | Sets the TRACK LEVEL of track 10 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK11 Track Level | MIX2 · knob C fx | Track level | Sets the TRACK LEVEL of track 11 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK12 Track Level | MIX2 · knob D fx | Track level | Sets the TRACK LEVEL of track 12 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK13 Track Level | MIX2 · knob E fx | Track level | Sets the TRACK LEVEL of track 13 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK14 Track Level | MIX2 · knob F fx | Track level | Sets the TRACK LEVEL of track 14 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK15 Track Level | MIX2 · knob G fx | Track level | Sets the TRACK LEVEL of track 15 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| TRK16 Track Level | MIX2 · knob H fx | Track level | Sets the TRACK LEVEL of track 16 (if it is a non-MIDI track). The INTERNAL MIXER page 2 gives access to the track level faders of tracks 9-16. §12.7 | |
| VOL Pattern Volume | MIX2 fx | Overall pattern audio level | Sets the pattern's overall audio level. This parameter can be used to balance the volume between different patterns and is saved together with the kit. Use LEVEL/DATA to adjust the settings. §12.7 | |
| VOL Pattern Volume | FXMIX fx | Overall pattern audio level | Sets the pattern's overall audio level. This parameter can be used to balance the volume between different patterns and is saved together with the kit. Use LEVEL/DATA to adjust the settings. §12.8 | |
| CHR Chorus Mix Volume | FXMIX · knob G fx | Master volume of the chorus | Sets the master volume of the chorus. §12.8 | |
| DEL Delay Mix Volume | FXMIX · knob E fx | Master volume of the delay | Sets the master volume of the delay. §12.8 | |
| REV Reverb Mix Volume | FXMIX · knob F fx | Master volume of the reverb | Sets the master volume of the reverb. §12.8 | |
| MOVD Master Overdrive | FXMIX · knob H fx | Overall amount of overdrive for the audio tracks in the kit | Sets the overall amount of overdrive for the audio tracks in the kit. Use LEVEL/DATA to adjust the settings. §12.8 | |
| IN LR In Level | EXTMIX · knob A fx | Level of the IN L/R audio input | Sets the level of the audio from the IN L/R audio input. §12.9 | |
| DUAL Dual Mono | EXTMIX · knob B fx | OFF / ON | Sets if the inputs are processed as a single stereo input or as two separate mono inputs. Setting this parameter to ON changes the rest of the parameters from controlling both inputs to separate controls for channel L and R split over two mixer pages, and the BAL parameter changes to a PAN parameter. Use DATA ENTRY knob B to adjust this parameter. §12.9 | |
| BAL Balance | EXTMIX · knob C fx | Balance in the stereo field | Sets the balance of the audio from the INPUT L and INPUT R inputs in the stereo field. When DUAL is set to ON, this parameter changes to a PAN parameter with separate controls for each input channel. §12.9 | |
| VOL Pattern Volume | EXTMIX fx | Overall pattern audio level | Sets the pattern's overall audio level. This parameter can be used to balance the volume between different patterns and is saved together with the kit. Use LEVEL/DATA to adjust the settings. §12.9 | |
| CHO Chorus send | EXTMIX · knob G fx | Amount of IN L/R input sent to the chorus | Sets the amount of sound from the IN L/R audio input that is sent through to the chorus effect. §12.9 | |
| DEL Delay send | EXTMIX · knob E fx | Amount of IN L/R input sent to the delay | Sets the amount of sound from the IN L/R audio input that is sent through to the delay effect. §12.9 | |
| REV Rev send | EXTMIX · knob F fx | Amount of IN L/R input sent to the reverb | Sets the amount of sound from the IN L/R audio input that is sent through to the reverb effect. If DUAL is ON, the first EXTERNAL MIXER page controls INPUT L and an additional EXTERNAL MIXER page (6) controls INPUT R. Setting MON on the SAMPLING menu to DRY/PRE MIX disables the External in mixer functionality. §12.9 | |
| TUNE Tune | SRC · knob A oneshot audio | +/- 5 octaves, bipolar; 0 leaves the pitch unchanged | Sets the pitch of the sample. The knob works in a bipolar fashion, and a value of 0 leaves the pitch unchanged; the range is +/- 5 octaves. Press and hold [FUNC] and turn the DATA ENTRY knob to snap values to full octaves; press and turn the DATA ENTRY knob to snap values to semitones. §a2-src-machines | |
| PLAY Play Mode | SRC · knob B oneshot audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets the play mode of the sample, controlling how the sample is played back when trigged. In the loop modes the sample loops between Loop Position and Length; loop time is set with the LEN parameter on the TRIG page and is also constrained by the AMP page envelope parameters HLD and DEC. §a2-src-machines | |
| SAMP Sample Select | SRC · knob D oneshot audio | OFF, plus up to 1016 samples loaded to the project | Browses the list of up to 1016 samples loaded to the project and assigns them to the audio track. The first position, OFF, plays no sample; a sample must be loaded from the +Drive to the project before assigning it to a track. SAMP can be parameter locked to change the sample on any sequencer step (Sample locks). §a2-src-machines | |
| STRT Start | SRC · knob E oneshot audio | Start position for playback of the sample | Sets the start position for playback of the sample. §a2-src-machines | |
| LEN Length | SRC · knob F oneshot audio | Length of sample playback | Sets the length of the playback of the sample. Start + Length effectively defines the end point of the portion of the sample that is played. §a2-src-machines | |
| LOOP Loop Pos | SRC · knob G oneshot audio | Position in the sample playback returns to when looping | Sets the position in the sample that playback returns to after reaching the Length position (defined by STRT + LEN) when PLAY MODE is FORWARD LOOP; the sample then loops between LEN and LOOP. With REVERSE LOOP the sample starts at LEN, moves backwards to LOOP, and then loops between LEN and LOOP. §a2-src-machines | |
| LEV Sample Level | SRC · knob H oneshot audio | Level of the sample | Sets the level of the sample. Press and hold [SRC] to see the name of the currently loaded sample. §a2-src-machines | |
| TUNE Tune | SRC · knob A werp audio | +/- 5 octaves, bipolar; 0 leaves the pitch unchanged | Sets the pitch of the sample. The knob works in a bipolar fashion, and a value of 0 leaves the pitch unchanged; the range is +/- 5 octaves. Press and hold [FUNC] and turn the DATA ENTRY knob to snap values to full octaves; press and turn the DATA ENTRY knob to snap values to semitones. §a2-src-machines | |
| PLAY Play Mode | SRC · knob B werp audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets the play mode of the sample, controlling how the sample is played back when trigged. In the loop modes the sample loops between Loop Position and Length; loop time is set with the LEN parameter on the TRIG page and is also constrained by the AMP page envelope parameters HLD and DEC. §a2-src-machines | |
| SAMP Sample Select | SRC · knob D werp audio | OFF, plus up to 1016 samples loaded to the project | Browses the list of up to 1016 samples loaded to the project and assigns them to the audio track. The first position, OFF, plays no sample; a sample must be loaded from the +Drive to the project before assigning it to a track. SAMP can be parameter locked to change the sample on any sequencer step (Sample locks). §a2-src-machines | |
| SEG Segment Size | SRC · knob E werp audio | Higher value = larger/fewer segments | Determines the size of the segments, effectively setting the number of segments the sample is cut into for tempo warping. The higher the value, the larger and fewer the segments. §a2-src-machines | |
| MODE Segment Mode | SRC · knob F werp audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Selects how each individual segment is played back: REVERSE plays each segment in reverse once, REVERSE LOOP loops each segment continuously in reverse until the next segment starts, FORWARD LOOP loops each segment continuously forward until the next segment starts, and FORWARD plays each segment forward once. §a2-src-machines | |
| BARS Bars | SRC · knob G werp audio | Total duration of the sample in bars, relative to the set BPM | Sets the total duration of the sample measured in bars, relative to the set BPM. §a2-src-machines | |
| LEV Sample Level | SRC · knob H werp audio | Level of the sample | Sets the level of the sample. §a2-src-machines | |
| TUNE Tune | SRC · knob A stretch audio | +/- 5 octaves, bipolar; 0 leaves the pitch unchanged | Sets the pitch of the sample. The knob works in a bipolar fashion, and a value of 0 leaves the pitch unchanged; the range is +/- 5 octaves. Press and hold [FUNC] and turn the DATA ENTRY knob to snap values to full octaves; press and turn the DATA ENTRY knob to snap values to semitones. §a2-src-machines | |
| PLAY Play Mode | SRC · knob B stretch audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets the play mode of the sample, controlling how the sample is played back when trigged. In the loop modes the sample loops between Loop Position and Length; loop time is set with the LEN parameter on the TRIG page and is also constrained by the AMP page envelope parameters HLD and DEC. §a2-src-machines | |
| SAMP Sample Select | SRC · knob D stretch audio | OFF, plus up to 1016 samples loaded to the project | Browses the list of up to 1016 samples loaded to the project and assigns them to the audio track. The first position, OFF, plays no sample; a sample must be loaded from the +Drive to the project before assigning it to a track. SAMP can be parameter locked to change the sample on any sequencer step (Sample locks). §a2-src-machines | |
| STRT Start | SRC · knob E stretch audio | Start position for playback of the sample | Sets the start position for playback of the sample. §a2-src-machines | |
| LEN Length | SRC · knob F stretch audio | Length of sample playback | Sets the length of the playback of the sample. Start + Length effectively defines the end point of the portion of the sample that is played. §a2-src-machines | |
| BARS Bars | SRC · knob G stretch audio | Total duration of the sample in bars, relative to the set BPM | Sets the total duration of the sample measured in bars, relative to the set BPM. §a2-src-machines | |
| LEV Sample Level | SRC · knob H stretch audio | Level of the sample | Sets the level of the sample. §a2-src-machines | |
| PLAY Play Mode | SRC · knob B repitch audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets the play mode of the sample, controlling how the sample is played back when trigged. In the loop modes the sample loops between Loop Position and Length; loop time is set with the LEN parameter on the TRIG page and is also constrained by the AMP page envelope parameters HLD and DEC. §a2-src-machines | |
| SAMP Sample Select | SRC · knob D repitch audio | OFF, plus up to 1016 samples loaded to the project | Browses the list of up to 1016 samples loaded to the project and assigns them to the audio track. The first position, OFF, plays no sample; a sample must be loaded from the +Drive to the project before assigning it to a track. SAMP can be parameter locked to change the sample on any sequencer step (Sample locks). §a2-src-machines | |
| STRT Start | SRC · knob E repitch audio | Start position for playback of the sample | Sets the start position for playback of the sample. §a2-src-machines | |
| LEN Length | SRC · knob F repitch audio | Length of sample playback | Sets the length of the playback of the sample. Start + Length effectively defines the end point of the portion of the sample that is played. §a2-src-machines | |
| BARS Bars | SRC · knob G repitch audio | Total duration of the sample in bars, relative to the set BPM | Sets the total duration of the sample measured in bars, relative to the set BPM. §a2-src-machines | |
| LEV Sample Level | SRC · knob H repitch audio | Level of the sample | Sets the level of the sample. §a2-src-machines | |
| TUNE Tune | SRC · knob A slice audio | +/- 5 octaves, bipolar; 0 leaves the pitch unchanged | Sets the pitch of the sample. The knob works in a bipolar fashion, and a value of 0 leaves the pitch unchanged; the range is +/- 5 octaves. Press and hold [FUNC] and turn the DATA ENTRY knob to snap values to full octaves; press and turn the DATA ENTRY knob to snap values to semitones. §a2-src-machines | |
| PLAY Play Mode | SRC · knob B slice audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets the play mode of the sample, controlling how the sample is played back when trigged. In the loop modes the sample loops between Loop Position and Length; loop time is set with the LEN parameter on the TRIG page and is also constrained by the AMP page envelope parameters HLD and DEC. §a2-src-machines | |
| SAMP Sample Select | SRC · knob D slice audio | OFF, plus up to 1016 samples loaded to the project | Browses the list of up to 1016 samples loaded to the project and assigns them to the audio track. The first position, OFF, plays no sample; a sample must be loaded from the +Drive to the project before assigning it to a track. SAMP can be parameter locked to change the sample on any sequencer step (Sample locks). §a2-src-machines | |
| SLICE Slice Select | SRC · knob E slice audio | Slice number, or NOTE | Sets which slice to play. If set to NOTE, the TRIG keys in KEYBOARD mode or incoming MIDI note data determine which slice plays; slices play from C1 and upwards, wrapping around after the last slice. Slices are created and edited via the SLICE menu (press [SRC], then [YES] to open it) with actions such as EDIT SLICE POINTS, CREATE SLICE GRID, CREATE LINEAR LOCKS, and CREATE RANDOM LOCKS. §a2-src-machines | |
| LEN Slice Length | SRC · knob F slice audio | Number of slices played consecutively | Sets how many slices will play consecutively. For example, with SLICE set to 2 and LEN set to 3, the sample plays from the start of slice 2 to the end of slice 4. §a2-src-machines | |
| LEV Sample Level | SRC · knob H slice audio | Level of the sample | Sets the level of the sample. §a2-src-machines | |
| TUNE Tune | SRC · knob A grid audio | +/- 5 octaves, bipolar; 0 leaves the pitch unchanged | Sets the pitch of the sample. The knob works in a bipolar fashion, and a value of 0 leaves the pitch unchanged; the range is +/- 5 octaves. Press and hold [FUNC] and turn the DATA ENTRY knob to snap values to full octaves; press and turn the DATA ENTRY knob to snap values to semitones. §a2-src-machines | |
| PLAY Play Mode | SRC · knob B grid audio | REVERSE / REVERSE LOOP / FORWARD LOOP / FORWARD | Sets the play mode of the sample, controlling how the sample is played back when trigged. In the loop modes the sample loops between Loop Position and Length; loop time is set with the LEN parameter on the TRIG page and is also constrained by the AMP page envelope parameters HLD and DEC. §a2-src-machines | |
| SAMP Sample Select | SRC · knob D grid audio | OFF, plus up to 1016 samples loaded to the project | Browses the list of up to 1016 samples loaded to the project and assigns them to the audio track. The first position, OFF, plays no sample; a sample must be loaded from the +Drive to the project before assigning it to a track. SAMP can be parameter locked to change the sample on any sequencer step (Sample locks). §a2-src-machines | |
| SLICE Slice Select | SRC · knob E grid audio | Slice number, or NOTE | Sets which slice to play. If set to NOTE, the TRIG keys in KEYBOARD mode or incoming MIDI note data determine which slice plays; slices play from C1 and upwards, wrapping around after the last slice. SLICE can be parameter locked to set which slice the sequencer plays on a trig, and the ALLOCATE SLICE menu (press [YES] on the SRC page) can create LINEAR or RANDOM slice locks on already placed trigs. §a2-src-machines | |
| LEN Slice Length | SRC · knob F grid audio | Number of slices played consecutively | Sets how many slices will play consecutively. §a2-src-machines | |
| GRID Slice Grid | SRC · knob G grid audio | Number of slices the sample is cut into | Sets the number of slices the sample is cut into. The slices are evenly spread out over the whole length of the sample. §a2-src-machines | |
| LEV Sample Level | SRC · knob H grid audio | Level of the sample | Sets the level of the sample. §a2-src-machines | |
| NOT2 Note 2 | TRIG1 · knob F midi midi | Note offset from the root note; a value of 0 removes the offset note | Adds an additional note, offset from the root note by the selected value, to a note trig. Together with NOT2-NOT4 this lets a MIDI track send out chords of up to 4 notes. If the root note is changed, the offset notes transpose accordingly. A value of 0 removes the offset note. §a2-src-machines | |
| NOT3 Note 3 | TRIG1 · knob G midi midi | Note offset from the root note; a value of 0 removes the offset note | Adds an additional note, offset from the root note by the selected value, to a note trig. Together with NOT2-NOT4 this lets a MIDI track send out chords of up to 4 notes. If the root note is changed, the offset notes transpose accordingly. A value of 0 removes the offset note. §a2-src-machines | |
| NOT4 Note 4 | TRIG1 · knob H midi midi | Note offset from the root note; a value of 0 removes the offset note | Adds an additional note, offset from the root note by the selected value, to a note trig. Together with NOT2-NOT4 this lets a MIDI track send out chords of up to 4 notes. If the root note is changed, the offset notes transpose accordingly. A value of 0 removes the offset note. §a2-src-machines | |
| CHAN Channel | SRC · knob A midi midi | OFF, 1-16 | Sets the MIDI channel the track sends MIDI data to. If set to OFF, the MIDI track is turned off. This parameter cannot be parameter locked. §a2-src-machines | |
| BANK Bank | SRC · knob B midi midi | Bank change value; default OFF (disabled) | Sends a bank change message on CC 0 MSB. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| SBNK Sub Bank | SRC · knob C midi midi | Sub bank change value; default OFF (disabled) | Sends a bank change message on CC 32 LSB. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| PROG Program Change | SRC · knob D midi midi | Program Change value; default OFF (disabled) | Sends a Program Change message. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| PB Pitch Bend | SRC · knob E midi midi | Pitch bend data; default OFF (disabled) | Controls the pitch bend data sent on the MIDI track. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| AT Aftertouch | SRC · knob F midi midi | Aftertouch data; default OFF (disabled) | Controls the aftertouch data sent on the MIDI track. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| MW Mod Wheel | SRC · knob G midi midi | Modulation wheel data; default OFF (disabled) | Controls the modulation wheel data sent on the MIDI track. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| BC Breath Controller | SRC · knob H midi midi | Breath control data; default OFF (disabled) | Controls the breath control data sent on the MIDI track. Defaults to OFF (disabled); press and hold [FUNC] and then press the DATA ENTRY knob to enable it. §a2-src-machines | |
| VAL1 CC 1 Value | FLTR1 · knob A midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL1 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL2 CC 2 Value | FLTR1 · knob B midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL2 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL3 CC 3 Value | FLTR1 · knob C midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL3 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL4 CC 4 Value | FLTR1 · knob D midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL4 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL5 CC 5 Value | FLTR1 · knob E midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL5 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL6 CC 6 Value | FLTR1 · knob F midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL6 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL7 CC 7 Value | FLTR1 · knob G midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL7 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| VAL8 CC 8 Value | FLTR1 · knob H midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL8 on FLTR page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. Press and hold [FUNC], then press and hold the DATA ENTRY knob to name the parameter. §a2-src-machines | |
| SEL1 CC 1 Select | FLTR2 · knob A midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL1 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL2 CC 2 Select | FLTR2 · knob B midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL2 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL3 CC 3 Select | FLTR2 · knob C midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL3 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL4 CC 4 Select | FLTR2 · knob D midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL4 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL5 CC 5 Select | FLTR2 · knob E midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL5 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL6 CC 6 Select | FLTR2 · knob F midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL6 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL7 CC 7 Select | FLTR2 · knob G midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL7 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL8 CC 8 Select | FLTR2 · knob H midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL8 on FLTR page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the CC command change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| VAL9 CC 9 Value | AMP · knob A midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL9 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL10 CC 10 Value | AMP · knob B midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL10 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL11 CC 11 Value | AMP · knob C midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL11 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL12 CC 12 Value | AMP · knob D midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL12 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL13 CC 13 Value | AMP · knob E midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL13 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL14 CC 14 Value | AMP · knob F midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL14 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL15 CC 15 Value | AMP · knob G midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL15 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| VAL16 CC 16 Value | AMP · knob H midi midi | CC value to send; default OFF (disabled) | Controls the value that the assignable CC command sends. The CC command itself is specified by SEL16 on AMP page 2. Default is OFF; press [FUNC] + DATA ENTRY knob to activate the parameter, then turn the DATA ENTRY knob to set a value. §a2-src-machines | |
| SEL9 CC 9 Select | AMP2 · knob A midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL9 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL10 CC 10 Select | AMP2 · knob B midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL10 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL11 CC 11 Select | AMP2 · knob C midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL11 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL12 CC 12 Select | AMP2 · knob D midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL12 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL13 CC 13 Select | AMP2 · knob E midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL13 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL14 CC 14 Select | AMP2 · knob F midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL14 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL15 CC 15 Select | AMP2 · knob G midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL15 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| SEL16 CC 16 Select | AMP2 · knob H midi midi | Standard MIDI Control Change messages | Specifies the CC command whose value is controlled by VAL16 on AMP page 1. The selectable commands are the standard MIDI Control Change messages. Press the corresponding knob or [YES] to activate the parameter change. Supports MIDI learn: press and hold [FUNC] + the DATA ENTRY knob, then send a MIDI CC value from the external device. §a2-src-machines | |
| ATK Attack Time | FLTR1 · knob A multi_mode audio | Attack time of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B multi_mode audio | Decay time of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C multi_mode audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D multi_mode audio | Release time of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E multi_mode audio | Cutoff frequency | Sets the cutoff frequency of the multi-mode filter. §a3-fltr-machines | |
| RESO Resonance | FLTR1 · knob F multi_mode audio | Resonance amount | Sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. §a3-fltr-machines | |
| TYPE Type | FLTR1 · knob G multi_mode audio | Morphs continuously from Lowpass to Bandpass to Highpass | Morphs the multi-mode filter from Lowpass to Bandpass to Highpass. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H multi_mode audio | Bipolar; both negative and positive modulation depths are available | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar; both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A lowpass4 audio | Attack time of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B lowpass4 audio | Decay time of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C lowpass4 audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D lowpass4 audio | Release time of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E lowpass4 audio | Cutoff frequency | Sets the cutoff frequency of the filter. LOWPASS 4 is a 4-pole low-pass filter with a 24 dB/octave slope. §a3-fltr-machines | |
| RESO Resonance | FLTR1 · knob F lowpass4 audio | Resonance amount | Sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H lowpass4 audio | Bipolar; both negative and positive modulation depths are available | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar; both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A equalizer audio | Attack time of the EQ envelope | Sets the length of the attack phase of the EQ envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B equalizer audio | Decay time of the EQ envelope | Sets the length of the decay phase of the EQ envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C equalizer audio | Sustain level of the EQ envelope | Sets the sustain level of the EQ envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D equalizer audio | Release time of the EQ envelope | Sets the length of the release phase of the EQ envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E equalizer audio | Center frequency of the EQ | Sets the center frequency of the EQ. §a3-fltr-machines | |
| GAIN Gain | FLTR1 · knob F equalizer audio | Boost/cut amount around the center frequency | Sets the amount of boost/cut around the center frequency of the EQ. §a3-fltr-machines | |
| Q Q | FLTR1 · knob G equalizer audio | Bandwidth of the affected frequency range; higher Q = narrower bandwidth | Selects the bandwidth of the frequency range that the EQ affects. The higher the Q value, the narrower the bandwidth. A broad bandwidth boosts or cuts a larger band of frequencies than a narrow one. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H equalizer audio | Bipolar; both negative and positive modulation depths are available | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar; both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A comb_minus audio | Attack time of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B comb_minus audio | Decay time of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C comb_minus audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D comb_minus audio | Release time of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E comb_minus audio | Resonant frequencies of the comb filter | Sets the resonant frequencies of the comb filter. The COMB- filter has negative feedback and produces a more hollow, tube-like sound. §a3-fltr-machines | |
| FDBK Feedback | FLTR1 · knob F comb_minus audio | Gain of the feedback signal | Sets the gain of the feedback signal. §a3-fltr-machines | |
| LPF Low Pass Filter | FLTR1 · knob G comb_minus audio | Cutoff frequency of the low pass filter in the feedback signal | Sets the cutoff frequency of the low pass filter that is implemented in the feedback signal. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H comb_minus audio | Bipolar; both negative and positive modulation depths are available | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar; both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A comb_plus audio | Attack time of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B comb_plus audio | Decay time of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C comb_plus audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D comb_plus audio | Release time of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E comb_plus audio | Resonant frequencies of the comb filter | Sets the resonant frequencies of the comb filter. The COMB+ filter has positive feedback and produces a more string-like sound. §a3-fltr-machines | |
| FDBK Feedback | FLTR1 · knob F comb_plus audio | Gain of the feedback signal | Sets the gain of the feedback signal. Beware that setting FDBK to a high value can create a very loud sound. §a3-fltr-machines | |
| LPF Low Pass Filter | FLTR1 · knob G comb_plus audio | Cutoff frequency of the low pass filter in the feedback signal | Sets the cutoff frequency of the low pass filter in the feedback signal. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H comb_plus audio | Bipolar; both negative and positive modulation depths are available | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar; both negative and positive modulation depths are available. §a3-fltr-machines | |
| ATK Attack Time | FLTR1 · knob A legacy_lphp audio | Attack time of the filter envelope | Sets the length of the attack phase of the filter envelope. §a3-fltr-machines | |
| DEC Decay Time | FLTR1 · knob B legacy_lphp audio | Decay time of the filter envelope | Sets the length of the decay phase of the filter envelope. §a3-fltr-machines | |
| SUS Sustain Level | FLTR1 · knob C legacy_lphp audio | Sustain level of the filter envelope | Sets the sustain level of the filter envelope. §a3-fltr-machines | |
| REL Release Time | FLTR1 · knob D legacy_lphp audio | Release time of the filter envelope | Sets the length of the release phase of the filter envelope. §a3-fltr-machines | |
| FREQ Frequency | FLTR1 · knob E legacy_lphp audio | Cutoff frequency | Sets the cutoff frequency of the filter. The LEGACY filter is inspired by the filter from Digitakt I. §a3-fltr-machines | |
| RESO Resonance | FLTR1 · knob F legacy_lphp audio | Resonance amount | Sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. §a3-fltr-machines | |
| TYPE Filter Type | FLTR1 · knob G legacy_lphp audio | Lowpass or Highpass, both 2-pole with a 12 dB/octave slope | Selects between a Lowpass or Highpass filter, both 2-pole with a 12 dB/octave slope. §a3-fltr-machines | |
| ENV Env. Depth | FLTR1 · knob H legacy_lphp audio | Bipolar; both negative and positive modulation depths are available | Sets the amount of cutoff frequency modulation from the filter envelope. The knob is bipolar; both negative and positive modulation depths are available. §a3-fltr-machines | |
| SRC Source | SAMPLING · knob A audio | MAIN / USB / TRK1–16 / IN | Selects between different audio sources to sample from. MAIN samples the Digitakt II internal main audio channel(s), USB samples audio via Overbridge or a connected class compliant audio host, TRK1–16 samples one of the internal tracks, and IN samples from external sources via INPUT L and/or R. §13.1 | |
| CHAN | SAMPLING audio | STEREO L R / MONO L / MONO R / MONO L+R | Sets which channels the recorder should sample from. STEREO L R samples both left and right channels, MONO L only the left channel, MONO R only the right channel, and MONO L+R samples both channels but sums the audio to mono. §13.1 | |
| RECORD NOW | SAMPLING audio | Action: press [YES] to start sampling, press [YES] again to stop | Press [YES] to start sampling, and press [YES] again to stop. This quick way of sampling does not consider the THRES and ARM parameter settings. §13.1 | |
| THRES | SAMPLING · knob D audio | Audio level threshold for triggering armed sampling | If the sampler is armed, sampling begins when the incoming audio signal exceeds this threshold, provided that R.STRT is set to THRES. Set the threshold high enough that it is not triggered by background noise, but low enough to capture all of the signal. §13.1 | |
| MON | SAMPLING audio | PRE MIX / POST MIX | Selects whether to monitor the incoming audio through the Digitakt II's mixer and effect settings on the EXTERNAL MIXER page (POST MIX) or not (PRE MIX). Only available if SRC is set to IN L R. The recorded audio is always the dry input signal without effects; PRE MIX disables the External In mixer functionality, so make sure IN L R on the EXTERNAL MIXER page is turned up or you will not hear any sound. (Manual quirk: the §13.2 walkthrough says "Set MON to YES" — legacy wording; the printed values are PRE MIX/POST MIX.) §13.1 | |
| R.LEN Record Length | SAMPLING audio | 1–128 steps, or MAX | Sets the length of the sampling. With a setting of 1–128 steps, the length is decided by the time it takes the sequencer to advance the set number of steps at the current BPM. With MAX, sampling continues until max sampling time (66 seconds) is reached or until you press [YES] to stop. §13.1 | |
| R.STRT Record Start | SAMPLING audio | Start on [PLAY], or THRES (start when audio exceeds the threshold level) | Sets whether the recorder starts sampling when you press [PLAY], or when the level of the audio source exceeds the threshold level set by THRES with ARM set to ON. §13.1 | |
| ARM | SAMPLING audio | OFF / ON | When ARM is set to on, the recorder starts sampling when the incoming audio exceeds the threshold level set by THRES. You can also press [SAMPLING] + [YES] to arm the recorder, and [SAMPLING] + [NO] to cancel. §13.1 |